donderdag 20 augustus 2026

FULL ALBUM PREMIERE - Faerie Ring - Faerie Ring

 



FULL ALBUM PREMIERE 

Faerie Ring - Faerie Ring

 

It's here! Cause tomorrow, on Friday the 21st the new self-titled Faerie Ring album will be unleashed upon the world. Released through King Volume Records it sports ten wild new tracks! But it's here where you can hear it a day early... That's right... We're honored to present to you the FULL ALBUM PREMIERE for the brand new Faerie Ring!! 

 "A glorious new chapter erupts as 
Faerie Ring resurrect vintage doom, hard rock, and heavy metal in a sound that is colorful, psychedelic, spacious, and utterly alive. Their self-titled third album unleashes ten enormous tracks where dusty seventies riffs collide with modern psych, stoner, and garage grit. From the swaggering “Draggin’” to the crushing “Lost Boy,” these songs balance monstrous heaviness with melodies haunted by love, loss, loneliness, and existential dread. Raw, cinematic, and deeply personal, Faerie Ring have forged their own identity from the ashes of their influences. Doom has never sounded this vibrant, human, or hungry. A glorious rebirth. The new Faerie Ring is magical!"

Full Review HERE

 

 

Faerie Ring: "As a musician, artist, and devotee to all things righteous and bitchin', what's important to me is whether something I create passes the 'neck test'.

Our latest offering ‘Faerie Ring’ is a nonstop onslaught of neck annihilation. You’re gonna wish you were born with two. We run the full emotional gamut and we hope the listener does too. We want you to laugh, cry, inspire, perspire, call the cops, go to jail, tell the judge we rock, get bailed out and come to our gig. 

Faerie Ring III,” as we’ve been calling it among ourselves is like walking through a museum. Each track an exhibit we’ve curated to the best of our abilities to make you feel SOMETHING, truly feel anything. The world we live in is often bleak, gray and can leave you feeling alone surrounded by all the people and things you love. Our efforts are 37 minutes of kaleidoscopic effulgence: an iridescent energy bomb to try and spark something inside everyone who listens."

 

 PR Wire:

INDIANA STONER ROCKERS FAERIE RING DELIVER SONIC REBIRTH THROUGH KING VOLUME RECORDS IN SELF-TITLED ALBUM MASTERED BY TORCHE’S JONATHAN NUÑEZ, OUT AUGUST 21, 2026

“Faerie Ring” Unlocks New Emotional Depth With Tighter Songwriting Inspired By Personal & Global Conflict And Powered By Revised Band Lineup; FFO Queens of the Stone Age, Mondo Generator, Monolord, Torche

EVANSVILLE, IN - Faerie Ring, the hard-rocking, retro-tinged stoner rock band out of Evansville, IN, has announced their third album: a self-titled effort through King Volume Records that marks the band’s sonic rebirth—one that emphasizes tighter songwriting, blistering hooks, and a new emotional depth that was assisted through the mastering process by Torche guitarist Jonathan Nuñez.

“Our last album, Weary Traveler, was happy-go-lucky,” says band guitarist, vocalist, and primary songwriter James Wallwork. “But so much has happened since that came out in 2023, both in our personal lives and in the rest of the world. Songs like “Lost Boy” reflect the furious, “I don’t even care” attitude I felt after my divorce, while “Gargoyle” is a doomed-out perspective of realizing you’ll grow old alone. “No Surrender,” meanwhile, was inspired by the latest Israel-Palestine conflict, and it’s written from the perspective of someone living in Gaza during the war. Ultimately, Faerie Ring is a cathartic album that acknowledges that death is real, but so is love. This is an album about love and triumph in a time of existential dread.”

One of the biggest influences behind the band’s revitalized sound was the addition of multi-instrumentalist songwriter and new Faerie Ring drummer Matt McGuyer. “With Matt on drums, it’s almost like a completely new band,” says guitarist Kyle Hulgus. “Matt cracked our sound wide open. He’s such a talented musician. He’s a guitarist, he’s a vocalist, and, obviously, he’s an incredible drummer. His input was so valuable, and he helped us spread our wings.”



