zaterdag 2 november 2019

Bow & Arrow - Bow & Arrow


Bow & Arrow - Bow & Arrow
Self-released - 2019
Doom, Sludge
Rated: ****

Prepare to weather a siege of heavy from Columbus, Ohio’s latest doom export, Bow & Arrow, on their self-titled debut EP. Compromised of four tracks of visceral, sludgy doom, the short release sees the three piece crush with a menacing and physical presence, complimented by the raw production and filthy buzz saw guitar. In true doom fashion, the riffs come low and slow, repeating Sabbath and High on Fire inspired grooves over thundering drums and a thrumming bass placed high in the mix. After a vicious instrumental start to opener “Hunger”, the multiple vocals barge in to top it all off, barking out eerie, guttural shouts in unison to add a final element of danger to the aural bludgeoning. Second track “Enemy” jacks up the foreboding atmosphere even further with a creeping intro that builds into more grinding low end and thudding war drums. Dire warnings are cried out over the noise, and a solo emerges that could rend amps in two by tone alone. The third and shortest cut, “Kiss”, tweaks the formula slightly, however, with a drifting riff that answers the question “what if Nebula doomed?”, before quickly shifting into high gear with up tempo pummel and piercing guitar. To bring things to a suitably crushing end, closer “Overthrown” keeps up the energy with a churning, driving rhythm emphasized by stop-start crash liable to snap the hairiest of hesher necks. Primal and heavy as hell, Bow & Arrow distinguish themselves from the pack with a caustic and gritty sound that brings atmosphere and weight in equal measure, promising wicked things to come from these Ohio brutes.

(Written by Kyle / Shastabeast)



Stoner HiVe’s Top 10 Most Listened To Artists Last Month…


Stoner HiVe’s
Top 10 Most Listened To Artists Last Month…


A day late of course… As usual… But here’s the quick Top 10 of the Most Listened to artists of the past month…  And hey, there’s a new Doom Charts on the horizon! Which is all we truly need!

donderdag 31 oktober 2019

Lacing – Without


Lacing – Without
Elder Magick Records / Handstand Records – 2019
Rock, Grunge, Alternative, Shoegaze, Noise
Rated: ****

The four that form Lacing have been producing music for a few years now. And their first full-sized album Bummer from 2017 was lauded by many. Now they return with a follow-up entitled Without. Which follows nicely in the melancholic and shoegaze footprint that Bummer was. And where the debut already moved into more noisy and grungy area’s;  Without strolls along those borders even more. And crossing borders is what this album is all about. The four keep touching on those different ‘styles’ without ever committing to one, making the entire record a completely different kind of escapade. Energetic and heavy one moment and languid and draining the next. Add to this the seriousness of the lyrical content, spawned by the abusive childhood vocalist Joseph Davenport unfortunately had, but which therefor also taps into existential fears, angers and troubles; and it becomes a cathartic experience. They manage to discolor the long shades their music cast and turn it all into this almost ethereal fade of gray…

(Written by JK)



Airbourne – Boneshaker


Airbourne – Boneshaker
Spinefarm – 2019
Rock, Hardrock, Pubrock
Rated: ****

We mentioned it before when we mentioned Airbourne. We had a great interview with Joel and Ryan many years ago which almost made them travel south because Rhino Bucket was playing my hometown. That was many many moons ago and to this day Airbourne still sounds like that day and still sounds like everything great about Aussie Pub Rock and still sounds like,  yes, ACDC… But they reference the band themselves, cause it is the best way to explain what kind of music they make. Cause The Angels, Rose Tattoo and Billy Thorpe are just not that well known outside the big continent island… Are the boys approaching perfection with their fifth studio album Boneshaker? Hell no, and that’s just the way we like it. Ten tracks filled to the absolute max with pure and unadulterated hardrock. It is once again highly energetic, thanks to those ballsy riffs, stampeding drums and scream along choruses. And all that in only half an hour! A few brilliant moments with anthems like Burnout The Nitro or Sex To go and a very warm, live sounding sound. Sweet stuff! And come on, there are always those late night drives or parties that are dying down that could use a big kick in the balls! And what better way to do that then to soundtrack the night away with Airbourne…

(Written by JK)



dinsdag 29 oktober 2019

Megalith Levitation – Acid Doom Rites


Megalith Levitation – Acid Doom Rites
Addicted Label – 2019
 Doom, Sludge, Heavy Pysch
Rated: ****

Playing music that affects the heart as well as the head, Megalith Levitation mix up an alchemists brew of doom/stoner and heavy psych. Drones and riffs are cranked out at volume with a healthy abuse of fuzz boxes. With song passages and atmospheric interludes that have the cosmic feel that untested drugs can invoke, when the Sleep type riffs start to explode and morph into fucked up Spaceman 3 loops of trance inducing psychosis, you know you are on to a winner. Layered, distorted vocals are reverb drenched and put pretty low down in the mix, adding to the sense of strangeness that runs through the songs. This a is a fully formed statement of intent from a band that can truly claim to be forging ahead in the psych doom/stoner world. This is bong music of the highest order. Space is deep.

