Brotherhood of Peace – Cuttin’ Loose

 

 

Brotherhood of Peace – Cuttin’ Loose
RidingEasy Records – 2023
Rock, Hardrock, Classic, Southern, Pop
Rated: ****

RidingEasy Records is another one of those labels that know how to unearth those lost treasures of the past. They know how to reissue all those classic rock gems of yore and with that Brotherhood of Peace album from 1976 they struck gold! Again! Cuttin’ Loose was originally released through the Avanti label but perhaps never got the attention it deserved. And to be honest, perhaps it slid underneath the radar a bit last year once again. Cause it’s been out for a year and is one hell of a sunny sounding classic rock album. Lyrically perhaps not always that lighthearted, but musically it’s entire sun-dappled and breezy. Perfect for a budding spring or a summer in heat. It’s highly eclectic and moves from classic sounding hardrock to more southern touched rocking to something more a kin to power pop. Highly soulful, sometimes even funky and danceable. Brotherhood of Peace was at the time of recording bass player Mike Arrington also delivering vocals, on drums Ronnie Smith also some vocals and on guitar and responsible for most of the compositions and vocals Dennis Tolbert. Highly varied, but also with that classic rock attitude as an undercurrent as is his guitar playing. Songs that remind of Led Zeppelin or more Lynyrd Skynyrd. Grand Funk Railroad is there. Deep Purple, Nazareth and even some that hint of The Beatles or even Tom Jones. It’s all there! And you would think these cats could have had a bigger day in the sun. And there’s Before The Dawn, which is such a huge track, opting for gigantic gestures, but still a bit too grainy on this release. Might need a bit more cleaning for the next reissue? On the other hand, this does give it that extra vintage touch and that faded photography quality. An amazing record, start to finish! The only reason we’re not giving this reissue a full five stars, is the fact that they might have included one or two of those singles they put out before this one and only full album. I mean we still have room for some ten minutes left on the vinyl. And the band name was originally the title of their first song… Would have been amazing to have that include… Now, let’s hope the summer starts soon, so I can put this album on repeat… Or at least the amazing Holiday!

(Written by JK)

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Muddy Roots – The Die Is Cast

 

 

Muddy Roots – The Die Is Cast
Self-released – 2024
Rock, Stoner, Hardrock, Blues, Roots
Rated: ***

I professed my love for Hungary, it’s folk, the lovely city of Budapest, the Sziget Festival and many more aspects of that country many times. I’m pretty sure I did the same for the Muddy Roots Festival. For it is the best punk, billy and roots rock festival in the world! And when a band called Muddy Roots from Hungary releases an EP you can bet your ass we need to check it out and hope the twin shall meet. One day. When the stars align. When the dice give you two sixes or twenty-one. For the four tracks on the The Die Is Cast EP from the Muddy Roots trio deliver all that gritty heaviness across a definite roots and bluesy undercurrent. After their earlier incarnation called Burning Full Throttle had to take a pause once again, instead of twiddling their thumbs, they decided to go forth as a trio and call themselves Muddy Roots. Stoner touched, heavy on the fuzz and always evoking that feeling of freedom and hitting the road, gunning whatever beast you are driving towards the setting sun and the endless horizon. Bluesy and soulful guitar work, bourbon soaked vocals and drums that know how to speed up or kick back and leave the perfect amount of breathing room for the song to shine. The Die Is Cast, and it's a winner!

(Written by JK)

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No Man’s Valley – Flight Of The Sloths

 

 

 

No Man’s Valley – Flight Of The Sloths

They’re actually two mini albums in one, that new No Man’s Valley record. One album is called Chrononaut Cocktailbar and features six shorter songs and the other one is called Flight Of The Sloths and is one huge almost twenty minute long song. And they’ve just put out this amazing video for it! So beautiful!