Once again, the band returned to Postal Recording in Indianapolis to record and engineer their third album in full analog. As essential as owners Alex Kercheval and Tyler Watkins were to capturing the band’s evolving sound, they were also critical to shaping it. “Alex played an underlying synth on many of the songs to help beef up the tracks,” says Wallwork, “but he also cooked up the sounds on ‘Fattest Witch.’”

Adding Torche guitarist Jonathan Nuñez to the mastering process proved equally impactful. “I’ve been a lifelong fan of Torche,” says Wallwork, “so having him involved is insane to me. He drastically changed this record. It’s much more akin to how we present ourselves live.” Huglus agrees: “Listening to his mastering was like hearing the album for the first time. We loved the original version of the record, but he completely changed it for the better.”

Like much of Faerie Ring’s work, their self-titled album is difficult to pigeonhole, with equal influences from stoner rock, doom, punk, blues, and other genres. “We didn’t want to limit ourselves to a single sound,” Hulgus says. “We let go of all creative limitations for this one, and this new record is a sound only Faerie Ring can create. You’ll hear influences from bands like Boris, The Scorpions, Torche, Thin Lizzy, and Crowbar, but this is a Faerie Ring album at the end of the day.”

That renewed creative freedom is reflected in the tongue-in-cheek album artwork by Ricardo Diseño, an artist hand-picked by Hulgus. “Yes,” Wallwork says, “it looks like a classic underground metal album cover at first glance, with themes of sex and drug use, but it’s a metaphor for the toxic love in our lives. The guy in the picture loves being boiled alive, but once his head goes under the water, that’s it.” Hulgus adds: “We’re all the guy in the cauldron. We torture ourselves all week at our blue-collar jobs so we can play music. This self-titled album is another labor of love.”

 

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Down The Hill Festival 2026

 

Down The Hill Festival 2026

Well, we’re off to Belgium soon. Down The Hill Festival will start it’s engines tomorrow at 14.00 with The Moondig. But we’re all allowed to park early, get grounded, bump fists with friends new and old and have a fun and relaxed first evening. And after The Moondig tomorrow, many great acts will follow, like Pothamus, Slomosa, Causa Sui, Naxatras, Temple Fang, Atomic Rooster and Ozric Tentacles. But there are many more and I am equally excited to see them all! Perhaps we’ll see you there! 

But before we leave… We have that wild FULL ALBUM PREMIERE for Faerie Ring to deliver! Going live in an hour or two! So, if you are not on route to Down The Hill Festival, you can get your groove on with something wild and wonderful! The new Faerie Ring is magical! 


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woensdag 19 augustus 2026

Faerie Ring – Faerie Ring

  

 

Faerie Ring – Faerie Ring
King Volume Records – 2026
Rock, Metal, Doom, Psych, Garage 
Rated: ****

A glorious new chapter awaits! Why yes, this is the kind of record that is suddenly thrust upon you. Like a legendary object… Unearthed in some long forgotten crypt, the ancient riffs are still glowing beneath all the gathered dust. It only takes a bit of electricity and the alignment of the sun, moon and stars… And guess what just happened? That’s right, Faerie Ring’s self-titled third album is alive! 

Faerie Ring take the vocabulary of vintage doom, hard rock and heavy metal, and transformed it into something colorful, spacious, psychedelic and deeply personal. Yes! Released through King Volume Records, this is a sonic rebirth for the Evansville quartet. And not just because a new drummer, Matt McGuyer has taken place behind the kit. These are ten songs steeped in seventies hard rock, proto-doom and heavy metal, yet illuminated by the colors of modern psych, stoner and garage. The sound is enormous! Dusty, but never suffocating. There is space between the riffs, a wind circling around the drums and a strange cinematic light flickering behind all the fuzz… 

New Gods and Fattest Witch open the flood gates, vintage amps burning like funeral pyres while melodies rise through the smoke. Those fumes are always there, like a long lingering dragon breath, the smash ‘n grab openers instill that echoing garage metal grime and the rest of the album never lets it go. Making the following Biggest Hit not the instrumental interlude it might seem at first, but a way to propel that gritty and grimy sound ever forward. 

