zaterdag 29 augustus 2026

Wealthy Women – Children

 


 

Wealthy Women – Children
Self-released / Prescription PR – 2026
Metal, Rock, Sludge, Doom
Rated: ****

In these trying times, every album could be or should be a politically charged piece of protest. On the other hand, sometimes we all need to escape from the horrors that surround us. Of course, those horrors are all man made and if they are served up, with beautifully delivered sludge rock and metal, the stories told and the points made are real and deserve to be repeated over and over. This is the case with the eight-track Children album by San Franscico three Wealthy Women

Out since August 7th, there’s a sound that reminds of Therapy? on occasion, but noisier, sludgier and more metal. Children. For a lot of people around the globe America and a lot of other countries, societies seem to be coming apart at the seams; and Children sounds like the soundtrack. Low, filthy and furious. The mentioned sludge, doom and noise all collide beneath the weight of all the subjects they cover and stories they tell. 

Guitar colors and subterranean bass drag themselves, mess themselves through the mix, while the band’s faster, punk inflected attack keeps moving the record forward with a sense of urgency. Turning the drag and the mess a gigantic pile of filth. Which seems fitting for all the darkness it translates. The darkness and doom of immigration raids, of radicalized individuals, war and the careless machinery of political cruelty. 

Eight tracks and almost thirty five minutes, are filled with bursts of rage and longer, more oppressive passages. Children seems poised to turn outrage into something physical. And in an era defined by cruelty and an utterly doomed outlook on the state of society and the earth, there is always value in making a noise that refuses to look away. And that is something Wealthy Women refuse to do. This is not an album about watching America burn from some safe distance. This is a trio trapped inside the fire and screaming as loud as they can… 


(Written by JK)




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Blackmail Damage – Damaged Demos

 

 

Blackmail Damage – Damaged Demos
Self-released – 2026
Rock, Punk, Noise, Garage
Rated: ****

This two piece from Houston, Texas delivered their Damaged Demos album with wild abandon and furious energy. It’s punky, it’s noisy and it’s hot! The duo is called Blackmail Damage and the album sports eight tracks that embrace the lo-fi ecstatics and ramps that up with all the garage powered electricity they could muster…

Guitar plugged in, drummer hyped up. Kamikaze! Let’s Go! Brutally loud, fuzz-saturated and constantly aiming to erupt violence within you. Recording these tracks made the floorboards nervous and the walls giddy. Shit, is constantly on the verge of exploding. Guitars snarls and cut, they sting through all the layers of fuzz, feedback and broken-sounding electronics. Drums pound, stumble and explode beneath it all. Riffs erupt suddenly from the wreckage, only to warp, dissolve and crawl to somewhere much much darker. Nothing is clean and nothing is contained. Fly my lovely’s, fly my wild and uncivilized notes and rhythms. 

It’s hot in here. Sweat dripping from the ceiling, the noise rock, short ditty or more post rock influences and everything messy and captured. Cause every time the lovely’s wanted to fly, they realized they wanted to stay and be part of this beautiful mess. Live tracks, rehearsal room madness. These are no recordings. This is an outer body experience looking down on a crazy duo going absolutely insane! 


(Written by JK)




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Deathchant – Kova

 

 

Deathchant – Kova
RidingEasy Records – 2026
Rock, Metal, Psych, Proto, Stoner
Rated: ****

The original street date seemed to have been for yesterday but is now set for September 25th! Or maybe the RidingEasy Records image used on the promo was just wrong from the get-go. But either way, we’ve been lucky enough to have been spinning the new Deathchant for quite some time now. And relentlessly, for the new nine-track album called Kova is unbelievably infectious and addictive! 