 

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Kintsugi Empire – Shun

 

 

Kintsugi Empire – Shun
Sound Of Niche / Lay Bare Recordings – 2024
Rock, Alternative
Rated: *****

Opening with these twenty seconds of this intense and rising feeling that might remind you of something like For Your Love by the Yardbirds, that first track The Preacher on debut album Shun immediately sets the scene for Kintsugi Empire! It’s the new project for Pieter Holkenborg, the dude you might know from bands and projects like Automatic Sam, Shaking Godspeed, Woost, Atlanta, Ten East, Tatabánya, Hilltop Howlers and Geishas Of Doom. Indeed, the man is prolific and diverse in his musical output. And for his new project Kintsugi Empire’s debut album Shun he did everything himself. Or at least all the instruments and the vocals. Cause the recording and mixing was overseen by Sebastiaan van Bijlevelt and the mastering by Pieter Kloos. And well, it does feature two guest spots. From none other than vocalist Rudeboy, from Urban Dance Squad and Junkie XL. And on pedal steel guitar Johan Jansen from Ilse DeLange’s band and Derek Trucks. But let’s go back to that opening track The Preacher, and how it evolves from that riveting throwback opening, to a crash course in perpetual motion, stationary yet buzzing with electricity, like watching it all zip around like lightning in a bottle. Following Into Nothing has a lot of that energy, but shifts gear constantly, moving forward at different speeds. Becoming wilder and more chaotic as the track progresses, turning Into Nothing into three highly volatile minutes that instead of exploding turn inwards as the we near its end. Note To Self are seven minutes that traverse through a more indie rock landscape, before around the halfway mark noisily fading out and turning into an experiment in sounds and noises and then coming back again with a punch and a full bodied organic freak out, climaxing as a freeze out. Charlatans follows, where Rudeboy shines together with Holkenborg. (Funny, never even thought about till now, is Junkie XL’s Tom Holkenborg family Pieter?) And hearing Rudeboy’s voice again is so thrilling. I loved his work with Urban Dance Squad but also The League Of XO Gentlemen, The Cold Vein and Battles of 1977. And Charlatans, with the slow subdued build up, has everything to make his characteristic voice shine, for there is something definitely militaristic about the riffs and rhythm. That marching beat, that heralding of earthly rumble. And then when the sound breaks through, warbling and wavey, Rudeboy gets to use his poetry for internal widening, turning it as much into prophecy as the momentary realization that every outsider in the end might finish as a saint. And as you continue along the Shun story line you feel the album becomes increasingly more like a classic study of alienation, creativity and the outsider mind. Which is even more logical when you know this album began its life during the pandemic. And therefore, listening to a Ghost Of A Ghost becomes even more heavy, emotional and intense. A whisper and a whimper that makes you shiver as much at the guitar that slowly creeps up your spine. There is no shortage of beauty on this album. Sometimes tragic or forlorn, but the beauty of Shun is always bruised, battered and broken. Cracks and scars, varnished with a tiny layer of gold…

Ps. To perform this beauty on stage, at Sonic Whip Festival for instance, he will be joined by Daan Wopereis (Geishas Of Doom/Temple Fang) on drums and Sebas van Olst (ATLANTA/Typhoon) on bass. And because they know this kind of splendor deserves something special, the album will be packaged with a riso print Obi strip designed by graphic designer and visual artist Jop Luberti and an eight pages lyric booklet with analogue photos from the talented Maaike Ronhaar.

(Written by JK)

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Esben Willems – Glowing Darkness

 

 

Esben Willems – Glowing Darkness
Majestic Mountain Records – 2024
Rock, Punk, Alternative
Rated: ***

