Cowboys & Aliens - Finis Temporum

 

 

Cowboys & Aliens - Finis Temporum 
Polderrecords - 2026 
Stoner 
Rated: ****¼ 

To be honest: despite Hank Vanhee being one of my favorite singers in stoner rock, I've never been a huge fan of Cowboys & Aliens. I liked their 2002 album 'Love Sex Volume' best, but even that one lacked a bit of consistency in the songwriting department - some being a nice smack in the face, while others were kind of middle of the road. That's why I didn't expect much of their new album 'Finis Temporum', but man did they prove me wrong! 

It opens right away with a high octane one-two punch ('Life Tree' and 'Rabbit Hole') that leaves you speechless, searching for ways to hop in your rundown car and gather some speeding tickets while chasing your own ghost on a dark and busy highway, headlights off, sunglasses on, driving in the wrong direction, trying to avoid the traffic coming at you at about 80 miles per hour. 

Guess the speeding will work by attaching a rocket engine to your rusty old friend. Anyway, this is the way to start a record and after miraculously being able to come out alive at the other side of your fantasy, you notice the pace has dropped slightly during the next three tracks where even some grunge influences come seeping in. Not without risk, but it works perfectly. The songs are well written and lure you in with lots of bravado, virtual chest pumping included. Not in a cocky way, but with modesty and confidence that surpasses outward appearance. Check out 'Ordinary Bliss' for example - how the guitar melody detaches itself from the rhythm section to create an undertow, dragging you under and letting you wander through all the intricate parts, every nook and cranny, not leaving a square inch untouched.
 
And then there's that surprising ending. A splendid reworking of 'Asteroid Blast' that sends the best song of their 2000 album 'A Trip to the Stonehenge Colony' into an orbit around the earth, shaking hands with extraterrestrial life while looking down on that beautiful city of Bruges where four guys are celebrating the 30th anniversary of a band befittingly called Cowboys & Aliens with by far their best release to date. And how they are, despite the title being Latin for the end of times, still very much alive - hell, even more so than ever before.

(Written by Ronny Dijksterhuis)
 

Check out the first three singles right now and get ready for Friday the 13th... Cause that's when the new Cowboys & Aliens album Finis Temporum goes live! 



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Cowboys And Aliens – Sandpaper Blues Knockout 

 

Kal-El – Astral Voyager Vol.2

 

 

Kal-El – Astral Voyager Vol.2
Majestic Mountain Records / Blues Funeral Recordings – 2026
Metal, Space, Stoner, Rock, Doom, Prog
Rated: ****

Kal-El’s Astral Voyager Vol.2 must be one of the most anticipated albums for 2026 right? With raving reviews for Astral Voyager Vol.1 across the globe in 2025. Landing on the Number 2 spot of the  Stoner HiVe Top 20 Countdown of 2025 and on the Number 1 position of the Doom Charts Top 100 for 2025. Everyone is giddy with the expected euphoria. And some of that anticipation was quenched with the first two singles already released: Juno and Juggernaut. The rest of the new Kal-El universe will open up on March 20th… 

And after Juno has opened the new forty-two minute long album, you will be treated to the longest track on the record called The Nine. Which moves a bit in the direction of Sergeant Thunderhoof without losing any of the typical ice cold Scandi-stoner, tundra rock, freezing space sound they have become known for. For yes, if Astral Voyager Vol.1launched Kal-El into the cosmos, Astral Voyager Vol.2 pushes the throttle even further. The second half of this cosmic diptych continues the band’s multi-dimensional trip with the confidence of a group fully locked into their orbit. The story of interstellar bounty hunter Mica unfolds further as she evades the mysterious Nine across time and space, but the real propulsion here is, unsurprisingly, riff power…

Kal-El once again blend stoner metal with touches of doom and swirling space rock, wrapped in that thick, fuzzy tone we’ve come to expect. Massive riffs crash down like meteor showers while soaring desert-, errr, tundra-rock hooks keep things infectious and addictive. There’s also that unmistakable Kal-El shimmer we already mentioned in earlier reviews: a cold spark running through the record that gives the whole thing a slightly icy, cosmic glow. They obviously wanted Vol.2 to only move into more progressive territory here and there, with tiny movements, keeping the overall feeling that these two Volumes belong together intact. 