Draggin’ swings with a mischievous grin and a bluesy swagger, whilst Howling At The Misty Moon rolls forward like some ancient beast awakened beneath a blood-red sky. But beneath all the fantastical imagery one might see listening to these tracks, lies something darker. Love, loss, loneliness and existential dread haunt these songs, giving the record a beating human heart beneath all that beautifully distorted armor. Even though there is always a current of cathartic elements underneath. Death is real, but so is love. But ‘so is love’ might not be easy to partake in when No Surrender translates the perspective of someone living in Gaza during this horrible war.  

Lost Boy seems destined to ring on forever and into legend, as it translates the universal sense of defeatism, in a casual resignation kind of way. Constantly turning on its own heels, swinging riffs like fists and drums like the swaying sense of anger. It all turns massiveness inside out, and perhaps this is partly in debt to Jonathan Nuñez of Torche, giving it all a flattening everything in its path kind of effect. It has shaped Faerie Ring into something broader, wilder and heavier. It’s something Nuñez saw and heard, but Faerie Ring always knew was there… 

And for every track that follows you can hear they’ve been looking at themselves constantly, wanting to lay bare all they know, went through and want to sound like. Faerie Ring  speaks about influences like Boris, The Scorpions, Torche, Thin Lizzy, and Crowbar and surely, you might hear something that might echo a moment of those bands. But Faerie Ring is much too big now, and none of the shadow those bands cast can touch Faerie Ring’s own identity.

Faerie Ring might just have discovered themselves and a new kind of doom to boot. This is doom with color, stoner rock with a soul, blues with a bite and vintage heavy metal reborn beneath a blood red moon. A glorious new chapter! And a must hear and see for all heavy rock fiends! 

And guess what… The album comes out on King Volume Records on August 21st. But we’re honored to give you all the FULL ABUM PREMIERE for Faerie Ring’s self-titled masterpiece, a day early, on Thursday the 20th! So, head on over to their bandcamp to check out the first two singles and return to the HiVe this Thursday for the FULL ALBUM PREMIERE


(Written by JK)




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dinsdag 18 augustus 2026

Hollow Drifter – Colours In Time

 

 

Hollow Drifter – Colours In Time
Self-released – 2026
Rock, Psych, Folk, Seventies
Rated: ****

It’s meditative qualities cannot be overstated… Buddha would approve. Yes, Hollow Drifter’s Colours In Time feels like a dream, a slow drift through hazy, sun-drenched, rainbow sporting landscapes, where seventies psychedelics meet the warmer currents of modern post-rock and something weirdly indie. Morning Fog opens the sit-in,  like a ghostly dawn, folk tinged melodies drawing the listener gently into the mist…

That mist stays but is allowed to open up. And at the heart of it, and this EP, lies the magnificent fourteen-minute Seasons, Ages, Legends…, a patient, budding, and highly organic voyage through warm waters, built upon acoustic foundations, before more electric textures gradually bloom around them. It’s a hypnotic stream, filled with subtle floating stories and beautifully restrained crescendos, which create a blissful sense of wading through and ever changing sonic river, culminating in a richly rewarding psychedelic waterfall, which instead of going down seems to ascent ever higher… 

Cradlesong closes the three track EP, with delicate guitars and keys, allowing the record to fade together with the last light of the evening. Meditative, warm, atmospheric and quietly adventurous, and constantly shifting through all sorts of heavenly colors. We mentioned their Devolve album from 2024 before on the HiVe, but Colours In Time reveals a gentler, captivating side of the Hollow Drifter four, and without any doubt leaves you wishing the journey had lasted just a little longer…


(Written by JK)




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Heathen Tongues – Neurogenesis

 


 

Heathen Tongues – Neurogenesis
Self-released – 2026
Metal, Sludge, Crust, Instrumental
Rated: ***

Drums, guitar, a sample here or there and a whole lot of attitude! I guess Neurogenesis is what happens when two lunatics lock themselves in sound proof rehearsal room with the determination to combine crust punk, sludge, post-metal and all the distortion they can muster to make the walls extend outwards and start sweating blood! 

