vrijdag 9 oktober 2026

Stinking Lizaveta - Cassandra, Prophet of Doom

 

 

Stinking Lizaveta - Cassandra, Prophet of Doom
SRA Records – 2026
Rock, Instrumental, Punk, Stoner, Doom
Rated: ****

The reissue of their debut Hopelessness and Shame was magnificent, the tour that followed and their gig at Stoned From The Underground Festival was glorious and the new album continues with that victory march. Yes, thirty years on and the beast refuses to be tamed! Philadelphia’s instrumental power trio Stinking Lizaveta returns with Cassandra, Prophet of Doom, an eight-track slab of beautifully unhinged musical mayhem that proves some things only grow more dangerous with age… 

There’s still that off center story telling two step here and there, there’s still that punk spirit whispering through the songs and there’s still an arc and majestic drops to contend with. The guitar is allowed to tell that story, with twists, howls, noodling and pure fire. The bass following the steps or rumbling like subterranean thunder. And Cheshire Agusta’s drums keep the whole magnificent contraption hurtling towards the abyss, or inching towards the edge… 

The ride has two faces and both of them are glorious! For it all comes together as their progressive touches collide with the psychedelic detours, powerful Cassandra, Prophet of Doom-laden riffs and flashes of something akin of mischievous exuberance. The instinctive understanding between these three musicians, who have spent decades sharpening their skills, give you all the muscle and madness you can handle…
 
Instrumental, no maddening cries, no vocals, no compromises. Just three individuals that move by the speed of inspiration and instinct, pushing, pulling and occasionally almost dismantling the very music they create. They offer no visions of the future, but show how Stinking Lizaveta became the unruly force of nature it has become. Cassandra. She maybe the prophet of doom. Of predictions of ominous events lying in wait. But Stinking Lizaveta, to this day, remains the soundtrack to surviving all of it… 


(Written by JK)




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Golem – A Tale Of Dust And Tide

 

 

Golem – A Tale Of Dust And Tide
Self-released – 2026 
Rock, Stoner, Hard, Alternative
Rated: ****

There are of course many bands named Golem. Did that fact deter us? We might never know. W do know, we were late to this Golem party. We arrived as the votes came pouring in. Noticing all the Doom Charts Contributors voting for A Tale Of Dust And Tide by Uruguayan five-piece Golem we pressed play and by the time the cowbells arrived, we could not escape the grasp of the Golem! And we loved getting squeezed and clenched tight in between all those adventures! 

Cause five-piece Golem go for the gusto with their first long-play album! For A Tale Of Dust And Tide is definitely that! A long-play album, eighteen tracks, and more than two hours!! You want value for your buck on over on Bandcamp?! Next Bandcamp Friday, is November 6th. Cause wow! Unusually ambitious debut for a relatively obscure underground band right? But you’d better believe that those two hours are jam-packed with tight riffs, wild guitar work and thunderous rhythms. Fuzz-drenched, groovy and catchy these two hours fly by! And as you traverse the Golem universe you will be led through a fantastical world of crusades, wonderous battles and mythological creatures that turn up when you least expect it… A sprawling, immersive journey where ancient tales rise from the dust and the tide carries you ever onward. Ambitious. Absolutely. But Golem make the journey feel effortless, leaving you wanting to turn around and walk back into the haze for another two hours of dusty tales… 


(Written by JK)





 

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donderdag 8 oktober 2026

En la Niebla - Consuelo del Infortunio

 

 

En la Niebla - Consuelo del Infortunio
Self-released – 2026 
Rock, Doom, Metal, Stoner
Rated: ****

Do you hear? Something has awoken. Something ancient seems to stir beneath Consuelo del Infortunio. The new release by Argentinian trio En La Niebla, who lure you into their world of smoke, dancing shadows and slow-burning heat, where fuzz drenched guitars move like spirits and every riff carries primordial dread or at least something devious that has long been buried…

Rooted in doom, stoner and metal, the album moves through crushing heaviness, hypnotic grooves and psychedelic passages with an ever present haze. And with its raw, almost live-room quality, the incantation only becomes deeper. Nothing feels polished, the guitars crackle at the edges, riffs linger, cymbals sound off into the distance, where the bass lumbers and then suddenly seems to perform its own little ritual. The whole record seems to hum at its very own pitch.
 