Ståle Rodvelt’s vocals cut through the haze with clarity, lifting the big choruses and giving the songs that extra lift-off moment when the riffs finally explode. Add those few progressive touches and the result is an album that keeps evolving without losing its groove. Kal-El have been delivering quality ever since Ecosphere, was released in 2015. But the Astral Voyager saga might be their most complete statement yet. It ends with Asteroid, eight minutes of ever evolving largesse, in both riffs, rhythm and vocal lines. They start out huge, build and grow, become gigantic with vocals that soar through the universe and which bring you towards the end of the known galaxy. Where it all crashes down. So… You’d better strap in… This time the ride goes far beyond the event horizon…

(Written by JK)

Check out Juno and Juggernaut right now and get psyched for Astral Voyager Vol.2, dropping March 20th! 



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Kal-El - Astral Voyager Vol.1 - Number 2 on the Stoner HiVe Top 20 Countdown of 2024 

 Kal-El – Astral Voyager Vol.1

Kal-El - Dark Majesty - Number 11 on the Stoner HiVe Top 20 Countdown of 2021 

 

Stoner HiVe’s Top 10 Most Listened Artists Last Week…

 

 

Stoner HiVe’s 
Top 10 Most Listened Artists Last Week…

Blunt Knife Castration
Kal-El
Hermano
Phantom Druid
Psychlona
OogWei
Grave Disgrace
Purple Lung
Riastrad
Big Oaf

Morning! Hope you had a great week? We did! For it was the week in which we saw Kardeathian for the first time live. A sound that maneuvered between moments of Acid King and Los Natas, but overal felt like a slow trek through the swamp. Muddy, morose and monotonous. The final song had them opening up more, the sound coming into its own, groove and flow rising to the top. Hope to see them live again and am extremely interested in what they will sound like on record. Which will be released later this year. And we saw an incredibly tight Psychlona on the first night of their European tour. Holy hell, the outfit has become a machine! And the vocals sat perfect in the mix, taking the audience on every adventure Psychlona had planned for the night. Go see them if you can! 

 It was also a Doom Charts week last week, which means we started listening to the entire list of forty albums again after it was published. Getting all the way to Grave Disgrace yesterday and continuing on with Fátima today. So many great release! And there were way more, cause the Contributors voted for 200 different ones. Wow. We managed to have a few posts up last week and we got a few almost done for this week. But before new ones go live, let’s look back at Ronny Dijksterhuis’s write up for Druid Stone! The Doom Charts post. Words on the new Urlaub in Polen, Prophets of Thwaites and Purple Lung. And to that single premiere we did for Morrison Graves. And we might just do another premiere this week as well… Better check regularly! Ho ho ho. But seriously, thank you all for the continued support. We are honored and humbled that you crazies out there check in from time to time and spend that valuable time reading our silly words. Much love! And please help spread that everything Heavy Underground related. It’s why we do this thing… 

Druid Stone - The Living Dead

 

 

Druid Stone - The Living Dead 
Self-released - 2026 
Doom, Psychedelic, Rock, Pop 
Rated: ****½ 

Usually I'm not fond of solo projects where one person plays all instruments, as more often than not you hear a major or minor gap between the mastering of each instrument that results in a lack of coherency. Also having to do everything yourself might stand in the way of being able to channel the right amount of energy needed to make an impact. Not in the case of Druid Stone that is. Demeter Capsalis does it all to a high degree. Her seventh album 'The Living Dead' (my first encounter with Druid Stone) bleeds tons of energy and sounds as raw and direct as any album that's been recorded live in a studio with a full band. But here it's one person with a guest (Ilana Ruth Singer) who is responsible for well-placed angelic vocals on three songs. 

Opener 'Death for You, Undeath to Me' is a pinnacle of modern day traditional doom with a lowdown main groove that serves as a fluid center point where everything else swerves around in a game of push and pull wherein the clean vocals and creative, disorienting lead guitar demand full attention. It's a mere setup for what's to come. And that's a lot, because there are no boundaries, no suffocating limits, no forcing oneself to stay within the confinements of what a doom metal record should sound like. Therefore it's possible you encounter a slow, laidback psychedelic pop tune like 'Vampyros Lesbos '26' one moment and be thrown into a lengthy psychedelic doom trip with an occult edge, as proven by the stunning 'We Gave the Ram Head', while providing room for contemplation by presenting a three and a half minute acoustic interlude titled 'The Strange Voice of Mrs. Wardh'. But whichever path is chosen, there's always an intensity that's hard to put into words, as even in the softer songs there are different angles being used and little things to discover. It makes 'The Living Dead' one hell of a spellbinding album and one of the biggest surprises so far this year.