It’s Heathen Tongues’s debut, and the eleven minutes tear through the two tracks with huge riffs, bleak melodies, minor psychedelic detours and grooves that hit like a monster truck running entirely on bad intentions. As a two-piece Devin Mendoza and Shane Falkenhart sound ridiculously enormous! Did I mention that evil grinning monster truck yet? Recorded at The Band Cave (Blood Incantation, Wayfarer, Archspire, Cattle Decapitation) with Collin Ingram, mixed by Matt Bayles (Botch, Mastodon, Isis, Pearl Jam) at Red Room, and Mastered by Brad Boatright (discography so big it’s crazy) at Audiosiege; and all involved must have constantly been grinning from ear to ear. Teeth all bare! 

Neurogenesis! This is instrumental metal with teeth: aggressive, gloomy, expansive, and slightly unhinged. Raw, concrete crumbling and with a wrecking ball waiting just around the corner. For apparently, these two tracks are merely an appetizer… Their full album will be hitting the streets February 2027 and that will surely be one hell of a ripping trip! 


(Written by JK)




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maandag 17 augustus 2026

Stoner HiVe’s Top 10 Most Listened Artists Last Week…

 

 

Stoner HiVe’s 
Top 10 Most Listened Artists Last Week…


Besvärjelsen
Rezn
Travo
Slift
Witching Buzz – Occult Vibe Haven : Cathedral of Smoke: A Tribute to SLEEP
Abrams
Hijjs
American Sharks
Beware of Gods
Gjenferd

Another week in the books! One filled with rent-paying-work, obligations, birthday parties and the Jazz In Catstown Festival. Hence, not that much time was left to get our HiVe fun done. This week, we’ve got some things planned before we head off to Down The Hill Festival in Belgium. One of them being a freakishly awesome Full Album Premiere! More on this very soon! But last week we did reposts of the Doom Charts blurbs we wrote. You know, Druglord, Heavy On The Ride and Rezn. Managed to let you all know that there’s a new video and a new single coming for An Evening With Knives and published a few words about the wild new Besvärjelsen album. Hope you all check those out! Worth every second of your time… And here’s hoping we can do more this week! 



donderdag 13 augustus 2026

Besvärjelsen - Till Glömskan Ad Oblivionem

 


 

Besvärjelsen - Till Glömskan Ad Oblivionem
Magnetic Eye Records – 2026
Rock, Stoner, Alternative, Prog
Rated: *****

I’ve only been so lucky as to experience Besvärjelsen live once. And on the HiVe we only wrote about a full album once, that amazing Atlas album from 2022. Even though they’ve been releasing damn fine albums since 2015. And sure, we know, the new album Till Glömskan Ad Oblivionem is still some days away from being released. But sometimes you hear a record that immediately tells you where it's going to end up. The sort of record that refuses to leave your turntable, keeps revealing new details with every spin, and already feels destined for the very top of those inevitable Year End lists. If there is any justice in this heavy underground, Besvärjelsen will once again find themselves among the finest releases of the year…

And we know, we should not be surprised about this. Since they formed around 2014, through the combined forces of members from bands such as Dozer, Greenleaf, Afgrund, Lastkaj and V, the Swedish quintet has steadily carved out their own identity. The early  Villfarelser took away the curtain, and they truly stepped on stage with Vallmo, Frost and then the stunning Atlas. Which continued their story and pointed that greater things might still be lying in wait. And with Till Glömskan Ad Oblivionem they do not simply build on that foundation. They grow, they mature, they refine and turn it into their most complete statement yet…

The band might jokingly describe their own sound as 'forest rock', but the description does seem to fit. Sure, there’s still plenty of sun baked groove and even some massive stoner riffs coursing through these songs. But they often feel like they’re wrapped up in something deeper, natural, fresh and unmistakably Scandinavian. The spirit of the Dalarna Forests, which they mention, seems to become this verdant umbrella for the compositions. Lending the album an earthy mysticism, combined with down to earth wisdom and giving room for heavy rock, psychedelia, progressive flourishes and haunting melodies to become seemingly inseparable. 

