FULL ALBUM PREMIERE Sons of Gulliver - Tetrahedric Hellscape Cannon

 

 

FULL ALBUM PREMIERE 

Sons of Gulliver - Tetrahedric Hellscape Cannon

Even though the title Tetrahedric Hellscape Cannon hints at something entirely different, the album is one intense DMT fueled rocket ride! Are you ready for it? We hope so, cause today, on Stoner HiVe, we are honored to bring you the FULL ALBUM PREMIERE for the new Sons of Gulliver album! Two days early, for they will be releasing on Saturday…

It’s always there as the Sons of Gulliver duo get their groove on. Somewhere. Usually between the third riff and the edge of the sun, the band tear a hole in the desert sky and drive straight through it, amps blazing like chrome plated thunder gods! A full on detonation! A rocket ride! Fuzz coils around your spine, drums pound like tribal warnings, booming from canyon walls, as the bass hums with menace of distant engines cresting the dunes at midnight. Justin Potter snarls like a Lemmy reincarnated, just a tad more vicious and instead of the Rainbow Bar and Grill, he preaches his gospel of distortion in a Texas dive bar. And then there’s middle track Earthbound, the perfect breather at the perfect moment in time. After which the feverous vision, gasoline soaked and fueled by motoring bass riffs continues. Addictive as all drugs are, the Tetrahedric Hellscape Cannon trip begs to be experienced over and over. Hands shaking, ears ringing and with a constant grin at all that beautiful noise… 

Time to get your groove on and start grinning... Go press play... 

PR Wire:

Tetrahedric Hellscape Cannon

Groovy, rip-roaring stoner metal from the lone star state

Debut full-length "Tetrahedric Hellscape Cannon" out February 28th

Genres: Stoner, groove metal, sludge, heavy psych

Texas heavy duo Sons of Gulliver released their self-titled EP in 2024, and have spent the last two years dusting their boots on the road and honing their riffcraft. The fruits of their labor are here at last, and the Sons are proud to present their debut full-length, "Tetrahedric Hellscape Cannon". The album is locked and loaded for release on February 28th, 2026, recorded live at the legendary Fame Studios in Muscle Shoals, Alabama. The hard-partying child of Lemmy, Clutch, and the Midnight Ghost Train, THC is filled to the brim with bruising riffs, infectious boogie, and plenty of swagger. Surprises abound, not least of which is an extra heavy and timely cover of Neil Young's "Ohio". Leading the charge for the album was December’s stand-alone cover of Kiss’s “Love Gun”, and THC track “Dunes” and its B movie sci fi music video. “Dunes” is an exercise in what Justin Potter and Dolphin Riot do best. Riding a nasty, desert rock-infused groove, the riffs are chock-full of crunch and distortion, every drum hit is a punch to the gut, and the growling vocals bring it all home. To keep the riffs flowing, the Sons also just released the second single and music video from the new album, “Distortion or Death”. It’s all in the name: meaty riffs, amps cranked to 11, and a mind-melting video complete with classic muscle cars and desert speedways. 2025 saw SoG playing with the likes of Red Beard Wall, Bongzilla, and Kal-El, open Ripplefest, and even take home the Texas Viking Festival’s Battle of the Bands champion’s mead. Battle-tested and primed for riff Valhalla, the Sons are making their stamp on 2026.

        
Sons of Gulliver - Tetrahedric Hellscape Cannon

Album out February 28th, 2026
Self-released (Digital)
Recorded live at Fame Studios
Mixed & mastered at Civil Audio in Denton, Texas
Dallas, Texas
FFO: Clutch, The Midnight Ghost Train, Borracho

Tracklist:
1. F.T.S. (00:52)
2. Distortion or Death (2:46)
3. Tetrahedric Hellscape Cannon (4:13)
4. Vagabonds of the Southern Madness (4:39)
5. Earthbound (3:44)
6. Headcleaner (6:37)
7. Dunes (4:02)
8. Ohio (Cover) (2:37)
9. End Transmission (1:52)

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Video Premiere - Bronco Forte - Obvious Alias

 

 

Video Premiere 

Bronco Forte - Obvious Alias

Releasing on Next Message Music, April 3rd! The brand new album by the Bronco Forte quartet. It’s called Lightning Scars and features that wild second single Obvious Alias. We’ve been grooving hard with this track and the entire album and we are honored to be able to premiere the highly atmospheric, cyber punk hewed, band performance video for the Obvious Alias single! 