"PS: for your information and to explain the band pic… live Druid Stone is a full powerhouse doom trio."

(Written by Ronny Dijksterhuis)

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The Doom Charts For February 2026

 

DOOM CHARTS

FEBRUARY 2026

“Traveler now reach the stream, the audial flight adapter
From the pain-sheath sound ascends – the Non-returner hears
Empathy release me – and the Doom Chart rise triumphant…”
~ probably misheard lyrics by Om

The shortest month usually feels the longest when you’re waiting for the frost to break under the sun’s warmth, but the Heavy Underground has a way of warming your bones. As we venture further into this desolate year, the sheer volume of music being poured into our ears remains staggering. This month our contributors listened to, agonized over and eventually submitted a total of 200 different albums. And that’s only the ones they mentioned in their quantitatively restricted submissions, they probably listened to hundreds of albums!

From the smoke-filled basements of stoner rock, to the open fields of ambient, to the echoing cathedral naves of post-rock and cavernous lairs of doom, the variety continues to prove that “heavy” is a wide spectrum, not a single point. There continues to be an astounding amount of debut records submitted — bands emerging from the ether with fully-formed identities and riffs that sound like they’ve been aging in oak barrels for decades. Well, some of them do have the distinct edge of raw spirit rotgut. Of course, we still have to navigate the foggy musical swamp we’re wading through. We aren’t interested in the perfect performance or immaculate production, let alone committee engineered pop hooks; we want grit! And the small mistakes, the driving  passion and the raw power that only comes from real people totally smashing on their real instruments.

So, here it is: the top of the Doom Charts February 2026. A one-stop shop for the best new heavy releases out there, at least the best we could find! Dig in, support the bands, and let the music do the talking and screaming.

~ Jukka ‘Shrike’ Kolehmainen (Psychotropic Caravan, Abhorrence, Shrike’s Playlists)

 

Nicely worded by Jukka and we still can't wrap our heads around the sheer amount of albums released on a daily basis. But luckily we have the Doom Charts and all those other blogs, zines and podcasts to shed a light on many of them. And it's great when it happens on a Friday... For... 

It's Bandcamp Friday and the First Friday of the new month... Perfect time to scour through the brand new Doom Charts edition!= Out now and featuring forty amazing albums for you to peruse!

And of those forty on the list I personally voted for:

BROND, India Tigers in Texas, Phantom Druid, Blunt Knife Castration, Riastrad, Loud, Purple Lung, Earth Tongue, Surf Through Death, Mount Palatine, Eleanore, Sons of Gulliver, Fátima, Mientras las abejas duermen, Stargo, L'IRA DEL BACCANO, Electric Hydra, Oath of Doom, OREYEON, BelzebonG, Jack Harlon & The Dead Crows and Weedpecker...

Gonna start listening to all forty in a row again... We started with BROND's Snooze! And made our way through Lamp Of The Universe, Hela and have now arrived at Zahn and their Purper album... 

 

 Already featured on Stoner HiVe:

Riastrad – Riastrad

Hermano – Clisson, France (Live album)

Purple Lung – Mystic Vision

Mount Palatine – Wormholy World

FULL ALBUM PREMIERE - Mount Palatine – Wormholy World

FULL ALBUM PREMIERE Sons of Gulliver - Tetrahedric Hellscape Cannon

Stargo – Violet Skies

Oreyeon – The Grotesque Within        

Welcome to Doom Charts, representing some of the finest bloggers, journalists, radio, podcasters and reviewers from the heavy underground around the globe.  Each month, our critics submit their picks for the best new doom, sludge, metal, stoner, psychedelic and heavy rock albums.  The results are compiled and tabulated into the chart below.  This is a one-stop shop for the best new albums in the world…

 The Doom Charts for February 2026

Urlaub in Polen – Objects, Beings & Parrots

 

 

Urlaub in Polen – Objects, Beings & Parrots
Tapete Records – 2026
Rock, Kraut, Noise, Jazz, Psych, Post
Rated:****

Our very own Doktor420 is relentless in his search for the best kraut rock albums released every month. And usually, his favorites are immediate favorites over here as well. Take Urlaub In Polen, we still count the duo as stemming from the Heavy Underground, but can we even say that after they’ve been releasing amazing music for more than twenty-five years? Not counting the break they took. I believe Objects, Beings & Parrots is their seventh official full release and still brings their very own take on the Can and Neu sound in full force. Still incorporating more noise and pop influences and burrowing deep into the heavier guitar work and hammering rhythms. Almost mechanical at times, that driving force, that forward motion, insistent and feverish. Although some of the tracks do widen out, broaden the scope and seem to implore post rock vistas… 