Their most melodic and emotional album yet perhaps? An album that uses all contrasts one could think off. Kova sounds like the four of them keep turning their amps towards the darkness one moment and towards the light the next. The trademark fury is always intact, scorching riffs, rumbling feedback, swinging grooves and fret-burning leads. But underneath, or threaded through the noise, there is something more vulnerable. Title track Kova the most obvious example. Acoustic guitars, soulful vocals, bluesy melodies and some atmospheric passages. All of this seem to suggest this is an album that is willing to breathe between all the blows it delivers… 

For it is an album that is shaped by grief, friendship, addiction and everything life might throw at us all. And that is the key factor perhaps, the emotional weights has seeped into every corner, every riff and every syllable uttered. Its has brought the words closer to the surface, with more deliberate and perhaps obvious choosing. And as those vocals hit harder and make an impact, the music moves freely between bruising heaviness to add to the blows, and quieter more reflective moments, to soften and soothe. The entirety of the beauty that is the middle track Worshipper being the prime example perhaps.
 
But for the all Deathchant worshippers out there, there is nothing to fear, for Kova never abandons the hard-driving spirit the band always had, it just give everything a deeper heart. It is that contrast thing again. A record about loss, pain, survival. Keeping the torch lit, searching through all the rubble and ultimately, finding something beautiful among all the wreckage and the ruin… 


(Written by JK)

Listen to the first single right now, and get ready for Deathchant's Kova to drop on September 25th through RidingEasy Records! 



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vrijdag 28 augustus 2026

Hibushibire – Phantom Fuzzy Logic

  

Hibushibire – Phantom Fuzzy Logic
Riot Season Records – 2026 
Rock, Hard, Psych, Garage
Rated: ****

It’s the ‘zang’ alright! It’s a blast! Like being shot out of cannon! A Hibushibire’s fifth studio album Phantom Fuzzy Logic is one hell of an intense and rapid onset of a trip. Like somebody spiked the fuel tank of a seventies rock ‘n roll Cadillac and pointed it straight into the heart of the American dream. Or a psychedelic desert! Kapow, the Osaka quartet floor the accelerator immediately with opener Mandrake Oracle, dragging me deliriously happy and screaming into a neon fever dream where motorik versions of Purple, Zappa, Airplane and cosmic Japanese psychedelia all collide in one magical kaleidoscopic freak out. 

And they never let up, following Minagoroshi Western gallops across that desert like a cowboy on mescaline, while Daydream Rendezvous floats along on a magic carpet ride through a blanket of purple smoke. Flags waving of all shapes and colors, lights blinking and no nervous system left or needed. Glorious acid folk inspired to get your grounded. Before letting go again, leaving the other tracks to detonate in a beautiful brain-melting free-for-all. Ai Vist Lo Lop by the wonderful Occitan traditional band Mont-Jòia, is the cover that ends the electric Phantom Fuzzy Logic. Stretching the thirteen mesmerizing minutes into one long occult road trip. You suddenly remember for a moment, weren’t we in a speeding Cadillac? Right? Buckle up. Reality has taken a different offramp…




(Written by JK)


And if you’re in Europe and in the need to lose your mind… Hibushibire are on tour right now! September 13th in the wonderful Onderbroek in Nijmegen!  






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Problem with Dragons – Permian

 

 

Problem with Dragons – Permian
Self-released – 2026
Metal, Doom, Prog, Sludge, Stoner 
Rated: ****

Releasing, September 11th, the brand new Problem With Dragons album Permian. Founded in the year of our lord 2007, the Easthampton, Massachusetts, first three, now four, have been releasing music since 2012. And we are ashamed to admit we only ever got around to mentioning their Ascendant album from 2019. But this is already their fifth full sized album and it takes their proggy doom and sludgy metal into an entirely new era… 

On PermianProblem With Dragons sounds even more like a collision between geological weight and cosmic strangeness… The nine tracks feel ancient, primordial and impossibly heavy, yet they also constantly seem to reach beyond the earthly. At its core remains a filthy blend of sludge, stoner and doom. All of the metal variety and driven by huge fuzzed out guitars, lurching grooves and punishing drums. But there’s no glacial movement here, the band rarely stays in one place for too long. Progressive turns, psychedelic haze and eerie atmospheric passages continually distort all the underlying heaviness.

