FULL ALBUM PREMIERE - Beware of Gods - Upon Whom The Last Light Descends III: Behead The Oracle

 

FULL ALBUM PREMIERE 

Beware of Gods - Upon Whom The Last Light Descends III: Behead The Oracle

 

The story continues! And ends… And we are honored to present to you the FULL ALBUM PREMIERE for Beware of Gods’ new chapter in the Upon Whom The Last Light Descends chronicles, it’s chapter III: Behead The Oracle!  Out July 10 through Invoke Records and promoted by Good Boy PR, this is not just another chapter, this is the ultimate presentation of all that Beware of Gods stands for. The final chapter in the trilogy and the end of an amazing story told by distortion and riffs…  

With Upon Whom The Last Light Descends III: Behead The Oracle, Beware of Gods delivers its most focused and emotionally devastating statement yet. Which fits perfectly with the final chapter. They descent even deeper into its own fractured universe, where towering doom, post-metal grandeur and industrial decay merge into something both deeply human and unsettlingly alien… Every crushing riff feels tectonic, every glitching electronic pulse another crack in reality, as vast cinematic soundscapes shift between suffocating heaviness and haunting moments of fragile beauty. It is, Jason O'Donnell who goes by his nom de plume, The Archetype’s vision and story. And it is The Archetype who weaves clean melodies, desperate whispers and visceral growls into a narrative that blurs autobiography with dystopian mythology, tracing the painful path from collapse to self-reclamation. Its mechanical rhythms mirroring it all and propelling it forward and with the progressive ambition ensuring the music never stands still. It results in a constantly evolving story that turns page after page of immense emotional weight. But it is not simply telling it story, Behead The Oracle engulfs the listener. It’s an incredibly immersive descent through ruin, revelation and transcendence. Beware of Gods have delivered their magnum opus, and one that refuses categorization. And as final track Starve My Eyes That I May See dies away, the story and all its emotions will be lingering in your bones and you will reach out, trying to hold on to those echoes that are slowly fading into silence… 

We honored to present to you… 

The FULL ALBUM PREMIERE for: 

Beware of Gods - Upon Whom The Last Light Descends III: Behead The Oracle



PR Wire: 

Beware Of Gods is a Minneapolis-based doom sci-fi project crafting colossal, narrative-driven soundscapes that fuse industrial weight, cosmic horror, and mythic storytelling.

Helmed by The Archetype, the project exists as both a musical force and an evolving universe— where characters, symbolism, and sonic architecture converge into a singular, immersive experience. Blending monolithic riffs with cinematic sound design and philosophical undertones, Beware Of Gods transforms personal collapse, addiction, and rebirth into a larger mythos centered around the protagonist I Nomad. The result is music that feels less like a collection of songs and more like a transmission from a collapsing world.

With the upcoming release of “Upon Whom The Last Light Descends III: Behead The Oracle,” the project reaches its most refined and devastating form to date. At its core, Beware Of Gods is not simply a band—it is a document of transformation. Emerging from near-death and the long arc of recovery, The Archetype channels lived experience through the lens of a dystopian cosmic narrative. The central figure, I Nomad, traverses a decaying universe of false prophets, collapsing systems, and fractured identity—mirroring the internal war between destruction and transcendence.

        
Sonically, the project exists at the intersection of:
- Doom metal’s physical weight
- Industrial music’s mechanized tension
- Sci-fi horror’s existential scale

Each release expands the mythology, blurring the line between autobiography and allegory.

“Behead The Oracle” represents a critical turning point in the arc — a rejection of false guidance, illusion, and external authority… and the violent reclamation of self.

Beware Of Gods is:
The Archetype

Also featuring:
Kellii Scott (Failure)
Feederwire
Eric Plonka
Engineered & Mixed by Pete Grossmann (Bricktop Recording)

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XX

 

Stoned From The Underground Festival

 

Stoned From The Underground Festival

 It's here. And we're gonna make it! After trying to go to Stoned From The Underground Festival in Germany this is finally the year the sun, moon and stars aligned! Can't wait to finally experience this legendary festival. We'll be leaving as soon as we can and hope trafic will be kind to us. But it's a long drive, so we might not make the two bands that are playing tonight. Luckily there are three more days filled with an amazing array for heavy rock! Look at that line-up! 