But when that hypnotic krautrock and motorik pulse takes over, you cannot help but move with them through the retro-futuristic soundscape they build. Tracks like opener “Abacus” and the following “Washing Machine” spin with mechanical momentum, evoking angular energy and propulsive grooves. Yet the duo balance this drive with moments of unexpected warmth, acoustic textures, melodic detours, and even brass flourishes, creating a dynamic, hypnotic album that constantly shifts between propulsion and atmosphere. And that ability stretches out, makes you constantly long to experience it all live, where the synths can howl through the sweaty venue, noise crashes in waves, bodies move whether they want to or not. And then, when your body starts to ache, the machine threatens to blow apart, they break down exactly long enough, euphoria in the form of a stray brass blast, a moment of strange calm… Then the engine roars back again. And you move…

(Written by JK)

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Prophets of Thwaites - Vulnerant Omnes Ultima Necat

 

Prophets of Thwaites - Vulnerant Omnes Ultima Necat
Self released – 2026
Metal, Doom
Rated: ***

The three musicians behind this project seem haunted by the passing of time itself, by doomsday, the end of all things, and the slow procession of hours that wear us down until the final one arrives. For they’ve named themselves Prophets of Thwaites, after the Antarctica glacier, known as the fastest melting glacier on earth. And they’ve given the new two track single the ominous title: Vulnerant Omnes, Ultima Necat. Which is the ultimate reminder that time is forever running out and your final hour is closing in…

Founded in the year of our lord 2024, the trio recorded the new two track release in January of 2026 and will release Vulnerant Omnes, Ultima Necat with haste, so it seems, on March 17th. A highly atmospheric doom metal affair that implores influences from the more psychedelic and progressive sides of the heavy underground. Drifting on top, are the ghostly vocals of Esma Larabi, which sound absolutely wonderful, have a slight gothic touch, but could perhaps be a bit louder in the mix. 

But as the two tracks unfold you glide with the band through all of the shadow and light one can handle. There are towering walls of psychedelic fuzz, as the bass throbs and chops away at the foundation. And always at the center, Esma Larabi’s haunting vocals guiding the listener through moments of calm and turmoil, while the rhythm section shifts from restrained pulse to crushing force. Powered by drummer Nico Beemster, also responsible for the drums in Accabadora, the movement is forever relentless and relentlessly forever. For each movement feels like a passing hour, some gentle, some devastating, echoing the idea that time wounds all things, until the final moment arrives: Vulnerant Omnes, Ultima Necat.

(Written by JK)

Listen to 2025 single I Am The Winds now, and come back for Vulnerant Omnes, Ultima Necat on March 17th! 



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Purple Lung – Mystic Vision

 

 

Purple Lung – Mystic Vision
Self released – 2026
Metal, Doom, Stoner, Fantasy
Rated: ****

Steel gets sharpened. And then, from the first strike of Blademaster to the fading echoes of Dreamwalker’s Lament, the Mystic Vision album unfolds like a proscribed chronicle etched in smoke and fire. Delivered by Pennsylvanian foursome Purple Lung, they charge forward with blade sharp riffs and pounding doom rhythms, turning your world into mythical fable, before bending time itself in Annihilation of Time, before descending into shadowed rituals of Digging Up Snakes. The album prowls through swamp born Witcher curses in Beware The Bog Witch and ominous paranoia beneath The Watchful Eye, weaving occult storytelling into waves of psychedelic metal. 

At it’s core, Mystic Vision balances their metal, with crushing stoner grooves, gothic atmosphere, doom tones and flashes of thrash fueled urgency. And above it float the gritty, soulful voice of Toni Pennello who guides the listener like a battle-worn prophet. Always evoking a feeling of danger and you will never feel safe in her custody. The hypnotic pulse of Hum Of The Ancients and the engulfing weight of Swallowed By The Sea deepen the descent, culmination in the onslaught, and monstrous hunger of Desethos, The Starved. And after the 2022 Demo, that featured two of the songs in infant form, and a few two-tracks, this debut feels like they’ve arrived at the edge of the labyrinth. And now, with Mystic Vision, they call out to everyone who dares, to join them on a dark and epic journey… Sharpen your blades! 