Vocals, more primal cries, throaty growls and clean soaring melodies and almost unsettling monotones. All lending the music the feeling that it could be some forgotten ritual performed at the edge of the universe. The riffs can plod like tectonic plates or spiral almost out of control into hypnotic, spacey excursions. And always, those unexpected shifts, keeping the music deliberately unpredictable. The result feels both prehistoric and extraterrestrial: crushing, murky and organic, but also strange, cerebral and psychedelic. Like the soundtrack to a world before memory, and an earth groaning beneath an unfamiliar sky… 


(Written by JK)

Check out the first two Permian singles now and get ready for the full album to drop on September 11th!



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Undertong – Undertong

 

 

Undertong – Undertong
DeadZeus Sounds  – 2026
Rock, Stoner, Doom, Sludge, Grunge, Space
Rated: ****

I love Prague and can’t wait to go back. There’s a heavy underground current there that feels tangible on every dark corner and in every dubious drinking hole. Well… Prague’s Undertong emerge from the shadows with a debut that immediately pulls you along through some vast distorted cosmos. Their self-titled album drifts between psychedelic stoner-doom, sludge, grunge and space rock. It’s the kind of maelstrom where colossal riffs burn through clouds of fuzz and reverb, only to dissolve into quieter, dreamlike passages. Raw, weathered vocals add another layer of grit to the journey; and showcase another side of a band that’s unafraid to wander and almost get lost. It’s a beautifully unhinged cosmic voyage, heavy, atmospheric and fiercely sincere!


(Written by JK)




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donderdag 27 augustus 2026

Datura4 - High On The Low Brow


 

Datura4 - High On The Low Brow
Alive Naturalsound Records – 2026
Retro Rock, Psych, Blues Rock
Rated: 


Wow, what an album! I haven't heard something that gives off this type of feel-good energy since Flight b741 from fellow Aussies King Gizzard. Carefree and fun, Datura4 bring their exceptional songwriting to High On The Low Brow, accompanied by skilled musicianship on an array of instruments. A distinct 70's classic rock influence is heard throughout, with organs, slide guitar, and saxophone only adding to the retro charm and allure. This one may just sneak onto your end-of-the-year lists.


(Written by Jon McGough)




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dinsdag 25 augustus 2026

Stoner HiVe’s Top 10 Most Listened Artists Last Week…

 

 

Stoner HiVe’s 
Top 10 Most Listened Artists Last Week…


Besvärjelsen
Faerie Ring
Temple Fang
LowMad
Hollow Drifter
Stoned Jesus
Heathen Tongues
Witching Buzz – Occult Vibe Haven : Cathedral of Smoke: A Tribute to SLEEP
Child
Distressed

It’s Tuesday already… We know… But upon returning from the wonderful Down The Hill festival the less successful version of life immediately took over. You know. The rent paying side of things. And today and tomorrow will be no different. But we have good hopes to do some proper stuff on Thursday… 

Looking back at last week, which was filled with Down The Hill festival preparations and enjoyment, we still managed to put up a post or two. Most importantly perhaps, the Full Album Premiere for the new Faerie Ring! Which we reviewed the day before that. And it is true, the new Faerie Ring is magical! We also managed to write about Hollow Drifter and Heathen Tongues, both wild and wonderful releases! So, onwards and upwards… And listening to the new Valley Of The Sun and Graveyard albums are definitely the right kind of energy to get some stuff done… What are you listening to? 


donderdag 20 augustus 2026

FULL ALBUM PREMIERE - Faerie Ring - Faerie Ring

 



FULL ALBUM PREMIERE 

Faerie Ring - Faerie Ring

 

It's here! Cause tomorrow, on Friday the 21st the new self-titled Faerie Ring album will be unleashed upon the world. Released through King Volume Records it sports ten wild new tracks! But it's here where you can hear it a day early... That's right... We're honored to present to you the FULL ALBUM PREMIERE for the brand new Faerie Ring!! 

 "A glorious new chapter erupts as 
Faerie Ring resurrect vintage doom, hard rock, and heavy metal in a sound that is colorful, psychedelic, spacious, and utterly alive. Their self-titled third album unleashes ten enormous tracks where dusty seventies riffs collide with modern psych, stoner, and garage grit. From the swaggering “Draggin’” to the crushing “Lost Boy,” these songs balance monstrous heaviness with melodies haunted by love, loss, loneliness, and existential dread. Raw, cinematic, and deeply personal, Faerie Ring have forged their own identity from the ashes of their influences. Doom has never sounded this vibrant, human, or hungry. A glorious rebirth. The new Faerie Ring is magical!"