What truly elevates the record, is the chemistry between the band and vocalist Lea Amling Alazam. As with the rest of the band, she sounds more mature, perhaps calmer and at peace with herself. Even so, her voice remains one of the genre's greatest assets, effortlessly shifting between intimate vulnerability and commanding power. And even though she shows that power less or more controlled on this album, she still easily enchants. Never dominating the music, not is she swallowed by the riffs. Instead, the vocals expertly weave themselves into the dense layers of guitars until the sounds breathe as one beautiful living organism. 

As always, Besvärjelsen understand  that heaviness is not just about delivering crushing riffs. Hooks abound, groove pulling you ever further and beneath every memorable chorus lies another subtle detail waiting to be uncovered. Like for instance The Mountain, which I cannot help but thinking must be a nod towards Lowrider. You know the song. One moment the band is driving with irresistible momentum, and then they drift into expansive psychedelic passages, progressive detours, without ever sacrificing the natural flow of the album. And even the more pop sensible moments and the warm glowing album ballad perfectly. Everything feels organic, effortless, despite the remarkable scope of all its songwriting. 

Till Glömskan Ad Oblivionem feels like such a complete journey, a goal arrived at. And that feels like a massive success. It invites you into its world, surrounds you with towering riffs, hypnotic rhythms and melodies that linger long after the final notes have faded away. Till Glömskan Ad Oblivionem rewards patience. It rewards repeated listens and complete immersion. It constantly reveals new paths through its enchanted forests every time you return… 


(Written by JK)




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Video - An Evening With Knives – The Mistake

 

Video 

An Evening With Knives – The Mistake 

End of Time was released March 2025 and was yet another amazing An Evening With Knives album. We wrote a few words back then as you might have read. But after the album matured for more than a year, we can still state that the eight songs on the album feel forged in fire, thunder and shadow. An Evening With Knives return with End Of Time, eight songs forged in fire, thunder and shadow. Driven by Jarno van Osch’s fierce drumming, the Eindhoven trio sounds leaner, darker and more dangerous, every note striking with purpose. Guitars shimmer, bass surges and drums pound like an approaching storm, while Marco Gelissen’s roars tear through the darkness. From the turbulent fury of The Mistake to the haunting depths of S21, this is metal that breathes, burns and leaves the ground trembling beneath your feet. And we do not mention The Mistake for nothing… Cause just now… A new video was released for that one song… Cause it features proudly on a new two-track single soon to be released called: The Rabbit & The Mistake. Make no mistake, the critique of self-righteous leadership and the sheep-like willingness of others to follow it, still cuts like a knife… 




PR Wire: 

 An Evening With Knives Announce New EP The Rabbit & The Mistake and Release "The Mistake" Video
    
    

Dutch psychedelic post-metal trio An Evening With Knives follows up its latest album End of Time with a new two-track EP built around the song The Mistake. The release will be available on all major streaming platforms and is accompanied by a brand-new music video created by artist Paddy Murphy. Alongside The Mistake, the EP also features the previously unreleased track The Rabbit.

With its ominous atmosphere and crushing intensity, The Mistake feels more relevant than ever.

The band comments:

“The world is on fire. Current events speak for themselves and form the perfect backdrop for The Mistake — a track that unfortunately becomes more relevant by the day. When artist Paddy Murphy approached us with an idea for a music video for the song, we didn’t have to think twice. The result is a bizarre visual trip with a confronting nod to the strange reality we currently live in.”

Youitube

The EP also includes The Rabbit, a track that until now remained hidden in the shadows of the End of Time studio sessions. The song was one of the first tracks written for the album, but ultimately did not make the final tracklist.

“More songs were recorded during the studio sessions than would fit on the album. The Rabbit is about helplessly surrendering to the whims of others, and the grim satisfaction of witnessing their eventual downfall. To us, this track always deserved to see the light of day — and now, on September 2, it finally will.”

Following the release, An Evening With Knives will embark on a fall tour across the Netherlands, Germany, and Belgium. The first show is scheduled for Friday, September 4 at Vera in Groningen.