(Written by JK)

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Single Premiere - Morrison Graves - Alice

 

Single Premiere 

Morrison Graves - Alice

 

It felt like all the mojo would be rising once again. And like the psychedelic blues had a found a new trio to possess, haunt and bring to the end of their tether. It was 2023 and the debut album was called Division Rising. And now, three years later, Morrison Graves is back! As a four piece and with a new EP called Under The Weight of Gravity. And from it, we are now honored to premiere the second single Alice. 

On Alice, the second single, Morrison Graves conjure a cinematic, reverb-drenched sound that feels like a dust-choked town waiting for a signal that may never come. Their songs shimmer with wet, surf-toned guitars, streaks of fuzz, and a restless psych undercurrent that hums like a radio searching for clarity. Basslines gallop in with urgency, drums push forward like approaching hoofbeats, and the vocals rise above it all, melodic, dramatic, and sharply phrased. There’s tension in the air, as if something vital has just slipped away. Yet the hooks remain immediate and memorable, balancing atmosphere and grit in a sound both haunting and defiantly alive... 

Press play and get lost with Alice... 

PR Wire: 

Portland-based rockers, Morrison Graves, navigate the realms of pre-doom and post-psychedelia. Their fuzzy, swirling brand of rock pulls influence from 60's psych/garage, Eastern modes, and indie rock. Morrison Graves’ debut album, Division Rising, released during the pandemic, valiantly tackled themes of gentrification, homelessness, and socio-economic disparity. This album was a collective howl in dark times, garnering an audience and establishing a precedent for the band.  

After the World re-opened, Morrison Graves transitioned from a recording project to a live band. Yet, emerging into this new post-pandemic reality, it is evident that normalcy has been shattered and the fragile constructs that society was precariously balanced upon are now nakedly exposed.  

In this fraught atmosphere, Morrison Graves has embarked upon recording a new EP, “Under The Weight of Gravity.” Their new songs address themes of tribalism, resource consumption, the global war machine, civil war, death, loss, and hope. There is urgency to address this existential state of dread and to sound the alarm. Firmly grounded in their ethos and distinct point of view, Morrison Graves’ response is to create rather than scream into the void. “Under The Weight of Gravity” will be Morrison Graves’ first post-pandemic release.

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Stoner HiVe’s Top 10 Most Listened Artists Last Week…

 

 

Stoner HiVe’s 
Top 10 Most Listened Artists Last Week…

Psychlona
Riastrad
Blunt Knife Castration
Sons of Gulliver
Gnarwhal
Oreyeon
Slomosa
Avon
Urlaub in Polen
American Sharks

Another week in the books and another in front of us. One where most of you few that will be reading these words can be thankful that you live where you live. For now. When will all the fighting stop? Everywhere. Why can’t there be a new wave of freedom, acceptance and love wash over the world? And never roll back… 

Did you escape in some way the past week? Did we help out a little? We hope so, cause we were honored to premiere a video for Bronco Forte and the amazing full album premiere for Sons Of Gulliver. We wrote a few words about the new Oreyeon album and mentioned a show this Saturday by Komatsu, Nevels and Patserbak in Eindhoven. And let’s not forget, this Wednesday starts the European tour for Psychlona! Who will be there in Merleyn, Nijmegen? We also jotted down a few words about Riastrad and on Friday, our resident poet Ronny Dijksterhuis did another wonderful and wild Quick Fire Friday round. Enough escapism if you need it! Let’s hope we can provide some this week as well… Stay strong, spread the word about the Heavy Underground. Spread the love! 

Riastrad – Riastrad

 

 

Riastrad – Riastrad
Self-released – 2026
Rock, Doom, Stoner, Metal, Grunge
Rated: ***

Of course… Riastrad has already been on the Rich And Turbo Show… Cause Rich never sleeps and ropes everyone into joining him on Rich And Turbo’s Heavy Half Hour. Which usually lasts well over a half hour, but that’s okay, cause time flies by as you listen and watch them talk music. Cause we all love to talk about music. This time though, the Riastrad interview only passes the time mark with some five minutes. Go watch it HERE… 

But luckily lasting forty-five minutes is the debut self-titled album Riastrad. Straight out of Portland, comes this four-piece that opt to go for the classic toned metal. Doom to the touch and with a definite motoring vibe. Ten furious metal tracks, topped by searing vocals delivered by Paige Parker. Vocals that can turn more honey toned and lure you deeper into the Riastrad sound on the drop of a dime. 