And even though En La Niebla sing in Spanish, except for the Drop of Blood single, you can feel the essence of all the songs throbbing through your veins. Death, desire, occultism, they drift through the songs like fleeting figures glimpsed through the fog. And while the music remains intensely physical and gripping, heavy enough to feel it in your entire being it is also hypnotic enough to lose yourself completely. And there among the strange warmth of the shadows, you surrender to the darkness and find comfort in everything Consuelo del Infortunio… 


(Written by JK)




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LáGoon – Forget What You Heard

 

LáGoon – Forget What You Heard
Interstellar Smoke Records / Evil Noise Recordings – 2026 
Garage, Doom, Punk, Psych, Stoner
Rated: ****

We’ve always had a thing for LáGoon. It’s the kind of longing that slips quietly into your mind, then settles deeper… An itch beneath the skin, a shiver along the spine, a restless little ache that refuses to be ignored. A need to surrender to the craving, to quench whatever thirst it has awakened in you. And once it takes hold, there’s no sense in resisting. No reason to wait. No way to delay the satisfaction of giving in…

 
Luckily, we’ve had the pleasure of returning to the albums they’ve released over the years, the side-projects Anthony Gaglia was involved with and even talking to him one day many moons ago. And we’ve also had the pleasure of premiering that first single for their brand new album! 

Yes! LáGoon return with six rounds of Portland fuzz-damaged lunacy fired straight from the heavy underground and aimed directly at your eardrums! Punk, Doom, Garage, Psych and Stoner collide on Forget What You Heard in pure LáGoon fashion! You know the deal, blown speakers, bad behaviour and wild scuzzy riff worship! You Tried (You Failed) is that languid stoner punk and garage burner, slowly seeping into your veins, spicing up your blood and giving you Skullactic Visions, but not before majestic opener Kill The Messenger already kicked the door off its hinges with some glorious chaos, house burning kind of stoner noise! Once heard, Forget What You Heard, will be in your blood forever… Constantly giving you the itch and the perfect way to satisfy it! 


(Written by JK)



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maandag 5 oktober 2026

Stoner HiVe’s Top 10 Most Listened Artists Last Week…

 

 

Stoner HiVe’s 
Top 10 Most Listened Artists Last Week…


Golem
Editors
Stinking Lizaveta
Hostile Tides
Matt C. White
The Fierce & The Dead
The Ocean
Polymoon
Black Space Riders
Plastic Woods

It was a wild week and an even wilder weekend! We headed out immediately after the Doom Charts went online. Hence, the later post about it on the HiVe… Still, even though there was limited time, we still managed to get a few little ditties  up and out. First and foremost, we got to premiere the new Erosions single for the Psalm / Erosions split album soon to be released as a first release for the new Space Goat Records. We could not resist mentioning the new A Perfect Circle single, For Whom It May Concern, perhaps simple in execution, it still works, or at least for me… We mentioned the debut by Kurtys Kidd, the new album by Uncle Acid and The Deadbeats, the fantastical Organic Green Monster Machine, the wild Hostile Tides and the smashing new album by Plastic Woods… Not bad for a busy week! Let’s see what happens this week… Hope it will be grand for you all! 




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The Doom Charts for September 2026

 


DOOM CHARTS

SEPTEMEBR 2026

“Wake me up when September ends…”

~ Greenday

It did! It’s over. Wake up! September is gone. Dust. In the books. Which means… We get to publish the Doom Charts for September 2026. And on Bandcamp Friday no less! Not sure when your paycheck rolls in, but it might mean October will be filled with dry bread, water and a whole lof of awesome riffs! Check out the list below, the Forty albums of the 175 albums that received the most votes this month… All deserving every bit of your energy and every buck out of your wallet… Go check’m out! 