 First time at the festival and it will the first time seeing Hästspark. Who are on their first European tour me thinks. Can't wait to rock out to their tunes! But of course, the line-up is filled with great bands! Can't go wrong with the amazing Elder, Black Rainbows, Rotor, Weedpecker, Mr.Bison, Belzebong, Pendejo, Nightstalker, Margarita Witch Cult and many many more... 

And we already metioned Stinking Lizaveta! 

Are you going? What's your favorite band on the bill? 

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The tale of two Cornucopia’s…

 

 

The tale of two Cornucopia’s… 

It was the best of times, it was the worst of times… Yes… This is the tale of two Cornucopia’s! Cornucopia. Not a fan of the band name. Why you ask? What’s wrong with Cornucopia? Well, nothing about the name itself. The problem is that it has already belonged to a progressive rock and fusion outfit from the seventies.  But the past five or so years it has also been the name of French stoner and doom formation from Nantes. But they’re not the only ones. There are more. Many even. And the Swedish blackened and progressive thrash outfit with this name also released a new album in June. And they’ve been releasing music under this name for the past five years as well. It irks and well frankly, annoys… 

The music however, does not! I do not listen to thrash all that much at home. But when a band embraces dirt and grime, folds in hardcore aggression, blackened flourishes, progressive songwriting, and even the occasional symphonic flourish, then it has my full attention… And usually earns several repeat listens. There is something very special about Cosmic Consciousness. Out on Ethereal Records, its fifty-five minutes take you on a whirlwind journey through the golden age of thrash, speed metal, and the spirit of the eighties. Yet this is no exercise in nostalgia. It is a high-speed drive-by, firing shots at every corner of heavy music while emerging with something fresh, inventive, and unmistakably its own.

Cornucopia from Nantes is an entirely different animal. Here the path leads into doom, colored by stoner grooves and steeped in traditional heavy metal. Songs for Unfortunate Times, released by L'Ordalie Noire Records, is crushing yet deeply atmospheric, forging doom's ancient weight with proto-metal fire and flashes of thrash-fuelled intensity. Towering riffs loom overhead while haunting melodies coil around them like smoke. There is immense heaviness here, but it is framed by an almost cinematic sense of scale. Rooted firmly in tradition, yet never imprisoned by it, the album feels strangely ageless… As though it has always existed, quietly waiting for the right moment to be heard.

Do these two Cornucopia's make me forget all the others? Well... I have no desire to offer my head to the guillotine over a matter of band names. Yet heard back to back, these records become something more than coincidence. They form two sides of the same heavy coin: one forged in speed and fire, the other carved from stone and shadow. Together they remind us that names may be shared, but identity is earned. And if there is any verdict to be passed, let it be this... The horn of plenty has rarely overflowed with such heavy abundance… 

(Written by JK)

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Black Glow – Waves And Mirrors – Mirrors And Waves

 

 

Black Glow – Waves And Mirrors – Mirrors And Waves 
Self-released – 2026
Doom, Stoner, Gaze, Garage
Rated: ****

The creative force behind Black Glow is led by Gina Rios, formerly known as the enigmatic vocalist and guitarist of the stoner doom band Spacegoat. Alongside drummer Octavio Diliegros, she evolves this vision into a cosmic blend of doom grooves and atmospheric textures. Indeed, Black Glow is a duo. But they had help from the one and only Christian Peters, (Samsara Blues Experiment, Terraplane) who did additional lead guitars, mellotron, organ and synthesizer effects. And we were happy to see it reach the 24th spot of the June Doom Charts, where we wrote…

 
Like light shifting across restless water, Waves and Mirrors – Mirrors and Waves drifts between shadow and radiance, carrying equal measures of weight and wonder. Black Glow weave hypnotic riffs, spectral psychedelia, and aching melodies into an atmosphere that feels both intimate and vast. At its heart, Gina Ríos’ luminous voice serves as an emotional compass, guiding songs that unfold with patience, melancholy, and a serene kind of power. Richly textured yet deeply human, the album embraces contrast without losing its identity, revealing an album of remarkable depth… Atmospheric by default, every crest and every horizon feels like the destination you wanted to reach…

(Written by JK)

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Stoner HiVe’s Top 10 Most Listened Artists Last Week…

 

 

