Single Premiere - Buzzard - Disunion

 

SINGLE PREMIERE 

Buzzard - Disunion

 

Buzzard. Our very own heavy underground town crier... The doom troubadour, the one who continues to deliver universal truths in a way our little niche deserves. His music drifts out of the twilight, carried on woodsmoke and echoes of forgotten hills. And his way of preaching continues in grand form on the new album Hush Now. To be released on October 16th. But right here, right now, we’re honored to present to you the lead single of that new album. Out tomorrow, it’s the opening track and first opening statement: Disunion! 

Disunion rumbles like classic metal rolling down those hills, rooted in the weight of doom and is filled with the enduring soul of folk. A song, translating those restless nights, when the world feels heavy and the truth is hard won. Shadowed melodies, minor moments of respite, walk hand in hand with those earth shaking riffs. It’s the old bard’s simple lyrics though, which cut like old wisdom and sting of lived experience. And as on the rest of the album, there is anger here, but it burns like watchfire rather than wildfire. Warning and illuminating. Impossible to ignore. Music for wandering hearts and weary spirits alike, the ones that howl beneath the moon, share glasses of bourbon, and wait for those beacons everywhere to be lit. Or Disunion is simply here, as the rest of Hush Now, to remind you that even in dark times… There’s someone sill singing the truth… 

We’re honored to present to you… 

The SINGLE PREMIERE for the new Buzzard album Hush Now called: Disunion



PR Wire: 

Buzzard - Hush Now

Scathing, revolutionary doom folk from Massachusetts

Fourth LP “Hush Now” out October 16th, 2026

Lead single "Disunion" out August 7th


Genres: Doom metal, folk rock, americana, stoner

Buzzard presents its 4th doom folk metal LP installment Hush Now, expanding on the one-man band's trademark blend of heavy fuzz guitar, Americana instrumentation, and socially relevant songwriting. From mellotron to mandolin, Sabbathian riffs to Dylan-esque wordplay, H.P. Lovecraft to Bill Hicks, Hush Now is the fullest expression yet of Buzzard’s unique artistic vision.

Following the success of the politically charged 2025 EP Everything Is Not Going To Be Alright (expanded to a 10-song LP earlier this year), Hush Now broadens its scope. “Disunion” delivers a state of the union address to the void above. “Fireball” is an ode to the music of America. “Knock on the Door” laments the plight of the pawn. “Contaminate, Consume” reveals the purpose of humanity’s finite tenure on Earth.

The 10-track LP has been mastered for vinyl by MixCave Mastering with original art by Indonesian artist Bintang Pratama. As bonus tracks the CD version of Hush Now adds the 6 singles released in 2026, including “The Bombing Will Continue Until There’s Peace,” “Cinderella’s Midnight Surprise,” and “Hillbilly Fuckery (Original version),” all remastered for digital in a digipak featuring additional artwork by Doomolith. EP Everything Is Not Going To Be Alright will also be released on cassette by Doomshire Tapes on August 7th.
        

But wait, there’s more! Also coming 10/16 is a 7-inch pressing of “Hillbilly Fuckery (Extended WTF International Choir Version)”, wherein over 50 Buzzard fans contributed recordings of themselves saying, “What the fuck?”

An apocalyptic lullaby for the absurdity that is 2026, Hush Now suggests that everything, in fact, is going to be alright. As the album’s penultimate track “Take Comfort” proclaims:

“One fine day, the Sun will burn this wicked world away/I take comfort from the fact the Sun will explode some day."

Buzzard - Hush Now

Album out October 16th, 2026
Self-released (Digital, Vinyl, CD)
Massachusetts, United States
Exterior front and back artwork by Bintang Pratama
Mastered by Mixcave Mastering

Tracklist:
1. Disunion (4:49)
2. Shutting Down (4:06)
3. Satan, Your Kingdom Shall Come (3:07)
4. Knock on the Door (4:45)
5. Mount Din (3:51)
6. Fireball (3:32)
7. Contaminate, Consume (4:32)
8. Ten Extinction Credits (3:18)
9. Take Comfort (4:55)
10. Doomsayer Fairy Tale (Heavy Groove Story Time) (4:43)

Everything written, performed, and produced by Christopher Thomas Elliott in his home among the eldritch hills of Western Massachusetts.