Full Review HERE

 

 

Faerie Ring: "As a musician, artist, and devotee to all things righteous and bitchin', what's important to me is whether something I create passes the 'neck test'.

Our latest offering ‘Faerie Ring’ is a nonstop onslaught of neck annihilation. You’re gonna wish you were born with two. We run the full emotional gamut and we hope the listener does too. We want you to laugh, cry, inspire, perspire, call the cops, go to jail, tell the judge we rock, get bailed out and come to our gig. 

Faerie Ring III,” as we’ve been calling it among ourselves is like walking through a museum. Each track an exhibit we’ve curated to the best of our abilities to make you feel SOMETHING, truly feel anything. The world we live in is often bleak, gray and can leave you feeling alone surrounded by all the people and things you love. Our efforts are 37 minutes of kaleidoscopic effulgence: an iridescent energy bomb to try and spark something inside everyone who listens."

 

 PR Wire:

INDIANA STONER ROCKERS FAERIE RING DELIVER SONIC REBIRTH THROUGH KING VOLUME RECORDS IN SELF-TITLED ALBUM MASTERED BY TORCHE’S JONATHAN NUÑEZ, OUT AUGUST 21, 2026

“Faerie Ring” Unlocks New Emotional Depth With Tighter Songwriting Inspired By Personal & Global Conflict And Powered By Revised Band Lineup; FFO Queens of the Stone Age, Mondo Generator, Monolord, Torche

EVANSVILLE, IN - Faerie Ring, the hard-rocking, retro-tinged stoner rock band out of Evansville, IN, has announced their third album: a self-titled effort through King Volume Records that marks the band’s sonic rebirth—one that emphasizes tighter songwriting, blistering hooks, and a new emotional depth that was assisted through the mastering process by Torche guitarist Jonathan Nuñez.

“Our last album, Weary Traveler, was happy-go-lucky,” says band guitarist, vocalist, and primary songwriter James Wallwork. “But so much has happened since that came out in 2023, both in our personal lives and in the rest of the world. Songs like “Lost Boy” reflect the furious, “I don’t even care” attitude I felt after my divorce, while “Gargoyle” is a doomed-out perspective of realizing you’ll grow old alone. “No Surrender,” meanwhile, was inspired by the latest Israel-Palestine conflict, and it’s written from the perspective of someone living in Gaza during the war. Ultimately, Faerie Ring is a cathartic album that acknowledges that death is real, but so is love. This is an album about love and triumph in a time of existential dread.”

One of the biggest influences behind the band’s revitalized sound was the addition of multi-instrumentalist songwriter and new Faerie Ring drummer Matt McGuyer. “With Matt on drums, it’s almost like a completely new band,” says guitarist Kyle Hulgus. “Matt cracked our sound wide open. He’s such a talented musician. He’s a guitarist, he’s a vocalist, and, obviously, he’s an incredible drummer. His input was so valuable, and he helped us spread our wings.”



Once again, the band returned to Postal Recording in Indianapolis to record and engineer their third album in full analog. As essential as owners Alex Kercheval and Tyler Watkins were to capturing the band’s evolving sound, they were also critical to shaping it. “Alex played an underlying synth on many of the songs to help beef up the tracks,” says Wallwork, “but he also cooked up the sounds on ‘Fattest Witch.’”

Adding Torche guitarist Jonathan Nuñez to the mastering process proved equally impactful. “I’ve been a lifelong fan of Torche,” says Wallwork, “so having him involved is insane to me. He drastically changed this record. It’s much more akin to how we present ourselves live.” Huglus agrees: “Listening to his mastering was like hearing the album for the first time. We loved the original version of the record, but he completely changed it for the better.”

Like much of Faerie Ring’s work, their self-titled album is difficult to pigeonhole, with equal influences from stoner rock, doom, punk, blues, and other genres. “We didn’t want to limit ourselves to a single sound,” Hulgus says. “We let go of all creative limitations for this one, and this new record is a sound only Faerie Ring can create. You’ll hear influences from bands like Boris, The Scorpions, Torche, Thin Lizzy, and Crowbar, but this is a Faerie Ring album at the end of the day.”