Lineup changes within the band have not resulted in a different sound, the air is still filled with Los Angeles, Palm Springs, Mojave Desert inspired heavy rock, but perhaps more defined and rich. It comes in all shapes and sizes, and Lightning Scars feels like a testament to the extremely different sides of all those that paved the way. Sun-baked and road-worn, echoing the loose, nocturnal swagger of sessions cut at the fabled Rancho De La Luna, the album was recorded at The Steakhouse in North Hollywood. (Also home to Era Vulgaris by Queens Of The Stone Age.) Across ten lean tracks, the band conjures desert campfire mystique and amplifier hum, and those fuzzed guitars glowing like heat lightning, will have their rhythms cruising like a midnight drive through Joshua Tree. There’s groove, grit, and a storyteller’s sense of pacing: choruses rise like mirages, riffs crunch like gravel under tires. Polished yet unforced, the album balances desert haze with sharp craftsmanship, marking a confident and vividly atmospheric second album. Bronco Forte seems comfortable with their strengths and deliver with Lightning Scars a beautiful compendium of stories. “…as the characters they depict strive to maintain their integrity in the face of a rapidly-changing world….” Integrity seems ingrained in the Bronco Forte four! 

Press play on Obvious Alias.

PR Wire: 

After so many iterations of heavy, desert-inspired doom rock over past decades, it seems the essence of purely driving riffs, earworm harmonies and strong songwriting that defined a genre has been forsaken. Bronco Forte are a return to the stark blast that made bands like Kyuss, Alice In Chains and Soundgarden legends. 

After years of creative toil and preparation, Los Angeles quartet Bronco Forte is stepping into the spotlight as a fully-formed heavy rock phenomenon, with roots in the classic heavy music of the 1970s, seasoned with a deeply modern sensibility and sonic approach. The songs on their debut full-length album, Lightning Scars, chronicle the uncertain lives of ordinary people in the cities and wildernesses of California and beyond, as the characters they depict strive to maintain their integrity in the face of a rapidly-changing world.

The band’s lyrics balance literary style and kitchen-sink realism. Their riffs are deep and dirty, conjuring up the kinds of swinging grooves that cause involuntary head-nodding. The song structures are clever without being cluttered, and the band’s judicious use of vocal harmonies brings a powerful pop sweetness that cuts like a ray of light through the deep swampy stomp of their songs. It all adds up to a fresh yet familiar take on hard rock for a new era, as they draw inspiration and energy from their musical ancestors while casting aside the weary genre cliches of the past. 

On Lightning Scars, guitarist and vocalist Chris Klepac’s focused songwriting and poignant lyrics meld seamlessly with guitarist Sako Injaian’s (All Hail the Yeti) energetic riffs to create a sonic tapestry that is somehow as catchy as it is heavy. Together, bassist Jen Glomboski (White Forest) and drummer Geoff Summers (Batillus, A Storm of Light) lay down a rhythmic foundation that is as solid and unwavering as the endless expanses of concrete and asphalt that blanket the band’s home of southern California.

Lightning Scars was tracked and mixed by engineer Kevin McCombs (Linkin Park, Story of the Year) at legendary North Hollywood studio The Steakhouse – the same studio where Queens of the Stone Age recorded Era Vulgaris. From there, the band took the audio to heavy rock mastering wizard Nick Townsend (Alice in Chains, Frankie and the Witch Fingers), who cut the resulting album to lacquer on his own personal lathe. Album art from Kevin “fetusK” Bernier (Prosthetic Records, Intronaut) completes the package.