 

T'was Bandcamp Friday and the new Doom Charts edition went live!What a great start of the weekend...  Say goodbye to all your hard earned cash! And hello to all those great riffs! What a month! As usual, I could have and should have voted for all of them... But of those forty that made it, I voted for:

Starting the Top 40 rundown with Chat Pile... 
 
 

Already featured on Stoner HiVe: 

 Uncle Acid and The Deadbeats – Shapes of Midnight

 Saturna – Light and Shadow

FULL ALBUM PREMIERE - Allume – Ex-Luto

Allume – Ex-Luto

Iron Jinn - Zeitgeist on the Run

FULL ALBUM PREMIERE - Vulture Neck – Vulture Neck

Deathchant – Kova 

 

 

Welcome to Doom Charts, representing some of the finest bloggers, journalists, radio, podcasters and reviewers from the heavy underground around the globe. Each month, our critics submit their picks for the best new doom, sludge, metal, stoner, psychedelic, progressive and heavy rock albums. The results are compiled and tabulated into the chart below. This is a one-stop shop for the best new albums in the world…

 The Doom Charts - September 2026

vrijdag 2 oktober 2026

Plastic Woods – Mirrors

 

 

Plastic Woods – Mirrors
Discos Macarras Records / Spinda Records – 2026 
Rock, Prog, Psych
Rated: ****

The mirror is lying to you… Plastic Woods have always taken an extra step when it comes to combining inspirations into one brilliant adventure. And Mirrors is another, wild step in that evolution. Out, October 22nd on Spinda Records and Discos Macarras Records the album steps through the looking glass and into a land beyond, taking the listener with them, with grandiose guitar work, progressive compositions and something funky to boot. There are darker moments and lighthearted playful things, like reflected sunlight on the water…

So, step through the Mirrors, leave the troublesome, irksome, violent or sensible world behind and let yourself fall into Plastic Woods third album. Inspired by Tarot archetypes and the strange logic of Lewis Carroll’s looking-glass world, the album plunges headfirst into the collapse of identity. The Tower is falling, The Fool keeps dancing, the reflection is cracking, and somewhere on the other side of the glass awaits the part of ourselves we’d rather not meet. Or some of us want to dance with. 

Musically, Plastic Woods turn the looking glass into a kaleidoscope of progressive rock, psychedelia, hard rock, folk and blues, pushing their sound into darker, more intricate territory. It is an inward trip, and you often feel like you are running through anxiety, false memories and righteous paradoxes as if a monster is right there on your heels. But Mirrors never becomes the album that will lead you out. The mirror might be telling the truth, and the thing you thought was chasing you has been wearing your face all along… 


(Written by JK)

Go check out the first two Plastic Woods singles now and be ready October 22nd for the full Mirrors album to drop... 




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Hostile Tides – Dead Man Talking

 

 

Hostile Tides – Dead Man Talking
Self-released – 2026
Stoner, Metal, Punk, Prog, Instrumental
Rated: ***

You want it underground? Heavy underground? You want stoner, metal, punk and prog all mixed into one blissful release? Then go listen to five track Dead Man Talking by Kent, England quartet Hostile Tides. Love the band name. Active since 2024. Instrumental, except for the second track Rumour, which could become the rowdy live track Twenty was to Karma To Burn…

It was recorded Squarehead Studios, but has the feel of an album that was recorded at the final petrol station before all the roads end, the pavement stops and the end of the road is actually a place on the map. Five tracks, filled with fuzz heavy guitars, filthy bass work and thunderous drums. All of it sneaks and crawls through stoner and metal, punk and prog, leaving room for hypnotic grooves and full blown sonic derailments. 

A grimy, intensely cinematic quality seems to be powering the whole thing. A lost soundtrack to a film nobody should have made. The soundtrack remains and becomes this entity on its own. Just listen to Pyramids and you will understand immediately how everything becomes its own thing with Hostile Tides at the helm. Rough edged, atmospheric by default, completely unpredictable and this is just a first release… Hostile Tides are warming up! 