That renewed creative freedom is reflected in the tongue-in-cheek album artwork by Ricardo Diseño, an artist hand-picked by Hulgus. “Yes,” Wallwork says, “it looks like a classic underground metal album cover at first glance, with themes of sex and drug use, but it’s a metaphor for the toxic love in our lives. The guy in the picture loves being boiled alive, but once his head goes under the water, that’s it.” Hulgus adds: “We’re all the guy in the cauldron. We torture ourselves all week at our blue-collar jobs so we can play music. This self-titled album is another labor of love.”

 

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Down The Hill Festival 2026

 

Down The Hill Festival 2026

Well, we’re off to Belgium soon. Down The Hill Festival will start it’s engines tomorrow at 14.00 with The Moondig. But we’re all allowed to park early, get grounded, bump fists with friends new and old and have a fun and relaxed first evening. And after The Moondig tomorrow, many great acts will follow, like Pothamus, Slomosa, Causa Sui, Naxatras, Temple Fang, Atomic Rooster and Ozric Tentacles. But there are many more and I am equally excited to see them all! Perhaps we’ll see you there! 

But before we leave… We have that wild FULL ALBUM PREMIERE for Faerie Ring to deliver! Going live in an hour or two! So, if you are not on route to Down The Hill Festival, you can get your groove on with something wild and wonderful! The new Faerie Ring is magical! 


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woensdag 19 augustus 2026

Faerie Ring – Faerie Ring

  

 

Faerie Ring – Faerie Ring
King Volume Records – 2026
Rock, Metal, Doom, Psych, Garage 
Rated: ****

A glorious new chapter awaits! Why yes, this is the kind of record that is suddenly thrust upon you. Like a legendary object… Unearthed in some long forgotten crypt, the ancient riffs are still glowing beneath all the gathered dust. It only takes a bit of electricity and the alignment of the sun, moon and stars… And guess what just happened? That’s right, Faerie Ring’s self-titled third album is alive! 

Faerie Ring take the vocabulary of vintage doom, hard rock and heavy metal, and transformed it into something colorful, spacious, psychedelic and deeply personal. Yes! Released through King Volume Records, this is a sonic rebirth for the Evansville quartet. And not just because a new drummer, Matt McGuyer has taken place behind the kit. These are ten songs steeped in seventies hard rock, proto-doom and heavy metal, yet illuminated by the colors of modern psych, stoner and garage. The sound is enormous! Dusty, but never suffocating. There is space between the riffs, a wind circling around the drums and a strange cinematic light flickering behind all the fuzz… 

New Gods and Fattest Witch open the flood gates, vintage amps burning like funeral pyres while melodies rise through the smoke. Those fumes are always there, like a long lingering dragon breath, the smash ‘n grab openers instill that echoing garage metal grime and the rest of the album never lets it go. Making the following Biggest Hit not the instrumental interlude it might seem at first, but a way to propel that gritty and grimy sound ever forward. 

Draggin’ swings with a mischievous grin and a bluesy swagger, whilst Howling At The Misty Moon rolls forward like some ancient beast awakened beneath a blood-red sky. But beneath all the fantastical imagery one might see listening to these tracks, lies something darker. Love, loss, loneliness and existential dread haunt these songs, giving the record a beating human heart beneath all that beautifully distorted armor. Even though there is always a current of cathartic elements underneath. Death is real, but so is love. But ‘so is love’ might not be easy to partake in when No Surrender translates the perspective of someone living in Gaza during this horrible war.  

Lost Boy seems destined to ring on forever and into legend, as it translates the universal sense of defeatism, in a casual resignation kind of way. Constantly turning on its own heels, swinging riffs like fists and drums like the swaying sense of anger. It all turns massiveness inside out, and perhaps this is partly in debt to Jonathan Nuñez of Torche, giving it all a flattening everything in its path kind of effect. It has shaped Faerie Ring into something broader, wilder and heavier. It’s something Nuñez saw and heard, but Faerie Ring always knew was there… 

And for every track that follows you can hear they’ve been looking at themselves constantly, wanting to lay bare all they know, went through and want to sound like. Faerie Ring  speaks about influences like Boris, The Scorpions, Torche, Thin Lizzy, and Crowbar and surely, you might hear something that might echo a moment of those bands. But Faerie Ring is much too big now, and none of the shadow those bands cast can touch Faerie Ring’s own identity.