 

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PR by Good Boy PR

 

Modula Nation – The Rift

  

Modula Nation – The Rift
Tonzonen Records – 2026
Rock, Funk, Prog, Metal, Hardcore, Industrial, Space
Rated: ***

In an era obsessed with labels and algorithms, Modula Nation seems determined to tear a rift straight through them. Heehee.. See what we did there? It’s for albums like these that the term crossover must have been invented. The sheer number of genres thrown into the blender is nothing short of astonishing. Even more remarkable is the fact that it all works. Hailing from Graz, Austria, Modula Nation released their debut three-track EP back in 2009. Now they return with The Rift, a record that effortlessly blurs stylistic boundaries. Across its runtime, the band weaves together elements of funk, progressive rock, psychedelia, space rock, metal, hardcore, industrial, synth rock, krautrock, and even pop, creating a sound that is as adventurous as it is cohesive.

With The Rift they mark their territory, they piss on convention and set the tone as a genre-defying rock act. It’s a bold high energy sound that embraces all that the word crossover might stand for. Inventive arrangements, dynamic on all fronts, balancing funky groove, progressive structuring, moments or riffage and atmospheric textures with a highly danceable and fun attitude. The Rift, Silicon Carne and the expansive Soul Fever all showcase the band’s versatility and commitment to push musical boundaries. Or the Faith No More inspired Shred. And we can only praise the more experimental moments that offset all that pop sensible movement. The reward comes later, after a few sessions with The Rift… For they refuse every musical rulebook. The band transforms unpredictability into an addictive journey that reveals something new with every spin…

(Written by JK)

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Last Band – Mirrors

 

 

Last Band – Mirrors
Self-released – 2026
Grunge, Alternative, Metal,
Rated: ***

Back in 2024 we mentioned their The Sacrament In Accidents release and kind of felt that the Last Band four were on the verge becoming as their chosen moniker might suggest. Two years later they’re back with Mirrors on which their sound continues to be this dense strain of alternative rock, fused with grunge weight, metal snarl and a Husker Du kind of laissez-faire that turns everything into a volatile, gritty whole…

Like a reflection pulled from a fractured world, a cracked surface where grunge shadows, metal teeth and progressive punky unrest collide. Built from derelict riffs, serrated rhythms and raw lo-fi tension, the album captures the electricity of musicians creating something larger than its parts. Moments of eerie psychedelic drift meander through, but the tempest of weight and vulnerability keeps moving on like a hungry beast. Beneath all that distortion resides a deeply human pulse, exploring broken connections, social unease and the search for meaning. 

The songs refuse comfort or predictability, and burn, singe, sear, until fracture. Nothing is polished up, it’s all raw and brutally laid bare. Mirrors delivers a reflection, but though its shattered surface it all cuts back. Mirrors, feels like a visceral document of conflict and transformation, of survival and of a band pushing their sound ever deeper into their veins. Blood spilled out together with all these riffs. And you can feel it… 

(Written by JK)

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Admiral Browning 

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Last Band - The Sacrament In Accidents

 
 

 

Ancestro – En Ruinas

 

Ancestro – En Ruinas
Self-eleased – 2026
Rock, Metal, Doom, Stoner, Instrumental
Rated: ****

Following up on their self-titled album after some seven years… Ancestro returns from the volcanic depths of Trujillo, Peru with En Ruinas, a monumental instrumental voyage through towering riffs, shifting landscapes, volatile shapes and echoes of a world in transformation. Their fourth full sized offering since 2016, it rises like a forgotten monument, a pillar of ancestral melodies, reclaimed by time, carrying all that weight of the past, while searching for new horizons… 

With the relentless force of a slow moving storm, En Ruinas builds on foundations of stoner, doom and heavy psychedelic traditions. Crushing guitar lines, hypnotic rhythms and vast atmospheric passages whirl around each other to create a shrine of sound that feels ancient and otherworldly. From the persistent pulse of the title track to the immersive journeys of Status Quo, 13001, Wachuma, Andante and that final beautiful send off called Mar Desierto, Ancestro cherish where they come from and reveal to be a band that is expanding its sonic universe. 

And En Ruinas captures that spirit of a band, a landscape and an idea that is forever changing, turning the expedition through all this into a dusty cinematic expedition. Heavy yet hopeful, mysterious and inviting, it stands tall, and proud as  Ancestro’s most powerful and adventurious chapters. And not just for the band itself, En Ruinas feels like a testament to the enduring force of all those instrumental voyages. En Ruinas shows you the passing of time and hands you all the clues to have your imagination fill in the memories that still linger… 

(Written by JK)

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King Buffalo – Bootleg Series

 

 

King Buffalo – Bootleg Series

I wasn’t there! For any of these shows, for they all happened in the USA. But I love King Buffalo and I wish I had been. But now I can listen to them all anyway! And luckily I have all those memories of all those European shows I managed to attend to cherish and cling to and of course the Live At Freak Valley vinyl. But maybe we just should have stated, there are a 120 shows for you to listen to for free or even download. It’s only 17 GB. Or maybe we should have stated there will be new King Buffalo music coming this Halloween! 