Lightning Scars will be available on LP, CD and download on April 3rd, 2026. 

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Bronco Forte – Druid

 

 

Stoner HiVe’s Top 10 Most Listened Artists Last Week…

 

 

Stoner HiVe’s 
Top 10 Most Listened Artists Last Week…

Gnarwhal
Black Lung
Stargo
The Kooks
American Sharks
Nick Oliveri
To The Max!
Tombstones In Their Eyes
Cowboys & Aliens
Biblioteka

Monday is upon us once again! A new week and a new chance to do more for the Heavy Underground. We are blessed with so much time to listen to all that amazing music. But we would love more time to write and promote all those amazing albums, bands and projects! Like the two festivals we mentioned yesterday, Jam In The Psych Castle and Bear Stone Festival. I think we will try to mention more of those this week. And don’t forget, HUFR Fest is happening in April over in Denver! Well, and we mentioned those two singles: American Sharks and Midnight Whiskey Massacre. Besides premiering the New Dawn Fades track Leave My Loneliness Unbroken. And guess what, we have TWO more PREMIERES happening this week! The Doom Charts Peroration for January went live and the review for Stargo’s new album Violet Skies. Well, I guess the week did not pass in vain. Here’s hoping we can do more this week! 

Jam In The Psych Castle Festival

 

Jam In The Psych Castle Festival

There are so many great festivals out there. And I love them so hard! But whenever a location pops up that has something special going on, it goes to the top of my list to visit immediately. Sure, it’s about the music, the bands and the people. But location can add that little bit of extra. And that’s something Jam In The Psych Castle definitely has, a whole lot of extra! It’s held at a freaking castle! And the castle will be rocking this September, 4th and 5th ! Pusztazámor, Hungary! And I love Hungary! Egészségedre!

The line-up so far: 

Yuri Gagarin
Weedpecker
Daliborovo Granje
Spaceslug
Karkara
The Qualitons
Mr. Bison
Roadkillsoda
Giöbia
Speck
Supernaughty
Obsidian Sea
Da Captain Trips
Psychedelic Source Records
Band in the Pit
Endre
Azutmaga
Alas!
Deley Sound System

Welcome to the Psych Castle! 

A small and exclusive two-day music gathering featuring hand-picked kraut, psychedelic, stoner, and doom bands, contrasted with the enchanted aristocratic vibes of Old Oak Castle in Pusztazámor, Hungary.
We highly encourage bands to jam!
Most groups arrive with special sets or improvised sessions, creating a l’art pour l’art atmosphere.
We believe art is a way to understand human cognition, and that music - the oldest art form of all - can teach us to recognize our hard-wired emotional nature through shared experiences.
Therefore, we invite you to join our journey on the first weekend of autumn!

The Venue

Old Oak Castle is a very special place, both historically and as an experience. The atmosphere beneath the shade of the oak tree -older than the castle itself- is something that cannot be described. The building has been preserved. Its walls do not hide a polished museum, but rather a strangely familiar world filled with antique charm.
Fortunately the owner is a punk who gladly welcomes people like us, and shares our rock and roll spirit.

The Organisers

Para Hobo is a fantom record label and a one man heavy music art studio.

Psychedelic Source Records is a jam collective and a DIY record label, formed on the ashes of Lemurian Folk Songs. They released more than 80 sessions over the years and won the 'Label of the Year' prize 2025 at Independent Label Fair, Hungary.