Stoner HiVe’s 
Top 10 Most Listened Artists Last Week…

Solace
Ealdor Bealu
Black Glow
Broadslab
Datura4
Big Brave
Appalachian Prometheus
Gin Lady
Goatfarm
Kalamata

It’s a new week! Monday! And on Wednesday we leave for Stoned From The Underground Festival in Germany! Yes, finally! Been longing to go there for ages. Never could make it work with the date and the travelling. But this year, finally! It worked out… 

Talking about work, the rent paying side of thins immediately took over upon our return from holiday. Combine that with everything Doom Charts related, and Stoner HiVe had to wait a bit. But I hope to be putting up all those reviews and interviews that are in the work after the festival. So, yes, this week will be a slow moving Stoner HiVe as well! But hey, we put up some words about that wild new Ealdor Bealu album last week, and that album alone, dropping this Saturday on Ripple Music, is worth more than any of my silly words… So, best check it out! And the list above. And the June Doom Charts! And let us know what else… It’s what we’re here for! 

The Doom Charts for June 2026

 

DOOM CHARTS

JUNE 2026

“Let’s get physical, physical
I wanna get physical
Let’s get into physical
Let me hear your Doom Charts talk…”

~ probably misheard Olivia Newton-John lyrics

Does the sun wean our attention from all thats good and heavy? Hell no. Still, there’s no denying that this season arrives hand in hand with holidays, festivals, and time spent away from the daily grind. And that’s true for everyone, right? Fewer Contributors. Fewer listeners. Even a few fewer releases finding their way into the world. Well, only a few fewer… For as the dust settled, there were still 193 albums that received votes. Below, you can find the Top 40 from that remarkable pile, a list packed with 39 brand-new heavy releases, each ready to leave its mark. And pull you back in…


Most of them have a Bandcamp page. And of course, there are plenty of other ways to stream these albums online. I genuinely love that. The fact that we can discover incredible music from every corner of the globe with just a few clicks is something I’ll never take for granted. But here’s the thing: those albums aren’t really mine. Not truly.

I love my Bandcamp collection, but I hope we all realize how fragile digital ownership really is. It can disappear in an instant—just like your digital PlayStation library. After all, we don’t actually own these purchases; we’re merely granted a license to access them for as long as the platform exists, or for as long as the people behind it decide we should. That’s why I treasure my vinyl records. My CDs. My posters. My art. And yes, even my physical games. I may not play most of them anymore, but I still value the simple fact that they’re mine. They carry memories, stories, and countless hours of joy that no revoked license can ever take away.

Sadly, it’s becoming increasingly difficult for fans, collectors, and supporters to keep doing what they love. Not only because of decisions like PlayStation’s push away from ownership, but also because European buyers are once again facing additional customs charges on imports from outside the EU… Stacked on top of the already painful shipping costs. I don’t ask for much. Hell, I hardly want anything at all. I simply want, to be able, to spend my time, money, and energy supporting the music, art, and creators I love. Because love feels just a little more real when you can hold it in your hands. Yes… Love… Is so much better when its physical! 

It's alive! And getting physical! The June 2026 Doom Charts! Filled with 39 new and stunning albums straight out of the heavy underground...

Of the ones that made it, I voted for: Datura4 Band, BLACK GLOW, BONG WIZARD, The Dharma Chain, Broadslab, SLIFT, Tidal Wave, The Heavy Eyes, CHILD, Okay You Win UK, Cornucopia - We like it Heavy, Kalamata, In a Forest Dark, Druidess & Gutward ...

But as usual, could have voted for most of them! Starting the fill rundown with Number 40, Rainbow Patrol, a crazy, eclectic and fun album!

Welcome to Doom Charts, representing some of the finest bloggers, journalists, radio, podcasters and reviewers from the heavy underground around the globe.  Each month, our critics submit their picks for the best new doom, sludge, metal, stoner, psychedelic, progressive and heavy rock albums.  The results are compiled and tabulated into the chart below.  This is a one-stop shop for the best new albums in the world…

 The Doom Charts for June 2026 

Ealdor Bealu – Graves Of The Silent Plain

 

Ealdor Bealu – Graves Of The Silent Plain
Ripple Music – 2026
Rock, Desert, Americana, Prog, Atmospheric
Rated: *****