This is bong music of the highest order.

Space is deep.

(Written by Tony)



maandag 28 oktober 2019

Colfax Speed Queen - Dirty Mirror


Colfax Speed Queen - Dirty Mirror
Self released - 2019
Garage rock, punk, surf
Rated: *****

Tearing out of the gate like a bat out of hell’s own basement party, Denver rockers Colfax Speed Queen bring the heat with a raucous mix of heavy garage rock, horror punk, and surf on their third LP Dirty Mirror. Built on a backbone of nonstop, rapid-fire drumming, the guitars buzz and crunch alongside eerie 80s synth to hammer home the band’s trademark frenetic, punkish energy and sly humor. Opening with the grinding and groovy “Buy It”, complemented by manic drum fills, the vocals are immediately shown to be one of Colfax Speed Queen’s key strengths. Reminiscent of All Them Witches in their deep resonance but with an added sneer, they spit venom with lines on commercialism and a quest to find some tasty hot sauce. The wry everyday humor runs throughout the album, a shining example of which is closer “Party’s Full”. After a tense and ominous buildup, hilarious and all too real tragedy strikes as the pursuit of some weekend lovin’ is thwarted by the bouncer’s cries of “party’s full, you can’t come in!” Alongside the excellent vocals, the guitars and synth sprint forward with relentless energy and more than a few curveballs, from the head bobbing bass and post punk feel of “Fuel Good”, to the growling surf riffs and squeals of instrumental “Spooky” and the whimsical ballad “Dreamers”. Another highlight, “667” is a driving instrumental of horror punk keys and pounding drums that demands to be played and terribly danced to in the sweatiest of bars. “Dirty Mirror” is a grimy, fun-loving shot of adrenaline that skillfully blends rock, punk, and surf into a sound that’ll have you grabbing the nearest cheap beer and joining the quest for a good time.

(Written by Kyle / Shastabeast)






The Whirlings – Earthshine


The Whirlings – Earthshine
Self-Released – 2019 (October 18th)
Doom, Post-Metal, Psych
Rated: ****

Italia: A 'vecchio amico' to half-a-century of mind-expanding sounds once again proffers the sweet fruits if its musical vines with Earthshine, the third release of L'Aquila band, The Whirlings. Earthshine captures the music of a band who have evolved through Psychedelia and Metal, honing a dramatic and all-encapsulating amalgam of Heavy Doom, Post-Metal and Dark Hallucinations that sweep, cajole, chastise and purify their way through the five pieces on offer. "Vacuum" opens with the delicate promise of warm reverb, drizzling into an electro - krautrock groover that has shades of Nina Hagen, winding down to a teeth-rattling doom closure. The groove continues unabated with 'Reverence', a funk rhythm underpinning smooth synths and gentle guitar echoes that gather momentum and tension to a crushing conclusion. The fluidity and dynamics of The Whirlings sound is most amply demonstrated on the closing epic, "Lost In Without": a brutal, beautiful and bold demonstration of a band at their zenith, ultimately creating a work that easily stands shoulder-to-shoulder with counterparts Ufomammut - Stunning!

(Written by Reek of STOOM)



Stoner HiVe’s Top 5 artists listened to last week…


Stoner HiVe’s
Top 5 artists listened to last week…


Just a quick Top 5, cause we are in a very annoying hurry… And hey, the new edition of the Doom Charts is around the corner… So, we shall be getting some righteous kicks in a few days!

woensdag 23 oktober 2019

Grim Earth - Stash of The Damned


Grim Earth - Stash of The Damned
Self released - 2019
Sludge, Doom, Stoner
Rated: ****

Stash of The Damned, the latest EP from Washington sludgers Grim Earth, is the musical equivalent of being buried alive and coughed back up. But you’re gonna enjoy it, dammit. The four-piece cut a bloody swathe over three tracks of doomed out sludge, caking Sabbathian riffs in grimy feedback and thick, murky noise. Between the thunderous hoofsteps of opener “Haunter”, the thrashy riffs and ear-shredding guitar whine of the second track (whose title one can only ponder in horror), and the low end roll of “Ruins”, Grim Earth offer no respite. A backbone of stoned, doomy riffs sets the foundation for waves of muddy distortion, which turn from sluggish to manically uptempo and back again. Case in point, after some manic thrashing, the final riff of “Ruins” kicks in with roughly the speed and weight of an elephant in a swamp. And that elephant ate all his elephant friends. Over all of this the screamed vocals serve as their own wall of gnarly distortion, topping off a perfectly filthy EP that promises great noise to come from these west coast madmen.