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Midnight Whisky Massacre – Planets Collide

 

 

Midnight Whiskey Massacre – Planets Collide

I think we’ve been mentioning Midnight Whiskey Massacre ever since the man behind it decided to put his proto touched, punky motoring metal ravings out into the world under this name. It’s a good name. One that sticks with you. But so is his own: Darren Ironside. C’mon, right? You can’t go wrong with a name like that. And with Planets Collide as well, good title almost always means good track. It’s a new single and new calling card for things to come. A bit more spaced out, less muddled, but with an equal amount of motoring punk and metal, the outcast energy pervasive. Fire rains down, wolves stalk humanity and greed lights the match that sets the world ablaze. Feral bursts of electricity power through the track and after almost three minutes you will step away knowing you’ve just heard another apocalyptic warning shot… 

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Bear Stone Festival - Line Up 2026

 

 

Bear Stone Festival

Line Up 2026

 

A gorgeous line-up for a gorgeous festival! And more will be added... Wowzah! It's the 2026 edition for Bear Stone Festval in Donje Primišlje, Croatia, 02 to 05 July, 2026!  A festival I desperately need to visit one day. Not sure if it will happen this year, but the line-up sure makes you want to do your absolute best. Maybe I'll just have to take a two week holiday, and go from the amazing Bear Stone Festval on to the 25th anniversary edition of Stoned From The Underground... Now... That's what I call a plan! 

 

The Line up so far:
 

ALTIN GÜN

UNCLE ACID & THE DEADBEATS

ELDER

MY SLEEPING KARMA

AUSTIN TV

NIGHTSTALKER

PLANET OF ZEUS

DAEVAR

TRAVO

UNGRAVEN

WYATT E.

SAINT KARLOFF

UPUPAYĀMA

VOLCANOVA

ŽEN

ROADKILLSODA

OTROVNA KRISTINA

SCOTT HEPPLE AND THE SUN BAND

KARMA SHEEN

DRONE HUNTER

STINKING LIZAVETA

THE CYCLIST CONSPIRACY

HYPNOTIC FLOOR

GODZILLA WAS TOO DRUNK TO DESTROY TOKYO

KLAUSTRO/FONIJA

HRMÜLJA

AMBRA

SUNTAN CLUB

LINIJA 109

Bear Stone Festival 2025 aftermovie

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American Sharks - Not Dead Yet

American Sharks – Going Insane

Did you miss’m? Not as much as I did! Been thinking about doing a segment for Stoner HiVe about bands I miss like crazy. For even though we are bombarded with new amazing music on a daily basis, I still miss the hell out of bands like Year Long Disaster, Redcoats, Been Obscene and Cojones. And yes… Many more! American Sharks was among that list! And guess what?! They are Not Dead Yet! They are back and ready to kick ass and chew bubblegum… And guess what, they’re all out of gum…
But not out of kick ass riffs and that wild American Sharks energy! Just go listen to the lead single Going Insane and yes, go insane with the American Sharks! Album drops on April 17th through Permanent Teeth. I love’m! 

PR Wire:


American Sharks share new single "Going Insane",

announce North American tour with RBBP in April-May

Austin trio American Sharks share their first new single in 6 years today, "Going Insane" on all DSPs HERE. The song is the lead track from their forthcoming new album Not Dead Yet.

The band also announce full U.S. tour dates supporting Rickshaw Billie's Burger Patrol beginning in April. Please see all dates below. Tickets for all shows are available.

American Sharks is a three-piece band hailing from Austin, TX. Their punk-metal hybrid sound blends pop hooks with blasting-yer-face riffs resulting in something akin to if Weezer went Stoner Rock. Coupled with hook-laden singalong lyrics, American Sharks’ forthcoming 2026 album Not Dead Yet is, well, a breathtaking return. 

The band is joined on the album by special guest guitar soloists: Mike Derks (GWAR), Zach Blair (Rise Against), Kyle Shutt (The Sword), David Sullivan (Red Fang), and Leo Lydon (Rickshaw Billie’s Burger Patrol). 

Since the release of their 2013 self-titled debut album, American Sharks has toured extensively supporting the likes of GWAR, Clutch, The Sword, Red Fang, Big Business, Corrosion of Conformity and many others. After touring to support their debut album on The End Records, American Sharks took time off to write and record their self-produced follow up album, 11:11 on BMG. After a 5 year break, American Sharks are back (centered around founders, vocalist/bassist Roky Moon and drummer Nick Cornetti) with 9 fast-paced, pummeling tracks. 