 

 

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Sean Mcvay of King Buffalo Interview

Review of Regenerator

Review of Acheron

Review of Burden of Restlessness

Balrog single

Review of Longing To Be The Mountain

King Buffalo demo 

Regenerator, Number 2 on the Stoner HiVe Top 20 Countdown of 2022

The Burden Of Restlessness, Number 2 on the Stoner HiVe Top 20 Countdown of 2021

Dead Star, Number 4 on the Stoner HiVe Top 20 Countdown of 2020

Longing To Be The Mountains, Number 5 on the Stoner HiVe Top 20 Countdown of 2018

 

 

 

 

 

 

Stoner HiVe’s Top 10 Most Listened Artists Last Week…

 

 

Stoner HiVe’s 
Top 10 Most Listened Artists Last Week…

Hawkwind
Shadow Of Jupiter
Terra Black
Nephila
Daily Tompson
Stoned Jesus
Travo
Vordermann
Ancestro
Ealdor Bealu

Morning everyone! What a week! Had hoped and expected to have more time to HiVe. But rush interviews with Iron Jinn and Hawkwind’s Dave Brock popped up. And with the deadlines for today, most HiVe work had to take a backseat. But luckily we did have a smidge of time and energy to upload a few reviews we’ve been working on. Kardeathian released their first single, Solace grabbed everyone with their new Faiding Failing Ruin album and Vordermann is about to release their new Feeding On Fireworks. Last one that went live is for the stunning Shadow of Jupiter album. Those four write-ups and the Top Ten Listened To The Most could keep you busy for quite some time if you haven’t heard them. And if you have, let us know what your favorite is! Have a great week! 

Shadow of Jupiter – Bones

  

Shadow of Jupiter – Bones
Ripple Music – 2026
Rock, Stoner, Doom, Metal
Rated: ****

Out since July 10 and on heavy rotation since the promo came in a month before, the brand new  Shadow Of Jupiter album. It’s out on Ripple Music and is called: Bones. And it truly is bone rattling, that almost two minute long run up, that almost two minute long beginning of what’s about to happen. There is, for all intents and purposes, a definite generator vibe going as the title track Bones commences. Vocals seem to drift and almost carried away on the wind of swirling riffs. The guitars pulsate and make the air around you vibrate on an entirely different pitch…

It’s like a molten transmission from the edge of the desert, a thunderous pilgrimage through smoke, dust and endless sonic horizons, where everything is possible. Built on foundations of stoner and doom, it also implores psychedelia, blues, hardrock and classic heavy metal. It’s like a sun bleached bible of heavy rock, found beneath a burning sun and still smelling of the generator fuel that once leaked on it…
 
This is music with sand in its gears, blood on its fingers and fire in its veins. Bones does not simply move from song to song… Hell no. It drifts. It crawls. It runs. It explodes. It stretches massive riffs across wide open landscapes where crushing weight, meets mighty grooves and at certain times a cosmic atmosphere. Colin Peterson’s guitars carve out towering walls of sound, Scott Brakebill’s bass rolls like distant thunder, Adam Kazragys’ drums lock into deep, primal grooves, and John Piotrowski’s vocals rise like a weathered storyteller yelling from a high and weathered peak.

Weathered in a righteous way, from the psychedelic pull of the title track and Echo Chamber to the swaggering menace of Riot Dogs and Rumblestrip, the band take heavy music out past the city limits and into the badlands where the road disappears and the amps have a life of their own. Bones is a fever dream of desert heat, monstrous grooves, and psychedelic wreckage. It is a wild ride through the ghosts of heavy music’s past, steering straight into the unknown with a full tank of fuel, a blown speaker, and no intention of slowing down. Shadow Of Jupiter got places to be and we need to be there to take part of their exalted delivery of good and heavy music! 