(Written by JK)




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Organic Green Monster Machine – The Swords of Sorrow

 

 

Organic Green Monster Machine – The Swords of Sorrow
Self-released – 2026
Rock, Psych, Stoner
Rated: ***

There’s a storyteller at work here. And song smithies. For the three tracks on the new The Swords of Sorrow EP are meticulously crafted and immediately audible is that these three tracks would benefit from a bit more production or recording value. But the Bridgetown, Australia, quartet Organic Green Monster Machine released their first single back in 2023 and after three more, this is the first EP. Each of those tracks show great promise and a sincere knack for crafting something special and mesmerizing. 

For The Swords of Sorrow is a spellbinding journey, through heavy psychedelia, smoky blues and sprawling fantastical landscapes. Across three richly textured tracks, the band weaves a hypnotic tapestry of stories and atmosphere, where thunderous rhythms meet delicate melodies and drifting instrumental passages. Opening the EP with The Raven Prince, storytelling and cinematic grandeur. The Blade track follows and sinks into a slow burning psychedelic haze. And it ends with The Highway Song, a Purplesque track, that gradually gathers momentum before erupting into its heaviest passages…

Like a gigantic tome opened at the right pages; the adventures, the tales regaled often feel like a journey through shadow and light, unhurried and deliberate, resounding ancient echoes of mysterious voyages into unknown worlds. Fantastical! Organic Green Monster Machine has awoken; and The Swords of Sorrow is the first chapter of a wild and dangerous grimoire that will surely be written… 


(Written by JK)




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donderdag 1 oktober 2026

Uncle Acid and The Deadbeats – Shapes of Midnight

 

 

Uncle Acid and The Deadbeats – Shapes of Midnight
Killer Candy Records – 2026
Rock, Garage, Psych, Occult, Doom
Rated: ***

I remember when they came out with Vol 1. in 2010 and Blood Lust a year later. Both stunning releases that felt like they were recorded in a crypt, lit by candles, while hooded figures were drawing pentagrams on the floor with blood. Mesmerizing and hallucinatory and they made you envision pure lust for the sinful properties of man. You know, that vintage spilling of blood…

And then three albums followed that all extrapolated that sound, all losing a bit of that early grit and grime but retaining that touch of the occult and blasphemous. Night Creeper got some of that back and did everything else a bit better. And then we arrived at the year 2024 and the Nell' Ora Blu project was released. One some level we could appreciate their ode to the seventies horror movies tradition of the seventies. Especially live. On record, the vinyl barely returned to the player.

And now Uncle Acid and The Deadbeats are back! And in true Uncle Acid fashion, wearing masks and draping themselves in all the blood they could find. Turning another corner though, and taking their occult sounding garage, psych and doom into a very catchy and hook abundant territory. The heavy drawn chords, the insidious riffs and melodic vocals make Shapes Of Midnight a party that will last till dawn. Blood Lust as a delicious cocktail… 


(Written by JK)




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Number 12 on the Stoner HiVe Top 20 Countdown of 2011

Number 15 on the Stoner HiVe Top 20 Countdown of 2013

Uncle Acid and the Deadbeats – The Night Creeper

Number 2 on the Stoner HiVe Top 20 Countdown of 2015

Number 9 on the Stoner HiVe Top 20 Countdown of 2018


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Kurtys Kidd – This Dirty Machine

 

 

Kurtys Kidd – This Dirty Machine
Self-released / From The Strait PR – 2026
Rock, Alternative, Grunge
Rated: ***

This Dirty Machine, it rode in on a promo email sent by From The Strait PR, a straight shooting PR firm if ever there was one. The man behind it, Canadian artist/actor, Kurtys Kidd and part of the opening from that email stated:  “This Dirty Machine comes from a time when I was in an emotionally tough place,” Kurtys says of the album. “I drove out to the desert one night and just stared up at the stars and contemplated my life, my place on this earth, and even the place of our existence in the universe. The album tells a story of the night and the process to get through it.” That all meant, we had to check it out!
 