You might know him from his amazing drum work for Monolord. The guest spots he delivered over there years on various albums. Or from bands like Marulk and Slower. You might know him from all that mix and master brilliance he delivers through his Studio Berserk for a varied array of bands. Or you might know him from all those fun, cool, weird and coffee pictures he shares on various social media platforms. He’s around and that’s a good thing, for Esben Willems seems to be an honest and pure seeker of goodness and good music! And on Glowing Darkness we are treated to his very first solo album, totally and completely done himself, and delivered as a search through the treasure trove of all sorts of song ideas that had been lying around and he desperately wanted to record. And that’s a good thing. Often rudimentary, often jagged and choppy, the nine tracks move from personal insights to world views and across an eclectic mix of influences. Never needing to go to the Monolord sound or even stonerrock or doom. Even though there are slight touches and moments where he traipses around those genres. Not suffering from a scourge of mildness, there is a different form of extreme here, the extreme need to follow one’s instinct. And that means you can hear what Mr. Willems is thinking across dark themed music or surprisingly airy melodies. Title track Glowing Darkness perhaps being the prime example of this. Or the acoustic Fortune Teller, which makes Mr. Willems go full singer songwriter and is delivered with such finesse it makes you believe he’s a born story teller that could easily write a multitude of mini novels for this kind of music. He might have thought he needed to close the album off with a heavier tune and tone, for Across The Everything has that building vibe, which will give rise to your anticipation of something more Monolord touched, but instead it goes into the alternative nineties and stoner sound. ‘I’m Coming Home’, he sings, but from everything you heard throughout the record one must believe Mr. Willems was always home, comfortable and at ease. Showing off his eclectic interests and his righteous search for the good stuff… Out today, happy release day to the honorable Mr. Willems!

(Written by JK)

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Max Boogie Overdrive – Stoned Again

 

 

Max Boogie Overdrive – Stoned Again
Self-released – 2024
Rock, Stoner, Hard, Metal
Rated: ****

Most of the words that follow were jotted down over the course of many months. Because the promo dropped so early, we assumed, constantly and erroneously that we would have time enough to finish this write-up about the full-sized debut Stoned Again for the Max Boogie Overdrive fun bunch from Los Angeles, USA. And yesterday, and no, not because we were constantly Stoned Again, we realized the album drops today! So, happy release day to the Max Boogie Overdrive four and all the people that will hear this album today and get high from all that fast paced hardrock. Indeed, hardrock interlaced with stoner and something seventies rock inspired and full of eighties metal adoration. For you will be treated to some bad ass motoring stonerrock, speed boogie metal and a whole lot of swagger. The Max Boogie Overdrive filled up their van with all that up-tempo and fuzzed out grooviness and went to town! Opener The Devil Knows My Name was their second single and is the seminal cruiser for their forward motion rock, zipping along the coast on an old bike, with the confidence that comes on a man when the wind picks up and he begins to move in a hard straight line toward an unknown horizon, trying to get away from the Devil. Blues roots abundant, luscious guitar all across the composition and absolute thundering drum work. Suffer Sister was the first single, logically chosen, for the amount of catchiness and those riffs tumbling over each other, shortest track on the album and a righteous shotgun blast with the bit of freak out soloing around the middle segment, ending on that perfect drum down and cowbell note. Third track Freakazoid slows down, digs in and drops some acid… Rock… With explosive guitar solos that take you places and a steady swing and swagger, rolling over that running eighties metal guitar riffing underneath or allowed to free flow and drown you in a mirror pool of wavey guitar sounds. Followed by Van Boogie, the most Californian desert, skater and stoner rocking song on the album. And indeed, such a boogie, with a dynamic bob and bounce, and a groove that seems to run deeper than the Mariana Trench. Full tilt boogie indeed! The hardrock and metal pervasive stoner dynamite that is Bomb Incoming comes next, with those chugging riffs and those classic eighties refrains, delivering once again what Max Boogie Overdrive seems to be all about, that fun gritty rock! Two more tracks follow before you get to the final title track of the album: Stoned Again. Starting off with a lovely snippets of the honest former President of the USA, Obama, it soon becomes this face melting druggy and drifting stoner rocking ripple, speeding up later on and returning to slow fold afterwards. Filled with anthemic vocals professing the drug feelings of the youth and loads of soundbites at the end coming out of the cosmic void to combat that elated feeling you had about drugs earlier on. It’s all good. It’s all fun! Just like the entire album, Max Boogie Overdrive show their colors early on with this record and show us we need more classic metal mixed with stoner boogie. Cause this is what truly gets you high!