Not Dead Yet will be available on LP, CD and download on April 17th, 2026 via Permanent Teeth.

Pre-orders are available HERE.


AMERICAN SHARKS - LIVE 2026:

03/12 Austin, TX - Hotel Vegas - Hotel Vegas 15th Anniversary Party

04/16 Denver, CO - Bluebird Theater *#

04/17 Salt Lake City, UT - Urban Lounge *

04/18 Kalispell, MT - Rocky Mountain Riff Fest 

04/19 Seattle, WA - Tractor Tavern *

04/20 Portland, OR - Mississippi Studios *

04/22 San Francisco, CA - Bottom of The Hill *

04/23 Los Angeles, CA - Zebulon *

04/25 San Diego, CA - The Casbah *

04/26 Pioneertown, CA - Pappy & Harriet’s *

04/28 Phoenix, AZ - Rebel Lounge *

05/01 Oklahoma City, OK - Resonant Head *#

05/02 Lawrence, KS - The Bottleneck *#

05/03 Omaha, NE - Reverb *#

05/04 Minneapolis, MN - 7th Street Entry *#

05/06 Milwaukee, WI - Falcon Bowl *#

05/07 St. Louis, MO - Blueberry Hill Duck Room *#

05/08 Chicago, IL - Empty Bottle *#

05/09 Cleveland, OH - Mahall’s *#

05/10 Toronto, ON - The Garrison *

05/12 Montreal, QC - Cabaret Foufs *

05/13 Boston, MA - Sonia *

05/15 Brooklyn, NY - TV Eye *

05/17 Philadelphia, PA - Johnny Brenda’s *

05/18 Baltimore, MD - Metro Gallery *

05/20 Charlotte, NC - Neighborhood Theatre *

05/22 Atlanta, GA - The Earl *

05/23 Nashville, TN - The Blue Room *

* w/ Rickshaw Billie’s Burger Patrol

# w/ Pink Fuzz

 

Number 20 on the Stoner HiVe Top 20 Countdown of 2013

Words on American Sharks – American Sharks

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Stargo – Violet Skies

 

 

Stargo – Violet Skies
Self-released / Broken Music – 2026
Rock, Metal, Stoner, Psych
Rated: *****

We dug their debut album Parasight immensely and absolutely loved the follow-up Dammbruch. So, when we learned that Stargo was releasing another album called Violet Skies, we sat up straight and waited for the promo to land. And once it did, we spun it relentlessly and soared with it through those Violet Skies… 

So, Stargo, the spacefaring veterans of Germany’s Heavy Underground return as if emerging from a long orbit, five years older and gravitationally stronger. And with Violet Skies they deliver an event horizon kind of moment… For once you cross into these tracks, there is simply no way back…

The new Violet Skies album seems to be the perfect sweet spot between those two earlier albums, imploring more of the metal touches and song structuring from the debut, while letting tension and sounds develop as they did on Dammbruch. They have long since blended stoner rock haze, psychedelic drift, and metallic heft into their very own signature sound. But where the first two albums seemed to bookend the extremes of their sound, Violet Skies sits dead center and pulls you in like a majestic kind of black hole… 

Tightening the screws, leaving off lengthy instrumental explorations and still maintaining that expansive edge. Perfect example is offered immediately with opener Interstellar, which comes out swinging with lumbering doom weight and expansive, cosmic lift, before turning into a metal burner. There’s some serious dynamic control in play and the metallic pacing seems to want to pay homage to their metal heroes of yore as much as it turns up the tension, which is stretched by a stoner ending that could be built upon endlessly on a live stage somewhere.  