Faerie Ring might just have discovered themselves and a new kind of doom to boot. This is doom with color, stoner rock with a soul, blues with a bite and vintage heavy metal reborn beneath a blood red moon. A glorious new chapter! And a must hear and see for all heavy rock fiends! 

And guess what… The album comes out on King Volume Records on August 21st. But we’re honored to give you all the FULL ABUM PREMIERE for Faerie Ring’s self-titled masterpiece, a day early, on Thursday the 20th! So, head on over to their bandcamp to check out the first two singles and return to the HiVe this Thursday for the FULL ALBUM PREMIERE


(Written by JK)




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dinsdag 18 augustus 2026

Hollow Drifter – Colours In Time

 

 

Hollow Drifter – Colours In Time
Self-released – 2026
Rock, Psych, Folk, Seventies
Rated: ****

It’s meditative qualities cannot be overstated… Buddha would approve. Yes, Hollow Drifter’s Colours In Time feels like a dream, a slow drift through hazy, sun-drenched, rainbow sporting landscapes, where seventies psychedelics meet the warmer currents of modern post-rock and something weirdly indie. Morning Fog opens the sit-in,  like a ghostly dawn, folk tinged melodies drawing the listener gently into the mist…

That mist stays but is allowed to open up. And at the heart of it, and this EP, lies the magnificent fourteen-minute Seasons, Ages, Legends…, a patient, budding, and highly organic voyage through warm waters, built upon acoustic foundations, before more electric textures gradually bloom around them. It’s a hypnotic stream, filled with subtle floating stories and beautifully restrained crescendos, which create a blissful sense of wading through and ever changing sonic river, culminating in a richly rewarding psychedelic waterfall, which instead of going down seems to ascent ever higher… 

Cradlesong closes the three track EP, with delicate guitars and keys, allowing the record to fade together with the last light of the evening. Meditative, warm, atmospheric and quietly adventurous, and constantly shifting through all sorts of heavenly colors. We mentioned their Devolve album from 2024 before on the HiVe, but Colours In Time reveals a gentler, captivating side of the Hollow Drifter four, and without any doubt leaves you wishing the journey had lasted just a little longer…


(Written by JK)




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Heathen Tongues – Neurogenesis

 


 

Heathen Tongues – Neurogenesis
Self-released – 2026
Metal, Sludge, Crust, Instrumental
Rated: ***

Drums, guitar, a sample here or there and a whole lot of attitude! I guess Neurogenesis is what happens when two lunatics lock themselves in sound proof rehearsal room with the determination to combine crust punk, sludge, post-metal and all the distortion they can muster to make the walls extend outwards and start sweating blood! 

It’s Heathen Tongues’s debut, and the eleven minutes tear through the two tracks with huge riffs, bleak melodies, minor psychedelic detours and grooves that hit like a monster truck running entirely on bad intentions. As a two-piece Devin Mendoza and Shane Falkenhart sound ridiculously enormous! Did I mention that evil grinning monster truck yet? Recorded at The Band Cave (Blood Incantation, Wayfarer, Archspire, Cattle Decapitation) with Collin Ingram, mixed by Matt Bayles (Botch, Mastodon, Isis, Pearl Jam) at Red Room, and Mastered by Brad Boatright (discography so big it’s crazy) at Audiosiege; and all involved must have constantly been grinning from ear to ear. Teeth all bare! 

Neurogenesis! This is instrumental metal with teeth: aggressive, gloomy, expansive, and slightly unhinged. Raw, concrete crumbling and with a wrecking ball waiting just around the corner. For apparently, these two tracks are merely an appetizer… Their full album will be hitting the streets February 2027 and that will surely be one hell of a ripping trip! 


(Written by JK)




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