(Written by JK)

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Vordermann – Feeding on Fireworks

 

 

Vordermann – Feeding on Fireworks
Self released – 2026
Rock, Metal, Post, Prog, Sludge
Rated: ***

After that fine, atmospheric and eclectic three track called Feeding On Flowers, the five piece from Stoke on Trent, UK named Vordermann returns with a follow up called Feeding on Fireworks! It follows the same strain of composition, sound color and feels like Feeding on Fireworks is the explosive celebration of everything that seems to make Vordermann a compelling force for the future of modern heavy music… They continue to blend sludge, doom, post rock, shoegaze, alternative rock and even pop influences with such effortless confidence, that the three tracks demand to be repeated with no end. They create a vibrant tapestry, where crushing moments of riffs bloom into shimmering atmospheres and bittersweet sour-laced vocal harmonies cut through it all with striking clarity. 

Rich in texture and endlessly rewarding to explore, the EP balances raw power with genuine emotional resonance, proving that melody and heaviness can burn brighter together than apart. And on this second EP, the Vordermann five, naturally embrace what they have already set as the boundaries of their sound. And deliver that sound and those color with fearless creativity. It’s a release that once again thrives on contrast, this time the contrast being intimate and immense. Feeding on Fireworks, feels like a dazzling statement of intent… Especially when one listens to Something Sacred, Something Terrible, a true celebration of transformation, intensity and limitless possibilities if one goes beyond convention.. And Vordermann continues to do so! 

Feeding on Fireworks comes out on August 7th, but you can check out their earlier EP Feeding On Flowers right now and get ready for the explosive continuation.. 



Or watch the video for the first single from Feeding On Fireworks released on July 15th, called Ego Gland! 

(Written by JK)

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Solace – Fading Failing Ruin

 

 

Solace – Fading Failing Ruin
Magnetic Eye Records – 2026 
Metal, Stoner, Doom, Dirt
Rated: *****

I’ve been lucky enough to see stoner metal’s best kept secret live not that long ago. They played TivoliVredenburg in Utrecht as pre-show to Hermano. A they delivered an amazing set that started with Spiral Will, the opener of the new album and the single that’s been out for months. It immediately became obvious that the secret we’ve all been keeping for the past 30 years should be set free, allowed to be enjoyed by all. It’s crazy right? That this amazing outfit is still somewhat shrouded in mystery. Is the fact that Fading Failing Ruin is only the fifth album of the band's three-decade career the reason the band remains something of an enigma? Seven years after The Brink in 2019. Or are we all just hoarding Solace for ourselves? 

These dirt birds should be allowed to fly and conquer the world. On their own accord, their own style and in their own time. For Fading Failing Ruin is once again chuck full of their version of stoner metal, gritty, dirty and with a layer of grime that is impossible to clean or fake. You can either get that tone out of your guitar naturally or not at all. It sludges up solos, it turns riffs to treacle and lets rhythmic punches turn into slogs. But it never turns into a bog or becomes morose. Hell, they incorporate punk, hardcore and classic metal to spice up the speed or make edges even more serrated. 

For thirty years, Solace have walked their own path, and will continue to do so, even though Fading Failing Ruin stands as its most commanding destination. Not chasing reinvention, the band embraces the weight of their experience, forging towering riffs, bruising grooves, and moments of startling beauty into a timeless work that feels like the statement we’ve all been so desperate to hear. Every note carries the confidence of musicians who answer only to themselves, balancing unrelenting power with patient, deliberate craft. And that patience is what drives every song... 

And where Spiral Will might have been the obvious single, at the heart of the album lies Wrath's Object (The Big Fall). An epic that unfolds like a slow-burning storm. Its dreamlike opening gives way to waves of crushing heaviness, soaring guitar melodies, and restless emotion, revealing darkness and new depths with every turn. More than a centerpiece, it is the album's soul… The bands spirit captured. A journey through ruin, resilience, and release that embodies everything Solace have spent three decades becoming: uncompromising, expansive, and completely unforgettable… The heart of it all laid bare, Solace for everyone! 

(Written by JK)

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Kardeathian – Six

 

 

Kardeathian – Six

Dropping August 27th, on vinyl, through Worst Bassist Records and Broken Silence… The self-titled debut release by Dortmund trio Kardeathian! And out right now, the first single Six! Three minutes and twelve seconds of instrumental stoner rock and stoner metal bliss! Opening their stoner trucking, riff propellant around mid-section to let in some light and air before delivering a final stretch bolstered by doom and speeding of towards the horizon… Short, stomping and sweaty! A wicked first single and a promise for some deliciousKardeathian music come the end of August! 