Following Shine Like Diamonds follows with all the propulsion and fire it could muster, the chorus flaring like a distant sun urging escape velocity. With the raw, grounded vocals, cutting through the riffs like transmissions from long lost galaxies. And that is an edge the Dortmund three seems to display throughout the record, balancing crushing mass with fragile human signals. And offering insights into what these songs could do experienced live.

But it’s Tharsis, the ten-minute wormhole of shifting textures and disciplined musicianship, bending time without losing direction that seems to suck in most of your attention. There’s suspense there,  but more often than not, they let their riffs whirl around and become the tunnel towards an entirely different side of what could become the infinite. Cause as Tharsis develops and opens up, there are many moments that might go on longer and wilder as they perform this song on a stage somewhere. And that might be the very best thing about Violet Skies, many of the songs will make you long to see the band live. They will have you longing, almost achingly so…

Which only grows with the ending of The Great Machine. This is the intimate, the heavy and the cliff hanger ending every albums lusts for but are rarely delivered. It’s a send off with a promise and a demand. From both sides, you might demand more and Stargo wants you to come see them. To drift with them, live, somewhere, towards the infinite.. Towards those Violet Skies… 

(Written by JK)

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The Doom Charts Peroration - January 2026

 

The Doom Charts Peroration 

January 2026

 

“Too much love will kill you
If you can’t make up your mind
Torn between the Doom Charts and the album you leave behind…”

~ probably mixheard Queen lyrics…

No we did not forget about December… But, as usual, it was hectic month, and there were less extra blurbs written for that December Edition than normal. So, we include the Peroration Blurbs from December in this, now, massive list for January! No less than 32 albums that all deserve your attention. Cause as you know, the albums below are on high rotation at one or more of the Contributors’s homestead. And this is why we do the Doom Charts in the first place, because we love heavy music so much, we can’t stop talking about it…

We often forget to post about the very cool Doom Charts Peroration Post, but since we are so busy with other stuff, this is at least a way to grab your attention again, and let you know that there are 32 albums on that list that desire your attention... And guess what, no less than 11 of those are written by one of the crazies that also occasionally write for Stoner HiVe... So, go read up on Backengrillen, Barbears, Flux Hound, Glórach, Gluecifer, Non, Orango Tango, Spooky Eyes, Sykofant, Triangulo Negro,Waster and all those others! They deserve it! 

The following are professions of love and adoration by Doom Charts Contributors for albums they could not stop spinning. Each month, the Doom Charts critics submit their picks for the best new doom, sludge, metal, stoner, psychedelic and other sorts of heavy rock and metal albums. The results are compiled and tabulated into the chart which is published on the First Friday of the new month. However, sometimes a love is so great, but for whatever reason the album unfortunately did not make the published Doom Charts Edition or because there were so many contributors in love with that one album, that multiple blurbs were written, and only the one got published… Well, you can peruse that love here…

 

The Doom Charts Peroration - January 2026

Single Premiere - New Dawn Fades – Leave My Loneliness Unbroken

 

 

Single Premiere

New Dawn Fades – Leave My Loneliness Unbroken

 

The new album Lores comes out on March 25th! But today, right here, right now, we are truly honored to present to you the new single of said album. It’s called Leave My Loneliness Unbroken and it’s all you could ever wish to hear from the amazing four-piece from Philadelphia  called New Dawn Fades! 

On any given night in Philly, the walls start to shake before you even see the band. This hard-hitting quartet storms the stage like they’ve got something to prove, pouring out a thick brew of stoner grit, bluesy muscle, grunge snarl, and swirling psych haze. The riffs land heavy and satisfying, the grooves roll in deep, and the hooks stick like your favorite dive-bar jukebox anthem. You might hear echoes from some of your favorite bands, but the fire is all their own. And it’s big! The entire Lores album barrels from start to finish, tight, thunderous and leaving you begging for more! Leave My Loneliness Unbroken is therefore the perfect second calling card for all that New Dawn Fades energy, for it slows it all a bit down, instills a touch of doom and scours through their grunge roots even more. Showing you that the band can do it all! New Dawn Fades is loud, defiant, and bleeding honesty! Better not leave this single alone! Break it down like New Dawn Fades does! 

