Barbears – Bearzerker Blues
Self-released / Metal.Hu – 2025
Metal, Sludge, Doom, Stoner
Rated: ***
Psst. I’ve got a little secret to share with you all… I know that this little ditty came in at the Number 50 spot of the December Doom Charts. Out of a 198 albums that received votes. And yes, I was one of the Contributors that voted for it. Cause over here on Stoner HiVe we’ve been keeping tabs on the fourpiece Barbears ever since we first heard their 2012 release Doombar. But their new Bearzerker Blues is heavier on all fronts. This is sludge metal, with overtones of doom and stoner. And it leaves a mark…
From the very first moments, the sound hits hard and confident. Those razor-sharp notes give the riffs real color and momentum. Beneath the dense sludge foundation, you can clearly hear a band that has grown together musically, and that chemistry elevates the record well above average. The songwriting thrives on surprise. Sudden shifts, unexpected textures, and well-placed twists that keep the listener alert. Even the clean vocal passages, used sparingly, land beautifully, adding contrast without breaking the spell.
These bears have turned into one of Hungary’s most uncompromising doom and stoner soaked sludge outliers. And this seven track bruiser called Bearzerker Blues is built on bass heavy grooves and punishing drum work. Riffs that grind with the fierce intention to leave a mark. Ten years after their Enter The Bear album they now have Zoltán Molnár as vocalist, one time member of Gholgoth, Sunstroke, Sin of God and Helioride. His lyrics can go from humoristic insights to modern nihilism encoded in soot-covered tones, never shying away from personal observations or off shoots on universal scale. Drawing from inner turmoil and the quiet violence of a world losing its sense of humanity, the album feels shaped by exhaustion, disillusionment, and the strange duality of life. It is a record that sounds honest on every level.
More strength comes from its restraint. Rage simmers beneath the surface instead of constantly erupting uncontrollably, giving the music a constant, pressing tension. Thick basslines, deliberate grooves, and crushing riffs rooted in sludge, doom, and blues establish the foundation, while the vocals move responsively within the arrangements, acting as another textural layer instead of a focal point. Each member occupies equal ground, creating a dense and carefully balanced whole. The album is unified by tone, mood, and an almost ritualistic cohesion and unfolds slowly, leaving a lasting imprint rather than instant gratification. Transitions and instrumental passages melt seamlessly into full compositions, echoing the album’s visual symbolism of metamorphosis. Barbears have changed from four furry drunks into a barbaric rock horde!
(Written by JK)


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