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Broken Silence

 

Stoner HiVe’s Top 10 Most Listened Artists Last Week…

 

 

Stoner HiVe’s 
Top 10 Most Listened Artists Last Week…

REZN
Ealdor Bealu
Monolord
Nephila
Shadow of Jupiter
Hijss
Terra Black
Iron Jinn
Travo
Rainbow Patrol

We’re entering a new week! And we look back at a fairly doable week when it comes to Stoner HiVe posts. Thanks to our comrades Jon McGough and Ronny Dijksterhuis. For our in house poet delivered a wicked eleven spotted Quick Fire Friday session and Jon gave us on kick ass Khemmis and for the jaw-dropping Jovian Queen. And there were words for the Doom Charts Number One album from June: Tidal Wave! And a long overdue write-up about the lovely Green Desert Water. All in all… Not a bad week. Right? Well, let’s hope to do more this week! Have a great one! 

Stoner Hive’s Quick Fire Friday

 

Stoner Hive’s Quick Fire Friday

Welcome! To another wild Quick Fire Friday edition.. Courtesy of our in house poet: Ronny Dijksterhuis.Slinging his words with precision and honor he is here to show you the way through some seriously underground cul de sac's! Presented below are ten glorious singles and EP's all worth every second of your time... Ronny Dijksterhuis knows the deal! And you know what that means... Things will get hot and heavy from here on in!

For those of you who are still in WC football detox mode, we present you a full heavy underground team of top-notch players who would've left the eventual champions stranded in the middle of the Arizona desert with ease. No Philadelphia highlights, no unwanted halftime show and no hydration breaks, especially not in the desert where lots of our stars bloom in the best way possible, kicking up dust and eating cacti for breakfast, lunch and dinner while gulping sand like it's some kind of high quality Belgian beer. Yes, it's Quick Fire Friday again with not 8, not 9, not 10, but a once in a lifetime 11 (relatively) new singles and EP's we here and Stoner Hive think you all should check out to conquer the blistering heat of summer. Concentrating on Travo from Braga, Portugal seems like the perfect way to start this exercise.

Travo - Burial

'Burial' is the first appetiser from Travo's upcoming album 'Wasteland' that will see the light of day on October 2nd. It's a loud, thunderous and abrasive take on heavy psych with thick riffs, a monstrous rhythm section and an overdose of psychedelic goodness that blows you way back in your seat, waiting for that glorious moment to arrive when the sound barrier is being smashed to smithereens.

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30,000 Monkies - Prism Break / Super Rebound

30,000 Monkies from Beringen, Belgium are making sure you will all mark September 18th on you Calendar with a big red dot. Because the two songs they released so far from their upcoming album 'Super Rebound' (the title track and 'Prism Break') are a perfect example of technical, repetitive, experimental metal with lots of punch and more than enough variation and subtle shifts to keep your ears glued to the speakers of your sound system, taking the risk of permanent hearing damage for granted. An aggressive, blunt, in your face slab of metal that might best be described as Meshuggah on a doubled dose of steroids, but with an identity all its own.

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Arcane Montane - Around The Sun

'Around The Sun' is the second single from the self-tiled debut album by Arcane Montane, scheduled for release on September 26th. It's a scorching mix of seventies hardrock, stoner and NWOBHM displaying great musicianship and a singer with a clean, powerful voice and a little roughness somewhere hidden underneath. Or as the band states on their website: "Arcane Montane deliver the all out power, groove, intensity and presence of Ozzy riding bareback through the desert on a water buffalo." Hop on the beast and enjoy the ride!

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Terra Black - In Stone

Terra Black are preparing to unleash their new album 'Mirage' somewhere in the middle of September. 'In Stone' is the first glimpse and starts with a simple, yet effective bass line that immediately sucks you into a somewhat eerie atmosphere. It can be described as slowed-down stoner, bordering on doom, draped with a nice occult-like veil where every ingredient is exactly where it should be. No unnecessary show-offs, but one tight unit moving forward in unison with the sole purpose of giving this fantastic song all the room it needs to breathe, while the intertwining male and female vocals add another layer of mysticism.

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Suecide High - Feel the Flames

Suecide High produces infectious, high octane rawk 'n' roll mixed with powerful stoner on 'Feel the Flames'. It's not entirely representative of their upcoming debut 'Chaos Has Its Charm', as it appears to be the heaviest and sleaziest song on the album, but judging by the sample previews of all the other songs, we're in for one hell of a good rocking one come October 9th.