 

PR Wire: 

NEW DAWN FADES - LORES

Heavy riffs and sludgy grooves from Philadelphia

Debut full-length “LORES” out March 25th, 2026

Genres: Doom metal, grunge, heavy psych, stoner

New Dawn Fades is a heavy rock band from Philadelphia, blending doom, grunge, and metal influences from bands like Soundgarden, Corrosion of Conformity, Down, Black Sabbath, High on Fire, Queens of the Stone Age, and Mercyful Fate. The band features vocalist and guitarist GFA (Ritual Earth, Halo of Snakes), guitarist Corey Pettingill (Blackhand), bassist Algar (Green Meteor), and drummer Steve Roche (Saetia, Off Minor). Together, they deliver music that’s both heavy and dynamic, combining crushing riffs, strong grooves, raw energy, and melodic vocals with memorable hooks.

Their upcoming album, LORES, set for release in March 2026, is a focused collection of eight tracks that showcase the band at their most commanding. “Villains Come to Light” is an explosive opening track, featuring thrash-tinged riffs and relentless momentum, paired with lyrics that confront hidden threats and the challenge of facing betrayal head on. “Meet Me at Sundown” follows with swinging, driving rhythms and layered guitars, while the lyrics explore confrontation and resilience. “True Till Death” leans on heavy grooves and swagger, paired with lyrics about loyalty, defiance, and unwavering commitment. “Souls” is a bit more fuzzed-out and bass heavy, with hypnotic riffs underscoring lyrics that grapple with loss, personal damage, and inner struggle.
        
“Dead Vultures” is more upbeat and goes straight for the throat, featuring aggressive riffs and tribal drumming, while its lyrics focus on plotted revenge and darker instincts, giving the track an intense, confrontational edge. “Leave My Loneliness Unbroken” is more dynamic musically and introspective lyrically, featuring somber, reflective grooves and lyrics about isolation, and emotional weight. “This Night” blends 80s metal riffage with 90s grunge, creating a layered, tension filled sound that complements lyrics about emotional breaking points and catharsis. The album closes with “New Evil”, pairing ferocious riffs and hypnotic drive with lyrics confronting internal darkness, transformation, and the human spirit.

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Thank you New Dawn Fades and Good Boy PR for the opportunity to premiere this wild and wonderful single!  

  

 

Stoner HiVe’s Top 10 Most Listened Artists Last Week…

 

 

Stoner HiVe’s 
Top 10 Most Listened Artists Last Week…

Greenleaf
Tarlung
Dozer
The Lords of Altamont
Stepmother
Capacopter
Evig Natt
Mother Crone
Patriarchs in Black
Yeast Machine

Good Monday everyone! Hope it will be a splendid week for you all. We had quite a few reviews almost finished, but life crept up, kick us in the nuts and did not give us any time to recuperate and get some Stoner HiVe work done. Life and quite some difficulties kept us from any fun. But this week is looking better. With an rent paying interview with The Kooks tomorrow, a SINGLE PREMIERE for the awesome New Dawn Fades and at least some time to get to those unfinished reviews. We did manage to jot down some word about the new and amazing Tarlung. Did you hear it yet? And we had the amazing Ronny Dijksterhuis save the day with his words on the stunning glórach album 2026! Two definite cracking albums one must hear. And you can always visit the ones listed above, the Top 10 Most Listened albums for last week. They are usually there for a reason! Grin! Once apologies for the silence and we hope to do more this week! 

glórach - 2026

 