They know. You know. Cause I’ve been more than obvious and upfront about it from the get-go, I adore the sound, the atmosphere and the artistry behind all Ealdor Bealu does. And on their Ripple Music debut Graves Of The Silent Plain they’ve continued to evolve and produce grandiose music. And that is probably one hell of an understatement. From the haunting landscapes of Dark Water At The Foot Of The Mountain, through the colorful currents of Spirit Of The Lonely Places and the tranquil grandeur of Psychic Forms, Ealdor Bealu have steadily carved out a place entirely their own…

Graves Of The Silent Plain is different. Once again. Not another ascent, but more a crossing. For beyond all the familiar ridgelines of Ealdor Bealu’s earlier music lies a harsher country, less forgiving. Where the sky hangs vast and indifferent, and every mile is measured in dust, silence and weathered stone. Sure, the sweeping atmospheres endure, this is their blood. As do the progressive currents, it is their sweat. And the ghost of the American west, for that is their soul. Yet, much of the psychedelic mist has been carried away by a dry and unrelenting wind. What remains though, is elemental in every sense of the word.

Drawn, colored and stained by the elements. Guitars ring with the grit, the grain of sun-bleached timber and iron. The melodies move and sway with quiet purpose. And the beautiful almost ethereal voices drift above the sound and the earth only to be answered by harsher howls rising from some deep and dark depth. And nothing, ever or anywhere, feels hurried. Every note seems to settle like dust upon the plain and every silence wants to stretch out towards the endless horizon…

Battered, worn, rusted, lived and surviving. Where earlier albums seemed to wander through landscapes barely touched. Graves Of The Silent Plain is walking, meandering, lingering among the remnants. Content to stand among the bones of the land itself, listening to all the stories the wind refused to carry away. It is the musical equivalent of time. Graves Of The Silent Plain seems to be time itself, sand slowly trickling down, every sharp edge worn away and as you breathe along, you will find that memory itself has become part of the terrain. I always wonder after another wild Ealdor Bealu album where they will go next, this time around I simply hope, with all my heart, they will turn the hourglass the other way around again and keep strolling about the Graves Of The Silent Plain to capture more of those stories that refused to die… 

(Written by JK)

Album drops July 11 on Ripple Music, but you can listen to the first single Ponderay right now!

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 Ealdor Bealu – Psychic Forms

Ealdor Bealu – Spirit Of The Lonely Places

 

 

Stoner HiVe’s Top 10 Most Listened Artists Last Week…

 

 

Stoner HiVe’s 
Top 10 Most Listened Artists Last Week…

Ealdor Bealu
10,000 Years
Molo
Coffin Hunters
Druidess
Onségen Ensemble
22AD
Mirror of My Soul
Mountainscape
Pelegrin

Monday is here! And we’ve been back for a week. How time flies! Still getting somewhat grounded, but the Stoner HiVe broadcasting service is slowly commencing. Did not manage to put up a lot of posts last week. But a new Besvärjelsen single should always be mentioned! Tour news about Stinking Lizaveta, will be seeing them live again on Stoned From The Underground Festival in two weeks. And what about that album by 22AD?! The highly melodic See The World has you seeing all sorts of things. Best be checking them out, right?! Check them all out! 

Besvärjelsen - Didn't Come to Party

 

 

Besvärjelsen - Didn't Come to Party

I don’t know about you… But I've been hearing the music. For even though we all can see the iceberg closing in, the band keeps playing. And sometimes I've even felt like chucking it all in, sitting down, listening to the tunes and wait for the final collision. But those weeks away, getting in touch with nature helps... But some things are worth waiting around for... Like new Besvärjelsen music! Ever since they blew me away with their Atlas album, I've been eagerly awaiting this. And there is a new album on the horizon now… Till Glömskan Ad Oblivionem will drop on August 28th through Magnetic Eye Records and the first single and video dropped a few weeks ago while I was losing and finding myself in the mountains… Didn't Come to Party kicks down the door in expert and fitting fashion!