(Written by JK)

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Scorched Oak – Perception

 

 

Scorched Oak – Perception
Self-released – 2024
Rock, Doom, Stoner, Metal
Rated: ****

We’ve been listening to the German three called Scorched Oak ever since we heard that damn fine Withering Earth album back in 2020. It jumped to the Top 10 of that months Doom Charts and rightfully so. And their new album Perception has everything on board to do even better! It also comes at a better time, cause with Withering Earth releasing during the pandemic, they could not really tour that album. With Perception they can, will, shall and with a vengeance. In fact, for all my fellow Dutchies, they will be playing the formidable Love For Loud Fest in Amsterdam, this Friday the 29th of March. A date that is not to be missed! And an album that needs to be heard! Perception’s biggest change compared to Withering Earth, is perhaps the use of vocals. To be begin with, there are more. Bass player Linda Klockmann can be heard on many songs, with excellent vocals that both move and inspire. With the exact amount of careening, almost flying out of the curve here and there, her vocals will surge through your blood and either fire you up or give you goosebumps. There are tales of woe and elation, and you will feel them all. And then there are those little sighs and whispered sounds, that will do all sorts of other things to you. Guitarist Ben Plochowietz delivered most of the sparing vocals on that first Withering Earth album but did so on that album splendidly. They had its own color and even though you could hear he was trying to find the best way to use them, he sounded like he would be comfortable with his voice soon enough and it sounded on the verge of becoming amazing. On Perception, he also uses his voice more, but has now decided to set his voice to a burling tone. Which doesn’t seem to work constantly, on a few occasions even sounding like has just finished a bottle of coke and desperately needs to belch. It’s the Rob Zombie approach to singing, and I loved his earlier vocalization more. But there surely will also be fans out there on the opposite side, digging it a lot. And don’t get me wrong, there are parts on the new album where it definitely works, but also where, for me personally, it doesn't. And that’s the sole reason, this album isn’t the best album of 2024 for me, but it is still high up on the list though. Extremely high! And for many reasons…

Just listen to opening track and single, with cool video, Delusion. The way it immediately sets the scene, with its Eastern motif, painting that windswept, purple dawn of the desert. The shadowy silhouettes traversing the endless dunes, before the sound, the volume, the fullness slowly builds towards that crash, the wonderful sigh and the powerful push that follows. That luscious drum work, melodic, shifting, like the sand beneath your feet. It continues in another amazing track that follows called Mirrors. A highlight in vocals once again, a doomier approach to the riffs and the drums. Often spilling an atmosphere around you of a night sky about to tumble down. The calmer moments feeling like the last seconds you can still see the stars reflected in the motionless oasis water. Mirrors… And Mirrors, with that space, kraut influenced end part, so danceable and possibly a part that could be extended live for ages, when they see the crow go wild. A part that returns in a slightly different form in bonus track Wizard. Need to hear one more track to be convinced? Well, of course third track Relief is there for you, another more metal approach to their sound. Stomping, motoring, inching towards an edge you never knew was there. But personally, I reckon Echoes, which is another highlight in vocals, will be able to cross boundaries and make fans out of everyone. And together with the opener it’s their most stoner rock and accessible track. And then there are still the amazing Reflection and the brilliant Oracle still to follow. And after this incredibly album has finished and so many words written down, not really my best of writing, I haven’t even mentioned the fact that Esben Willems at his Studio Berserk, and who you might know from Monolord, mastered the album! Or that Robin Stirnberg, aka, Rombonaut mixed it! And there is still bonus track Wizard, which is probably called bonus track because it feels less in place with the rest of the themes and atmosphere on the album, but still holds so much great rock. Those riffs, that bass work, those drums, they will cast a spell on you. Perception is an album that should cement Scorched Oak’s place in the heavy rock firmament. And like a bright shining star it will guide all of us heavy rock fiends to the right place to rock out. And buy their vinyl… And they do that all themselves… What? Wait? They are still unsigned? 

(Written by JK)

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Greenleaf - Breathe, Breathe Out

 

Greenleaf - Breathe, Breathe Out

It’s the new Greenleaf single, out since some 18 hours and spreading like wildfire! And rightfully so! Breathe, Breathe Out has everything you love about Greenleaf! And you love so much. If there’s one band that has really carved out its own sound, its own signature, it is definitely Greenleaf! And we can’t wait to hear the full album: The Head & The Habit! Check out the first single and damn cool video below… And go and demand those shirt be printed just like the rest of us!