Traditional in tone and classic in its approach to doom metal, it is by no means just doom. The fat riffs are there, and so are the operatic vocals and the gothic grandeur. But not everything is slowed to a crawl, often in fact it speeds up and mirrors a more thrashy approach or the heavy metal of yore. But in atmosphere, the monumental melodies, approaching that medieval quality and seismic feel all at once, has Riastrad delivering nothing but class. 

Class, but the kind that owns plaid shirts and loves their grunge, for as the album continues, definite influences of the nineties and stonerrock do pop up. It’s what gives the album that touch or originality needed to make this a special debut. Why yes! This is the kind of ruckus every metal head will adore. Older heads because it will remind them of their youth. And the youth because it will wild them out or shoot them down a rabbit hole discovering how deep it all really goes… 

(Written by JK)

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Psychlona on tour!!

Psychlona on tour!!

It’s a Psychlona march over in Europe! All through March they’ve got their boots on and their majestic beat to stomp to. Almost twenty nights long you can get your Psychlona fix! Starting this Wednesday, the 4th in the lovely Merleyn venue in Nijmegen, Netherlands, with Kardeathian as pre-show. And the day after, on the 5th, Doom Charts’ very own Riffsniffer invites them to the Baroeg in Rotterdamn to do it together with Cosmic Debris and Fuzzard. Those Dutch dates along are enough to get your disco shoes out of the closet! Can’t miss it! 

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Magnetic Eye Records

Full review on Stoner HiVe

Warped Vision Review

Palo Verde Review

Venus Skytrip Review

Phil Hey Interview

 

PR Wire:

We’re stoked to announce we’ll be crossing the channel once again back to our spiritual home mainland Europe in march 2026 for an 18 date headline tour. Working again with our good friends at Sound of Liberation we’ll be taking in Germany, Austria. Netherlands, Switzerland and Belgium. Hot off the back of our tour with The Obsessed we’re hoping to see a whole lot of friendly faces in some familiar cities/venues but also we’re hitting a few new locations for the first time. Expect a lot of old classics with a healthy dose of new songs thrown into the mix. Details of supports etc to follow.

Psychlona European Spring Tour 2026

04.03 NL Nijmegen Doornroosje
05.03 NL Rotterdam Baroeg
06.03 DE Köln Garagen
07.03 DE Münster Rare Guitar
08.03 DE Hamburg Hafenklang (Goldener Salon)
09.03 DE Berlin Neue Zukunft
10.03 DE Hannover Cafe Glocksee
11.03 DE Dresden Chemie Fabrik
12.03 DE Jena KuBa
13.03 AT Salzburg Rockhouse Bar
14.03 CH Winterthur Gaswerk
15.03 DE München Backstage
16.03 DE Bamberg Live Club
17.03 DE Stuttgart Goldmarks
18.03 DE Karlsruhe Stadtmitte
19.03 DE Aachen Musikbunker
20.03 DE Weinheim Cafe Central
21.03 BE Namur Belvédère

 

Live music! Anker Studio presents: Komatsu + Patserbak + Nevels

 

 

Live music! 

Anker Studio presents: Komatsu + Patserbak + Nevels

Saturday, March 7th! 

There’s this wild little studio in my hometown Eindhoven called Anker Studio. They organize this yearly festival which is all about the Heavy Underground. But every so often, they decide to host another party! Another wild weekend full of hometown heavy rock! Saw Nevels only a few weeks ago as they opened for Der Mancha Red and was pleasantly surprised by their highly atmospheric heaviness. And we all know and love Komatsu, these mothersludgers have relentlessly delivered amazing album after amazing album, culminating in last years A Breakfast For Champions. And Patserbak is another few years old Eindhoven band featuring former members from Komatsu, Kaligoh, Gifkip and GodsChosenDealer. Sludge, punk, doom, stoner. It has everything! And so does Anker Studio, three amazing bands served on one hot night! 

Anker Studio presents: Komatsu + Patserbak + Nevels

Saturday, March 7th! 

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Komatsu

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Stoner HiVe’s - Komatsu – Breakfast is served…

Review for A Breakfast For Champions

Review for Rose Of Jericho

Review for New Horizon 

Recipe For Murder One, Number 19 on the Stoner HiVe Top 20 of 2016

Review for So How's About Billy

Review for Manu Armata

Review for Komatsu
 

Patserbak 

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Nevels 

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