And that quote resonates throughout the album, cause This Dirty Machine sounds exactly like that, like a lone rider crossing a midnight desert, guitars blazing behind him, dust in his wake, and nothing but an endless horizon waiting ahead. Kidd marries the grit and muscle of nineties alternative with a widescreen, cinematic atmosphere, swooping and big. Heavy riffs meet melancholic melodies and rough-edged vocals head on. Working man’s heavy, dirt on the boot. 

Yet, that restless, road-worm quality is more pervasive. These songs feel part outlaw, part drifter and part stargazer, searching for something beyond the horizon and probably something his heart cannot name. Maybe its just the endless search for a place to call home, and if This Dirty Machine is anything, it is that, a home or a soundtrack for that search… 


(Written by JK)




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A Perfect Circle - To Whom It May Concern

 

 

A Perfect Circle - To Whom It May Concern

I loved those early A Perfect Circle albums and by sheer coincidence talked to Troy van Leeuwen for a short bit about this a week ago. Forward to September 29th and suddenly there’s a new A Perfect Circle single, a tour announced, and yes, even though the word is not official yet… There might be more new music in the near future… But for now, after Starless earlier this year, we now have To Whom It May Concern… The track takes a restrained, atmospheric approach, gradually building tension around themes of social polarization. Mourning a time when people could disagree without becoming enemies, as algorithms amplify outrage and erode empathy between us all. Maynard James Keenan remains unusually subdued, while the band creates an ominous mood with surprisingly few musical elements… 




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dinsdag 29 september 2026

SINGLE PREMIERE - Erosions - Homegrown

 


 SINGLE PREMIERE 

Erosions - Homegrown

 

As announced on Monday... Yesterday... That wild and freaky Single Premiere! Straight from the Psalm / Erosions split album soon to be released, it's the track Homegrown by Erosions! And this isn't just a simple split album, or a simple single... It's the second single for the very first release on that new and crazy Space Goat Records! 

Space Goat Records is the new label on the block. Spearheaded by the one and only Jason Doome of Grand Rapids Doomfest and Sean Brooks of The Heavy Underground Farm Report and HUFR FEST. Two good ol’ boys running a sick new heavy underground label… Stoned, ripped, twisted… Good people!

With one hell of a mission statement:

“Space Goat Records is an independent heavy underground label dedicated to limited-edition split vinyl releases. Premium packaging, collector-quality pressings, and unforgettable riffs unite exceptional bands from the doom, stoner, sludge, and psychedelic underground—one exclusive release at a time.”

And their first Split album, is this one... The one by Psalm and Erosions... And we're honored to premiere for you all the new single: Homegrown. 

Trashy, punky, grimy, gritty... It's all that and more... But most importantly, are you a NBPS? A Natural Born Pot Smoker? If so, you know this kind of energy as it flows through your veins... Homegrown takes its sweet time getting where it’s going, settling into an eight minute haze of rolling riffs, fuzz and slow-burning groove. Erosions lean hard into the weed-soaked reverie of the track, letting the guitars wander before dragging the song back into its central riff... There’s something almost ritualistic in the repetition, a smoky almost spooky sound that grows thicker and more unruly as it moves along. By the time the final stretch arrives, the groove has swollen into beautifully billowing smoke, leaving Homegrown hanging in and drifting through the air like the last hit of bong exhaled in a dark room...

 

 

 

 PR Wire: 

Primitive scuzz rock from Illinois and trad stoner doom from Las Vegas

Split LP out October 31st, 2026 on Space Goat Records

Psalm single "Pain" out now

Erosions single "Homegrown" out September 30th (Private stream)

Genres: Fuzz Rock • Stoner • Doom • Grunge


This Halloween, the inaugural release from Space Goat Records brings two bands from separate corners of the heavy underground together for six total tracks and one monster of a split LP.