 

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Stoner HiVe’s Top 10 Most Listened Artists Last Week…

 

 

Stoner HiVe’s
Top 10 Most Listened Artists Last Week…

No Man’s Valley
Full Earth
Iron Jinn
Fischer-Z
Khirki
Acid Mammoth
Lie Heavy
River Lucifer
Hypnosaur
Abrams

The week has flown by! Rent paying work, life, you know the deal, it all got in the way of the good stuff again… So, we weren’t able to do as much as we have hoped. Also, because Friday was taken up by all those Doom Charts Freebies. Did you grab any? Found your new favorite album? Hope so, if not, check the ones above… Or check out Sonic Wolves’s III album, we were honored to deliver the premiere for that wild rocker. But besides all that Sonic Wolves stuff, we were only able to write a few words about Full Earth’s Cloud Sculptures. Which is big in every sense of the word! And yes, because of an interview, the new Fischer-Z album Triptych was on heavy rotation. The old new wave punk, has gone full troubadour. Here’s hoping we have time to do more this week. Enjoy yours!

Full Earth – Cloud Sculpters

 

 

Full Earth – Cloud Sculpters
Stickman Records – 2024
Rock, Prog, Fusion, Kraut, Instrumental
Rated: ***

It was released a week ago digitally, the debut album by the new five-piece from Oslo called Full Earth. Formed by Kanaan-drummer Ingvald André Vassbø to see even more of his inspirations, ideas and conceptions come to live. He immediately implored the aid of his two Kanaan companions, guitarist Ask Vatn Strøm and bassist Eskild Myrvoll, who plays guitar, synth and samples for this album. To round out the quintet he got jazz bassist Simen Wie and for keys and organ Øystein Heide Aadland who you might know from the Drongo project. Well, together they formed a band whose names and deeds were to be retold throughout history and their first album would be called: Cloud Sculptures. A prog rock extravaganza lasting almost one and a half hours. Divided into six tracks, four of which lasting from almost fifteen minutes to over twenty minutes. And two shorter compositions. If that sounds big, you will feel dwarfed when you finally start listening. The first two compositions are an album in their own right, totaling forty-one minutes, and spending all those minutes in a whirling progressive adventure, which feels as imaginative as it feels powerful. Building segments, prolonged releases, expert instrumentation and with so much happening around you that you will feel the world spin out of control around you. And as you become overwhelmed by the entire experience, they manage to give you just the perfect handle to hold on to and to keep moving forward. And on some level you will never want Full Earth Pt1 – Emanation or the following title track Cloud Sculptures to end. And that is why third track Weltgeist, feels as the unwelcome interlude, a rude gaseous stopping point for the cosmic trip you were on. The bathroom break you did not need. On some level I can understand the need for this kind of extrapolation of vaporous keywork, but it seems out of tune with all that you had been experiencing on those first two tracks. Even though fourth track The Collective Unconscious starts by building on Weltgeist, but you immediately feel this is going places. It will not stay the intangible essence of what Weltgeist turns out to be. And by that fourth track you are already an hour deep into Cloud Sculptures and there is still so much more to come. And yes, I am all for more and more and just a bit more. But as Echo Tears bubbles over me, I cannot help but think, that like Weltgeist, it feels out of tune with the other tracks. Where everything on the album became more and more, more instrumentation, more segments, more minutes of wonderful prog rock, Echo Tears turned a minimalist corner. There is wonderment here, and there is a definite trance inducing capability about the entire organ driven arrangement as they dance around each other. But it’s almost as if it’s meant for an entirely different experience than those prog rock wonders of before. Even though, once again final track Full Earth Pt II – Disintegration does build upon the resonance left behind by Echo Tears. Slowly turning into a chaotic overture, destroying time signatures, melodicism and then turning back around and into this dynamic, but still extremely turbulent abstract, and expressionistic drip like prog. It is wild, awe-inspiring, shocking, and so is looking back on the almost one and half hours of Full Earth. There is so much and perhaps, and I hardly ever say this, there is a too much. It’s difficult to wrap your mind around all you heard and experienced. Full Earth is so full of everything, it might make your head explode. Perhaps that is the reason there is so much. Ingvald André Vassbø had to let everything out… Cause if you are so extremely full of ideas and inspiration, you’d better let it out… If not, you might explode...