As the first glimpse into Till Glömskan Ad Oblivionem, Besvärjelsen's third full-length, it dances through a room already teetering on collapse. It turns the celebration into spectacle and any  comfort you might have felt into chaos. The band never actually points an accusing finger, but the world's fractures echo through every note, every unsettling grin, every moment of beautiful disorder. Darkly playful and quietly devastating, the Didn't Come to Party single peers into the abyss with a crooked smile. A leering smirk! If this is the threshold of oblivion, Besvärjelsen make it impossible to look away. In fact… 

BESVÄRJELSEN comment: "There's a scene in the Titanic movie that has always stayed with me, when the musicians keep playing as everything falls apart around them", vocalist Lea Amling Alazam muses. "This is one of my all-time favorite moments in cinema, because it captures something important about music: the devotion, the need to create, and to hold onto something beautiful, even in the face of disaster. Like, we're literally going under, but hey, let's play. Dance to the sirens. In this day and age, it's hard not to be affected by the chaos of the world. 'Didn't Come to Party' is not a political statement but rather a cry of frustration. We're living on this incredible planet, so why are we destroying it? Why war, why poverty, why harm the most vulnerable, when we have the resources to make life better for everyone? This quite reminds me of people who show up to parties just to ruin it for everyone else. Why is there such a drive to hurt, to dominate, to tear things apart in the pursuit of power? It's senseless." 

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Besvärjelsen – Atlas

Number 13 on the Stoner HiVe Top 20 Countdown of 2022

22AD – See The World

 

 

22AD – See The World
Self-released – 2026
Rock, Stoner, Grunge
Rated: ***

I don’t know about you. But the band name 22AD immediately reminded me of Alain Johannes’s fabled studio 11AD. And listening to their new album See The World there is absolutely a moment here and there that will surely lead you to think they might be fans and named their band thusly. On the other hand, a lot of what they might have in common with Mr. Johannes might be in the ears of the beholder, although the album also definitely hints of love for that other fabled studio: Rancho De La Luna… 

And continuing the talk about studios, it was recorded at Far Out Sound Studio in Rotterdamn, run by Baardvader’s Niek van den Driesschen and mastered by the one and only Karl Daniel Lidén. The result is a powerful blend of grunge, alternative nineties and stoner captured in a highly melodic jerrycan of diesel. There is a lot of fuel running through See The World, and once on the stereo, it will surely make you kick the accelerator through the cracked asphalt and let it be the soundtrack for your long haul across an imaginary desert. 

Brooding melancholy, detached commentary, all laced with sun scorched riffs that seem to roll on like a heat waves over endless dunes. There’s groove here, riding the sandstorm, but the melodic overtures are never buried beneath the dust. The songs breath and exhume, never bludgeon, never smother. Warm bass lines, and earthy guitars, have it all unfold through patient builds, that on a small occasion are left to drift into a psychedelic mirage…

But always present are that grunge ghost and a punk spirit, not added as an afterthought, but used to either convey a message or remind you that bands like the Meat Puppets could use some more attention. The Spot In Magic track for instance or the You’re Not song. Did we mention the melodicism yet? Of course we did, but there is so much of it, and with a production so slick and thick, yet organic, it something becomes syrupy. But don't worry, it's the good kind of goo! And luckily, there’s also enough low end rumble to shake loose the last bolts of your rusted pickup. 

22AD, are not chasing yesterday’s legends, instead they waltz with their adoration of grunge and foxtrot with all the stoner that came out of that legendary desert. It’s a dance of many, an album that feels heavy, but also hypnotic and romantic. Charming on every song and unmistakably alive, See The World offers a plethora of landscapes and vistas to enjoy. Take the ride! 

(Written by JK)

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Stinking Lizaveta Summer 2026

 

 

Stinking Lizaveta Summer 2026

They’re already out there… Over here… In Europe! That wild trio named Stinking Lizaveta! Starting the tour during a European heatwave that hasn’t occurred in this vicious capacity many times before must have been bewildering. But I am sure the embrace of the ones lucky enough to already have seen them must have provided them with all they needed. And they’re still here. For quite some time! And yes, I will see them too. Cause I will be attending Stoned From The Underground Festival for the very first time. Are you going to see them live somewhere? 