From Freeport, Illinois, fuzzed out trio Erosions bring their beefy brand of raucous, groovy scuzz rock, picking up the torch lit by stoner greats of old and dousing it in beer and gasoline. On the other side of the coin are Las Vegas doom dealers Psalm, armed with dour melodies, soaring vocals, and grunge-fueled crunch. A labor of love by all parties, Erosions and Psalm are honored to the lead the charge for Space Goat.


Born from the heavy underground community it lives and breathes, Space Goat Records is the fully baked brainchild of two of the scene’s biggest fans. Sean Brooks, of Denver’s HUFR FEST and the Heavy Underground Farm Report, and Jason Doome of Grand Rapids Doom Fest, bonded over their mutual love for heavy music and the bands and people who make it.

SPACE GOAT RECORDS

The label's goal is to continue specializing in limited-edition split records featuring bands from the heavy underground, with an emphasis on high-quality vinyl, unique artwork, premium packaging, and releases designed to be collectible rather than mass-produced.

Space Goat Records plans to work with bands from across the United States and internationally, connecting different regional scenes through carefully curated split releases.

The label is particularly interested in doom, stoner rock, sludge, psychedelic rock, heavy psych, desert rock, and other riff-driven forms of underground music.

The ultimate goal is to build a catalog where every release feels like an event and every record tells a story.
        

Sean: “We didn't want Space Goat Records to be another label that simply puts out records. We wanted to create something that felt connected to the heavy underground — the bands, the festivals, the fans, and the people who are still excited about actually owning music.

Erosions and Psalm were the perfect bands to launch the label with. They're coming from completely different parts of the country and have their own distinct sounds, but both bands represent the energy and authenticity we're looking for.”

Psalm

Jason: “Where would I like to see SGR go in the future? Into as many hands of music lovers as possible. That’s it. I want everyone to hear these bands because we believe in them so much we’re willing to put out a physical album to tell you about it. There’s no better feeling in the world than to turn someone onto new music that they’ve never heard and they dig it! Bringing the best bands the Heavy Underground has to offer to you the fans. That is and always will be our goal."

WHAT'S NEXT

Erosions aren't slowing down anytime soon. The Freeport, Illinois trio is planning a mini-tour built around HUFR FEST, including an appearance at Tampa Doom and Gloom Fest, while also heading back into the studio to record several new songs. The band is looking forward to expanding its reach beyond the Midwest, playing new cities, and continuing to bring its fuzzy, scuzzy, primitive rock to the road.

Erosions

Las Vegas doom trio Psalm has plenty in the works, including a full-length album in addition to the Erosions / Psalm split. The band plans to hit the road and play as many out-of-state shows and festivals as possible, with updated merch on the way. Vinyl releases of both the Erosions / Psalm split and 2025 EP In Darkness Have Mercy are also in the works. Psalm is actively open to festival opportunities, so promoters—get in touch!

Psalm
        

Erosions/Psalm - Split Album

Album out October 31st, 2026
Space Goat Records (Digital, Vinyl)
Artwork by @fadlisafikri_

Erosions is:
Gregg Metzger - Drums
Rocky Lilies - Vocals, Guitar
Tom-T Schoenhard - Bass
Freeport, Illinois
FFO: Black Sabbath • Kiss • UFO • Mephistopheles • Weedeater • Grand Funk

Psalm is:
Jon "Fro" Torres - Vocals, Bass
Ian Henneforth - Drums
Juan Arturo - Guitar
Jeremy Aceves - Bass
Las Vegas, Nevada
FFO: Trouble • Black Sabbath • Deep Purple • Lamb of God • Thin Lizzy

Tracklist:
Erosions
1. Deep Creep (5:54)
2. Too Man Deaths (4:52)
3. Homegrown (8:12)
Psalm
4. Asunder (5:56)
5. Pain (3:52)
6. Psalm 9 (5:08) 

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