 

glórach - 2026 
Self-released - 2026 
Doom, Stoner 
Rated: ****½ 

In 2024 glórach from Tulsa, Oklahoma first unleashed their well-crafted instrumental stoner/doom metal upon the world by ways of 'Bong Rip'. A great listen already, I was eager to hear what they would come up with on their sophomore release '2026'. And boy, do they deliver! Their low-end rumble with infectious grooves and lots of variation inside the lengthy tracks and more than enough (but not so much as to hamper the flow) between them, got even lower, their grooves even heavier and the bong is working extra hours to keep the chugging diesel fumes rolling. '421', obviously referring to an out of this world, superlative way of fulfilling the act of smoking cannabis, taking it a notch up from middle of the road 420. The theme keeps going with the epic 'Gravity Bong', the highlight of this release, clocking in at double unlucky #13 (13:13 minutes that is), even using some monotonous, stretched-out keys (at least it appears to be, although it's not mentioned on their Bandcamp page) near the end to create some kind of eerie atmosphere, as well as an almost casual spoken word sample somewhere in the middle that adds an extra dimension to the already boundary exploring trance-like state they put you in. The other two pieces, 'Electric Goat' and the aptly titled closer 'Stoned Blues' (a blues tune with killer lead guitar), are equally addictive and round off this splendid release that reminds me a bit of Karma to Burn at times, even though the music is way different and much slower, but it has got that same kind of hypnotizing effect and the guitar sound also brings to mind the masters of instrumental stoner rock. It makes '2026' a must hear album, not only for lovers of instrumental stoner and doom, but for all those who sold their souls to the ruler of the heavy underground. So, get your grooves out and start nodding your to head shapeshifting machine that is glórach. And while you're at it, don't forget to look at the stunning artwork, that - like on their debut - is being made by Samuel Mills (aka DEFAME).

(Written by Ronny Dijksterhuis)

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TarLung – Axis Mundi

 

 

TarLung – Axis Mundi
Argonauta Records
Doom, Metal, Sludge
Rated: ****

As the ash choked sky begins to fall, Axis Mundi rises like a cracked world-pillar, binding the underworld’s weight to that small glimmer of light that remains above. And TarLung are the sculptors of said pillar. A monument, hewn from sludge, doom and slow burning revelation. Each of the eight track feels like a decisive step along a vertical journey. Descending and ascending all at once, suspended, between ruin and resolve… 

For those of you who follow the Doom Charts found the album ranked at Number 12 on the January 2026 edition. But as Static Noise opens the gates, one will immediately feel justified in thinking it should have been much higher up. What begins as a distant rumble, the grinding, stone against stone, slowly grows into something colossal and perilous. Slowly, but surely, the riffs gather mass, stone becomes a lava flow, tectonic plates lock together and then, as everything shakes and shudders, the earth finally gives way. Philipp Seiler’s voice emerges from the depths, charcoal, burned to a cinder, guttural, feral yet measured. And beneath, the drums move like a guiding hand on the great wheel of power, exact moments of crushing intensity alternate with a pristine knowledge to let the dust settle… 

The axis itself, the very core of album, stands tall, Burning Out. Cleaner guitars shimmer like sunlight filtered through branches of the cosmic tree, offering a moment of peace and a different form or tranquility before the distortions drips down again, like sap turned into tar. Mournful melodies follow, with hushed voices that hover between despair and calm, like spirits whispering from below the surface. Or a more ritualistic groove takes over, riding the blackened dunes, before sinking into ceremonial collapse. And a more sway, waver and coil, suggesting rebirth through repetition…

And then there’s the closing title track, bringing the myth to its logical, but so wanted conclusion. Dragging itself forward like a wounded god, riffs oozing  and thick with finality and apotheosis, the sound becoming godlike itself. Until everything converges on the one and the pillar finally cracks… And between all that rumble, it all erects again. For it is within its collapse that TarLung has found its strange order. A way to turn the endlessly frayed, the chaos and the unkind into a new world. And that is the myth, a way to turn the down into up, and the paradox into logic. And with Axis Mundi it has found its way, this is the kind of doom that touches upon the ancient, but is meant for the ages, deliberate and enduring. Let it all crack open once again…

(Written by JK)

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