More information and tour dates at www.aneveningwithknives.com​


Giglist:

-04-09: Vera - Groningen (NL)
-05-09: Rock Monsieur Festival - Hamont (BE)
-01-10: Charlatan - Gent (BE)
-03-10: The Jack - Eindhoven (NL)
-20-11: Lokvogel - Hemer (DE)
-26-11: Stereo Wonderland - Cologne (DE)
-27-11: Noisebox - Attendorn (DE)
-12-12: MOM Fest - Veghel (NL)

An Evening With Knives is:

Marco Gelissen - Guitar & vocals
Peter van Grunsven - Bass guitar
Jarno van Osch - Drums & samples 

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An Evening With Knives – End of Time 

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Rezn – Cycles In The Infinite Dream


 

Rezn – Cycles In The Infinite Dream 
Sargent House Records – 2026 
Doom, Psych, Rock, Alternative, Prog, Shoegaze
Rated: ****

Rezn comes on slow. For me at least. I can remember settling in for all those amazing Rezn albums that came before and feeling happy and content after the first listening session. Rarely did it immediately blow me out of my seat. There was of course that Collaborative album with Vinnum Sabbathi that did. And the fact that so many of their releases made the yearly Stoner HiVe Top 20 Countdown, thanks to all of your votes, is a testament to the fact that these guys deliver the good stuff every time again. Even if it might come on slow. But maybe… Slow is good! 

Cause the same can be said for the new one. But then… When you are about to set Cycles in the Infinite Dream away for while… Zang! Suddenly, out of nowhere you are completely immersed. The collision of dreamlike beauty, with cosmic psychedelia and celestial doom, create this vast inner universe. Rob McWilliams’s soaring vocals guide the journey through waves of synth, saxophone, and lap steel, illuminating the darkness with a human glow. A truly spellbinding voyage from one of heavy music’s most transcendent forces…


(Written by JK)




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Burden – Number 7 on The Stoner HiVe Top 20 Countdown of 2024

Solace – Number 14 on The Stoner HiVe Top 20 Countdown of 2023

Silent Future with Vinnum Sabbathi – Number 19 on The Stoner HiVe Top 20 Countdown of 2023 

REZN & Vinnum Sabbathi – Silent Future

Chaotic Divine on The Stoner HiVe Top 20 Countdown of 2020


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Heavy On The Ride – Heavy On The Ride

 

 

Heavy On The Ride – Heavy On The Ride 
Self-released – 2026 
Stoner, Rock, Metal, Alternative
Rated: ****

It came out of the desert… No… It came out of Wales!! From the town of Swansea and these four good old boys have been releasing music for more than twelve years. Atavistic riff rock, primal and untamed! Indeed, stoner, hard driven, channeling the dust and thunder of stoner rock. Add to this the more alternative metal sorts and you have an album that will make your car continue to run once the gasmeter says empty… Indeed, every riff feels like another hundred miles beneath your wheels, every chorus another reason to keep the engine running. Road-tested and weathered by years of experience, Heavy On The Ride tap effortlessly into your musical muscle memory. Dynamic dual vocals, inspired guitar work and stellar production weave together memorable hooks, seismic grooves and unexpected detours, culminating in a self-titled debut that is as adventurous as it is addictive. An album destined to become the soundtrack to every great journey…


(Written by JK)




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woensdag 12 augustus 2026

Druglord – Hear It Breathe



 

Druglord – Hear It Breathe
Self-released - 2026
Doom, Stoner, Metal
Rated: ****

Druglord might have been around for ages... Centuries perhaps. In different shapes and forms… And this incarnation went dark for eight years since releasing New Day Dying in 2018. But now, from the mire rises… A heavier, hungrier form. Druglord is back. Shedding none of their grime, sharpening the edges, forging a release of six songs where suffocating sludge collides with galloping metal, hardcore fury and doom. Doom, but often fast moving, fuzz drenched riffs. Changing between relentless charge and oppressive crawl. It’s the contrast that keeps on dragging you along, just like those ragged snarls and solemn harmonies. Hear It Breathe feels like a storm gathering over a scorched earth, crushing all beneath them before disappearing into a final shimmering haze of noise…


(Written by JK)




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maandag 10 augustus 2026

Stoner HiVe’s Top 10 Most Listened Artists Last Week…

 

 