(Written by JK)

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Full Album Premiere – Sonic Wolves – III

 

 

Full Album Premiere – Sonic Wolves – III

The review for this wonderful album went up only a few hours ago! Italian freak masters Sonic Wolves have delivered a masterpiece of chaos and fury; and made III a righteous tour-de-force! They kick out the jams in such an electrifying way, it would make MC5 jealous! A five star album everyone should hear… You can read all our thoughts if you scroll down or click HERE… And we are honored to present to you the FULL ALBUM PREMIERE for that wonderful album! Go check it out below!

Sonic Wolves - III - REVIEW

Hey, and if you don’t want to take our word for it…
|
Go visit Outlaws of the Sun and see what Steve Howe says…

Or Desert Psychlist with Frazer Jones’s take!

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Sonic Wolves – III

 

 

Sonic Wolves – III
Argonauta Records – 2024
Hardrock, Garage, Seventies, Blues, Psych, Proto
Rated: *****

They hail from Alessandria, Italy and have been putting out music for over ten years. And with spurs earned in bands like Ufomammut, Pentagram and Mortuary Drape you can safely state that the Sonic Wolves three are a powerhouse power trio! And that their third album III is one that needs to be devoured as soon as it hits the streets! Well, you are in luck my friends! The release date is just around the corner, this Friday to be exact, and you are even more in luck if you follow Stoner HiVe by coincidence, cause we get to do the premiere today for this wild and wonderful record! The Full Album Premiere will be going live in a few hours, but first lets dive into their third full-sized album called III. An album fans have been waiting for, for more than six years. Formed in 2012 by drummer Vita (ex-Ufomammut) and bassist/singer Kayt Vigil (ex-Pentagram and ex-The House of Hasselvander) they found a new guitarist in Nico Nigro back in 2022. The new guitar blood resulted in Sonic Wolves evolving, becoming even more feral, dangerous, and having to lay down the tracks that will surely be coursing through your veins after that first time you hear III in full. Bursting out of the gates with that second single Shapeshifter, a wild, seventies inspired, proto loving, hard rocking battering ram that is chuck full of riffs, drums and amazing bass work! The way they make the chaotic and the excessive come together to form harmony and delight. It will feel like freedom personified, the ability to do whatever the hell you want. Which seems to be the main emotion throughout the record, which is also the main lyrical focal point on most of the songs. Jailbreak in the literal sense, like on Shapeshifter. Or escaping the prison of one’s mind, it's all there to hint at the freedom that hides within humans across the globe. Hitting you in strides, after that opener, is an eleven and half minute rocker called O.B.E. Which opens like a logical, expanding and explosive follow-up to Shapeshifter. Freak blues, freak out psych all rolled into one; but just before the halfway mark it slows down, dissipating into an ambient almost amniotic ebb and flow, a calm and tranquil rippling of sound, which does not immediately soothe the soul because of the eerie and haunting sounds floating around as well. Third track Dead To The World takes you back to the trash can kicking, freak out psych, seventies blues and garage. Highly energetic and powerful, the guitar once again is allowed to take center stage and furiously deliver his groovy and overwhelming axe-work. Dark Recollection, shifts down one notch, but only in tempo, not in the output showing off their technical tour-de-force. And where this kind of technical playing often lacks soul and groove, this isn’t the case with Sonic Wolves. It might tire you from spending all your energy to keep up, but it is never tiresome. On the contrary, its riveting and invigorating, it will have you bouncing off the walls and dancing on the ceiling. They slow down once more to atmospheric, spacey and calming sonic waters after three minutes of Heavy Lies The Crown. But that will be all the respite and ease you get, for the three tracks that follow are all blow out, festive, metal touched and full of vigor. III is highly explosive! Why yes! On their third full-sized album Sonic Wolves show us they like to burn the candle at both ends, and that those candles are sticks of dynamite! Sonic Wolves are here to make it all go boom!

(Written by JK)

So... Want to hear the Full Album?
Check in again in a few hours to hear Sonic Wolves's III in Full! 



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