They’ve been releasing music for some thirty years, a fact that was celebrated by the remastered and release of their debut album; which was recorded by Steve Albini in 1996. SRA Records did the deed, but Stinking Lizaveta did the dirty! The dirty business that made Hopelessness and Shame an album that left your nerve endings in tatters and anxiously awaiting a smoke break in the hallway. A thunderous instrumental manifesto that burst out of the Philadelphia underground with all the grace of a runaway freight train! Perfectly captured by Albini, a trio at full energy! Yanni Papadopoulos' already battered and bruised Les Paul screaming like machinery possessed, Alexi Papadopoulos' electric upright bass growling from somewhere beneath the city's cracked pavement, and Cheshire Agusta battering every available surface with glorious intent. Punk? Metal? Free-form jazz? The labels disintegrate under the pressure and give way to something new, beautiful and desired. A brick through the window of convention! And now, three decades later, the maturity of the album, and the rhythm it still contains, makes Hopelessness and Shame even feel less like a debut and more like the opening salvo for a revolution… And we are always in need of one of those! 

PR Wire: 

Philadelphia's cult doom-jazz rockers Stinking Lizaveta return this Summer to Europe for a festival-hopping tour, beginning Saturday June 20th in Italy, including rocking through Croatia for the mighty Bearstone Festival, and completing the circuit July 10th with Germany's iconic Stoned From The Underground festival.

On what is is Stinking Lizaveta's third summer in a row over in Europe booked without an agent, the tour will see Stinking Liz share stages with the likes of Elder, Naxatras, Altın Gün, Mars Red Sky, and more.

Tour Dates:

JUNE 20 - THE STRONG HEART OF WOMEN FESTIVAL - DRUSO CLUB, BERGAMO PROVINCE, ITALY

JUNE 21 - NEW LONG FEST - SPORTS CULTURAL CENTER, NEA MAKRI, GREECE

JUNE 24 - GERMANY

JUNE 26 - UNDERWATER - WROCLAW, POLAND

JUNE 27 - HÁROM HOLLÓ / DREI RABEN - BUDAPEST HUNGARY

JULY 2 - BEARSTONE FESTIVAL - CROATIA

JULY 4 - ART MUSIC FESTIVAL - M.A.U. CLUB ROSTOCK, GERMANY

JULY 8 - NEUE - ZUKUNFT, BERLIN

JULY 10 - STONED FROM THE UNDERGROUND - ERFURT, GERMANY

30 years on from their 1996 debut album Hopelessness and Shame, the trio show no hint of slowing down as they bring their iconoclastic mix of doom, noise rock, jazz, and more across the pond. 2025 saw their vinyl reissues of Hopelessness and Shame and sophomore effort Slaughterhouse on SRA Records (Soul Glo, HIRS), and 2026 will see them release a new album with SRA this Fall.

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Back from the mountains…

 

 

Back from the mountains…

We’re back! And sure to be ready for action soon enough… What a trip it was! We travelled down slowly towards the National Parc des Ecrins in France to hike some mountains there and on route got treated to a super surprise concert by Ben Marula & Philip Doyle on the back of a car in the center of Toul. One of our first stops, which promised nothing but good and wild times! After hiking around the Ecrins we departed for the Cottian Alps, did some hikes there, topped the Pain De Sucre mountain and travelled towards Piemonte in Italy. Staying with local farmers of all sorts and then tried a bit of the city life by hitting Turin. A beautiful city ! And if you are ever near Dr Fake Cabinet and his art exhibition store by sure to visit! Curiosa and art at its finest! But we longed for the mountains, so after tasting a bit of beautiful Turin we headed off for the Aosta valley promising ourselves to return. Hiking both the Matterhorn side and the Conge side showed us we could have been there for a week or two as well as in the Ecrins… It was a beautiful trip in every way, letting ourselves be guided by the wind, nature and whatever came out way… No plans… No headache… It was beautiful! 

 

And now… Now we have almost a thousand emails waiting on the Stoner HiVe account. Almost an equal amount on the various personal and work accounts… So, we’re back… And soon we will get back the usual business of posting words on whatever album that found its way into our ears and hearts! It make just take a few more days though… But listening to all that’s good and heavy starts now… 

What has been your favorite of the past month? What should I listen to first? 

 

 

 

Off to… France and Italy…

 

 

Off to… France and Italy…

It’s that time again… Three weeks off grid, connecting with nature and all the good stuff life has to offer… We’re off to the Ecrins Natural Park to hike around the mountains there and then off to the Piemonte region in Italy. Lots of hiking there as well… And since we’re close to Turin, we might visit that. Hence, we will be taking the Dune Aurora album with us for sure. Got any more tips we definitely need to bring on the road? 

Seeya in a few weeks!