Stoner HiVe’s 
Top 10 Most Listened Artists Last Week…


Buzzard
Stoned Jesus
Heavy On The Ride
Coffin Hunters
Slow Goat
Wailin Storms
Temple King
Old World Astronaut
Rezn
Travo

The most important thing this week… We are honored to present to you new Weekly Top 10 Most Listened art by the one and only Bobby Rayfield from Inherent Records and Monuments In Ruin. Prompted by Shrubbery Terror and his remark that those vinyls on top of each other hurt, Bobby immediately went to work and made this wonderful Stoner HiVe Cabinet, within a week! We can’t thank him enough for all his time and energy, and we can’t wait to start spinning those records all situated nicely in upright position! Grin! 

Another week in front of us, which means another one in the books. Hope it’s been a good one for you all! It was a busy one and hectic finish, but that seems to be the status quo recently. We hope to finish a few things we’ve been working on this week or at least before we leave for Down The Hill Festival. We’re leaving for Belgium on Thursday the 20th, so let’s get cracking on all we want to do till then! Last we week we managed to spread the word on that magnificent and free Bootleg Series by King Buffalo, wrote about that wild Ancestro album, that gritty grunge release by Last Band and the weird and eclectic Modula Nation. And we had the privilege and honor to Premiere the new single by Buzzard! The week ended with the new July edition of the Doom Charts going live! Which is always a good way to end things… Right? Here’s hoping we can get some HiVe stuff done this week… We’ve got a lot waiting to be finished… Enjoy yer week! 


vrijdag 7 augustus 2026

The Doom Charts for July 2026

 


DOOM CHARTS

JULY 2026

“I’m a cold heartbreaker, fit to burn
And I’ll rip your heart in two
And I’ll leave you lyin’ on the bed
I’ll be out the door before you wake
It’s nothin’ new to you
‘Cause I think we’ve seen that Doom Charts, too, aw…”

~ misheard Guns ‘n Roses lyrics


One of our contributors had the audacity to ask an AI program to predict this month’s Doom Charts Top 5. It got the order wrong, but remarkably, every single one of its predicted albums made the chart. Even more unsettling, three of them landed in the actual Top 5. Scary stuff. I think it’s time to break Sarah Connor out of Pescadero State Hospital. She tried to warn us about this sort of thing. We just assumed she was talking about killer robots. Turns out she might have meant doom metal prediction algorithms…

Scary stuff indeed. There’s an ominous feeling in the air, an uneasy current, a lingering sense of dread. It seems to have become the soundtrack all year round. Ever present, impossible to ignore, yet strangely difficult to put your finger on. Zeitgeist on the Run, as the new Iron Jinn album is aptly titled. The spirit of the age itself appears rattled, looking for somewhere, anywhere, to escape to…

Luckily we can escape into the Heavy Underground. Still, beyond the Top 40 albums below, there might still be a small glimmer of hope. For if an AI can learn to understand the Doom Charts, perhaps it can also come to understand the heavy underground… And the people who pour their heart and soul into keeping this beautiful thing alive. Absolutely not for the algorithms or statistics, but because of the strange, stubborn, irrational passion that keeps it alive. All of us, all over the world, creating, writing, recording, promoting, buying records, filling venues, dubious watering holes and bars, and keeping this music alive simply because we all believe it matters. And maybe, in doing so, it can begin to make sense of us. Of humanity. Of why music matters so much to so many of us. Of why life matters. Right? And well… Because if a machine can learn the value of human life… perhaps we can, too

Burning hot, blazing and scorching! The brand new July edition of the Doom Charts! Forty amazing albums straight out of the Heavy Underground... And of the ones that made the list I happened to vote for quite a few myself...

But as usual, I could have voted for all of them! Starting the rundown with Number 40. That wild Drowner EP by Blackstaff !
 

Welcome to Doom Charts, representing some of the finest bloggers, journalists, radio, podcasters and reviewers from the heavy underground around the globe.  Each month, our critics submit their picks for the best new doom, sludge, metal, stoner, psychedelic, progressive and heavy rock albums.  The results are compiled and tabulated into the chart below.  This is a one-stop shop for the best new albums in the world…

 The Doom Charts - July 2026