(Written by Kyle)



woensdag 16 oktober 2019

John J Presley – As The Night Draws In


John J Presley – As The Night Draws In
AWAL/BMG/Nica Recordings – 2019
Rock, Blues, Stoner, Dark, Doom, Noise, Fuzz
Rated: *****

When you notice the drummer from Phe buying a record from an artist who’s name rings a bell but for some reason you cannot immediately place, you’d better run to the store and check it out. And so we did! John J Presley is the name and even though the family name holds gravitas, the music on his debut album As The Night Draws In has even more weight, depth and darkness to it all. His story telling blues; is atavistic, poetic, dramatic and wild. The music meandering through the stoner landscape, the heavy rock scene and the doomy influences remind you of so much and so little altogether. It is different and yet it feels like a long lost heavy diamond by artists like Nick Cave, Mark Lanegan or David Eugene Edwards. There is so much brooding under the surface and even though there’s always that pregnant tension on every track; it also dissipates when the following arrives. At which point it starts again; either with loads of distortion, a massive amount of fuzz or some earth shattering noise. So incredibly soulful, so heavy and so loud, this is one hell of an debut album! An absolute must hear, for everyone out there...

(Written by JK)






dinsdag 15 oktober 2019

Antarticus - The Frozen Horror


Antarticus - The Frozen Horror
Stoneburner Records - 2019
Doom, Stoner, Progressive
Rated: *****

From the great white of the Yukon, the three daring warriors of Antarticus brave icy peril to deliver a slab of epic and crushing progressive stoner doom with EP The Frozen Horror. Telling a mesmerizing three-part tale of subzero danger, the trio are armed with 80s synths, Sabbath worship, and loads of atmosphere, with each track chronicling a different chapter both lyrically and musically. The excellent retro D&D cover is a good indicator of things to come, as the title track opens with laser beam synths before diving into low and slow Sabbathian doom and churning High on Fire-inspired riffs. Respite from the aural assault is given only by an eerie synth interlude, immersing the listener in the snowy pursuit by some unnamed terror. No “Refuge” is to be found in the standout second track, however, which is a treasure trove of metallic riffs that build up nearly overwhelming tension amid Fu Manchu-styled vocals. After a madman drum fill, a truly evil riff snakes in before lead weighted doom takes over. The track is downright smothered in atmosphere, and is a chilling joy to listen to. Emerging from meager shelter to complete the journey, closing number “Thaw” is a nine and a half minute epic of headnodding crunch and wild drums that follows the daring warriors to world’s end. Minimal, eerie guitars hint at danger, and the journey comes to a morbid end with lumbering low end and haunting shrieks. The Frozen Horror is an extremely impressive accomplishment of an EP, as Antarticus use musicianship and storytelling to play off one another and create an epic, menacing experience that’s as bone-crushing as it is captivating.

(Written by Kyle)




maandag 14 oktober 2019

Nightstalker - Great Hallucinations


Nightstalker - Great Hallucinations
Heavy Psych Sounds Records - 2019
Stoner Rock, Psych
Rated: ****

Stalwarts and leaders of the Greek heavy scene for over two decades, Nightstalker return with their sixth LP Great Hallucinations and prove once again their well-earned reputation. Invoking hazy vocal hooks, mastery of groove, and a combination of warm tone and thick crunch, the quartet provide an unquestionably professional album of classic, psych-tinged stoner rock from start to finish. Over constantly tight, driving drumming, the riffs bounce with grainy fuzz and booming low end, perfectly mixed with catchy Ozzy-esque vocals. Starting with the adrenaline rush of rocking opener “Black Cloud”, Nightstalker show impressive range with the slower, at times delicate “Sweet Knife” followed by the standout slinking, sexy groove of “Sad Side of the City”, the riffs punctuated by thunderous stop-start bass before morphing into soaring guitar. And oh, that bass. Clear and full in the mix, the toe-tapping bass lines bring heaps of groove perfectly in sync with the fluid drumming, which moves between subdued cymbal play and lightning fast fills across the eight tracks. “Hole in the Mirror”, another album highlight, pulls from the best of the previous tracks with a warm, shimmering intro into molten guitar, eventually shifting from languid psych to rolling low end crunch. Showing off the songwriting skills developed over their decades-long tenure, Nightstalker deliver a hip-shaking masterclass in psychedelic stoner rock with Great Hallucinations, laying down groove upon fuzzy groove with style to spare.

(Written by Kyle)







Stoner HiVe’s Top 5 artists listened to last week…


Stoner HiVe’s
Top 5 artists listened to last week…


We haven’t done the list of most listened to artists during the past week for a while. We just never got to it. Or were swamped with other stuff on the Monday… So, here it is, a simple and quick Top 5 of Most Listened to Artists the past week. And guess what, Reek of STOOM has been talking about his musical week on the Doomed & Stoned. So check out the A Week of STOOM segment on Doomed & Stoned and check out the Five awesome releases above… And then you’ll have all the music you can handle on a Monday!