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Sun Voyager - Coming Down

Ready for some psychedelic stoner, packed inside a three minute song? Well, in that case you can turn to Sun Voyager to fulfil your appetite. Not for destruction, but for a speed course in astral exploration by way of a scorching hot desert. Start blasting their new single 'Coming Down' and you'll get the drift.

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Evil Eye - Under a Sabbath Moon

Back in May 2025 Evil Eye released their debut album 'Wizard War I'. Now they're back with a new single 'Under a Sabbath Moon' that is packed with Sabbathian riffs and lots of fuzzy goodness. If that ain't enough, there's a second song called 'High Atop the Mountain at Dawn (Dreaming of the Sea)' that follows the same recipe without sounding anywhere near the the same as 'Under a Sabbath Moon'. Together they clock in at about 16 minutes. It doesn't matter whether you call it a single b/w or a two track EP, because it's fucking great and a significant step forward from their first full length. Really looking forward to what they'll come up with in the future.

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Tomb - Weeping and Gnashing of Teeth

With this release there's no discussion possible about the format. This is an EP. Period. Hailing from Roanoke, VA, Tomb are hovering above you like a swarm of giant deadly wasps - the kind you would encounter in old-fashioned horror movies - ready to confront you with your own mortality. Be it crushing stoner ('Heavy Glow'), bulldozer-style doom ('Frail'), something in between ('Weeping and Gnashing of Teeth') or danceable melodic stoner ('Thunderverb (Cosmic Eye)'), the bullseye is being hit every time with pounding drums, thriving bass and soaring guitars with a mixture of very strong clean vocals and nasty growls that reside somewhere between hardcore, sludge and black metal.

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Phoxxxy Grama - The Sneak Attack Sessions

After so much regular stoner, doom and rock, it's time for a little sidestep. Not in power and intensity, but in the kind of music being made. Phoxxxy Grama's sound is basically a combination of melodic noise, alternative rock, grunge and a tiny bit of stoner, packed in first class songs and containing a wildfire of unexpected (and unexpectedly diverse) lead guitar shenanigans. Hope some of you will dig it too.

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Witchthroat Serpent - Cursed Night Circle

A couple of days ago Heavy Psych Sounds announced they'll be releasing a new album from contemporary doom legends Witchthroat Serpent on October 9th, titled 'Demons Left to Roam', Along with that announcement opening track 'Cursed Night Circle' was being presented as a preview. After a one minute spoken intro the track unfolds itself as a primary example of traditional doom. Slow to mid-tempo grooves with a slightly haunting quality, exactly the right amount of fuzz, a good vocal delivery and a steady base of bass and drums. In other words: everything you gloom-filled heart needs to lift the spirit even lower. Great stuff.

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Melody Morana

 

Molior Superum - Mudslide Mama

Today (Friday July 24th) sees the release of Molior Superum's new single 'Mudslide Mama' which catches these Swedes at the top of their game. Swamp-driven stoner blues with a great hook and a sweet melody that gets your hips moving in no time. The perfect song to close this Quick Fire Friday in style and leave you behind with a sunny smile on your face. It's summer after all. Time to get up and dance.

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And for those who stick around for all these goodies! 

Here are a few Bandcamp Codes for that wild new Molior Superum single! 

khn5-wwwl
uqd9-xsde
x84k-esw3
qksu-udcs
f3jd-jhsd

Khemmis – Khemmis

 

 

Khemmis – Khemmis
Nuclear Blast – 2026
Rock, Metal
Rated: 

Having formed a cult following, releasing a string of top-notch albums, and breaking out of the underground with growing recognition throughout the larger metal community, Khemmis have come a long way since their debut back in 2015. Though I hate the term, this new release feels like a return to form, or at least a resurgence after the more divisive album Deceiver. The band sounds more fired up than ever, having truly evolved into their own sound. Though Khemmis have never been a ‘simple’ band, it seems like there are more complexities, layers, and ambition this go-around. Which leads to an album that rewards multiple listens, giving the listener time to unpack and discover all of its little nuances and intricacies. The guitars are beastly, the bass weighty, and the drums truly shine with their complexity. The contrast between the vocals has always been a major highlight, but the harsh vocals on this album have finally been captured with their full impact and intensity. Of course, the clean vocal harmonies remain as rich as ever, a powerful constant in the band’s distinct sound. Khemmis proves they are still a force to be reckoned with, and they still have plenty left to conquer.

(Written by Jon McGough)

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